A royal chapel is a chapel associated with a monarch, a royal court, or in a royal palace.
A royal chapel may also be a body of clergy or musicians serving at a royal court or employed by a monarch.
Both the United Kingdom and Canada have a tradition of Chapels Royal.
The first noble or royal court orchestras in German language regions, most of which were founded in the sixteenth century, were called Hofkapelle. When the noble and royal courts dissipated the name was often replaced by Staatskapelle ("State Chapel"), usually indicating an orchestra with a prior tradition as Hofkapelle.
The Vienna Boys Choir replaced the former Hofkapelle at the Austrian Hofburg four years after the original musical ensemble was disbanded in 1920, following the collapse of the monarchy.
Choir of the Chapel Royal, Copenhagen. [1]
The musical establishment attached to the royal chapel of the French kings, the Chapel Royal was founded in the time of the Merovingian kings and reached its zenith under the Old Regime. Under the direction of a clergyman, the Master of the Chapel, the staff included undermasters in charge of rehearsals and the composition of royal masses, an organist, cornetists and around thirty singers and choristers, as well as masters who taught music to the children.
The establishment grew during the reign of Louis XIV to include castrati and women, and the many instruments needed to perform motets. By the death of King Louis XIV, in 1715, the Chapel Royal had a total of 110 singers (sopranos, castrati, haute-contres, tenors, baritones and bass) and 20 instrumentalists (violin and viola, bass violin, theorbo, flute, oboe, bass cromorne, serpent and bassoon)
Chapelle du château de Versailles
The Chapel Royal of Naples, under the rule of Aragon, then of Habsburg Spain, the Bourbons and finally Joseph Napoleon, was the centre of sacred music in southern Italy.
There are several chapels in Spain designated by the sovereign as chapels royal (Spanish : Capilla Real), including the Royal Chapel at the Royal Palace of Madrid and the Royal Chapel of Granada.
Formerly, the Flemish chapel was used separately by the Spanish kings and queens (who also ruled parts of the Low Countries in the 16th century) through the reigns of Charles V, Philip II, Philip III, and Philip IV, until 1637, [2] when it was merged into the capilla real española.
The Royal Chapel, Stockholm. [3]
Other courts, like the Imperial ones, could have court chapels similar to the Royal ones.
Alexander Agricola was a Netherlandish composer of the Renaissance writing in the Franco-Flemish style. A prominent member of the Grande chapelle, the Habsburg musical establishment, he was a renowned composer in the years around 1500, and his music was widely distributed throughout Europe. He composed music in all of the important sacred and secular styles of the time.
Jaap Kunst was a Dutch musicologist. He is credited with coining the term "ethnomusicology" as a more accurate name for the field then known as comparative musicology. Kunst studied the folk music of the Netherlands and of Indonesia. His published work totals more than 70 texts.
Ghiselin Danckerts was a Dutch composer, singer, and music theorist of the Renaissance. He was principally active in Rome, in the service of the Papal Chapel, and was one of the judges at the famous debate between Nicola Vicentino and Vicente Lusitano in 1551.
Marbrianus de Orto was a Dutch composer of the Renaissance. He was a contemporary, close associate, and possible friend of Josquin des Prez, and was one of the first composers to write a completely canonic setting of the Ordinary of the Mass.
Peeter Cornet was a Flemish composer and organist of the early Baroque period. Although few of his compositions survive, he is widely considered one of the best keyboard composers of the early 17th century.
Benedictus Appenzeller was a Franco-Flemish singer and composer of the Renaissance, active in Bruges and Brussels. He served Dowager Queen Mary of Hungary for much of his career, and was a prolific composer of vocal music, both sacred and secular, throughout his long career.
Gaspar de Verlit or Gaspar Verlit (1622–1682) was a Flemish Baroque composer active in Brussels.
Cornelius Canis was a Franco-Flemish composer, singer, and choir director of the Renaissance, active for much of his life in the Grande Chapelle, the imperial Habsburg music establishment during the reign of Emperor Charles V. He brought the compositional style of the mid-16th century Franco-Flemish school, with its elaborate imitative polyphony, together with the lightness and clarity of the Parisian chanson, and he was one of the few composers of the time to write chansons in both the French and Franco-Flemish idioms.
Frans Geysen is a Belgian composer and a writer on music topics.
Carel Anton Fodor or Carolus Antonius Fodor was a Dutch pianist, conductor, and the most prominent composer of his generation in the Netherlands, writing in the manner of Joseph Haydn.
Johann Christian Schickhardt was a German composer and woodwind player.
The Royal Chapel of Granada is an Isabelline style building in Granada, Spain. Constructed between 1505 and 1517, it was originally integrated in the complex of the neighbouring Granada Cathedral. It is the burial place of the Spanish monarchs, Queen Isabella I and King Ferdinand, the Catholic Monarchs. Apart from these historical links, this building also contains a gallery of artworks and other items associated with Queen Isabella.
Servaes de Koninck, or Servaes de Konink, Servaas de Koninck or Servaas de Konink, or Servaes de Coninck was a Flemish baroque composer of motets, Dutch songs, chamber and incidental music, French airs and Italian cantatas. After training and starting his career in Flanders he moved to Amsterdam in the Dutch Republic, where he was active in circles connected to the Amsterdam Theatre.
The Flemish chapel was one of two choirs employed by Philip II of Spain, the other being the Spanish chapel. Deriving from the Grand Chapelle of Philip I of Castile, the choir served under various forms until the reign of Charles II of Spain.
Johan van der Meer was a Dutch choral conductor and pioneer in the field of historically informed performance. He founded the Groningse Bachvereniging.
Willem Jeths is a Dutch classical composer.
A court chapel is a chapel (building) and/or a chapel as a musical ensemble associated with a royal or noble court. Most of these are royal (court) chapels, but when the ruler of the court is not a king, the more generic "court chapel" is used, for instance for an imperial court.
In music, chapel refers to a group of musicians.
Court chapel, or its equivalent in other languages, may refer to:
Johannes Theodorus (Jan) Ingenhoven, was a Dutch composer and conductor. He was one of the first to introduce new influences shaping twentieth century European music into the Netherlands before World War 1, and also took contemporary Dutch music into Germany.