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George FridericHandel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Sir Joseph Barnby was an English composer and conductor.
Charles John Stanley was an English composer and organist.
Elijah, Op. 70, MWV A 25, is an oratorio by Felix Mendelssohn depicting events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Testament. It premiered on 26 August 1846.
The Handel and Haydn Society, familiarly known as H+H, is an American chorus and period instrument orchestra based in Boston, Massachusetts. Founded in 1815, it is in its 207th consecutive season, the most of any performing arts organization in the United States.
Saul is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan, and some of the composer's most dramatic choral pieces. Saul was first performed at the King's Theatre in London on 16 January 1739. The work was a success at its London premiere and was revived by Handel in subsequent seasons. Notable modern-day performances of Saul include that at Glyndebourne in 2015.
Esther is an oratorio by George Frideric Handel. It is generally acknowledged to be the first English oratorio. Handel set a libretto after the Old Testament drama by Jean Racine. The work was originally composed in 1718, but was heavily revised into a full oratorio in 1732.
Joshua is an oratorio by George Frideric Handel. It was composed in a month, between 19 July 1747 and 19 August 1747, six months before the beginning of the oratorio season, and is Handel's fourth oratorio based on a libretto by Thomas Morell. The oratorio premiered on 9 March 1748 at the Covent Garden Theatre, London. Joshua is based on the Biblical story of Joshua as the leader of the ancient Israelites. The story follows the Israelites from their passage over the Jordan River into Caanan and through the Battle of Jericho. The work also includes a love story elaborated from a few hints in the Biblical narrative between Caleb's daughter Achsah and Othniel, a young soldier.
Deborah is an oratorio by George Frideric Handel. It was one of Handel's early oratorios in English and was based on a libretto by Samuel Humphreys. It received its premiere performance at the King's Theatre in London on 17 March 1733.
Edward Lloyd was a British tenor singer who excelled in concert and oratorio performance, and was recognised as a legitimate successor of John Sims Reeves as the foremost tenor exponent of that genre during the last quarter of the nineteenth century.
Bradford Festival Choral Society was founded as a direct result of the opening of St George's Hall in 1853. A massed choir of over 200 singers from far and wide was formed for the first Bradford Musical Festival which took place that year. When the second festival took place in 1856 another choir, consisting of rather more locally based singers, was formed and at the end of the festival it was felt wasteful to disband a group which had already gained such a high reputation. A meeting was held on 17 November 1856 under the chairmanship of Samuel Smith, the original instigator of the construction of St George's Hall, and Bradford Festival Choral Society came into being with Mr Smith as its first President. The conductor was William Jackson who had been the highly successful trainer of the chorus for both festivals. The choir sang and rehearsed at the Hall and soon gained the nickname of the “Coffee and Bun Society” as refreshments were provided for those members travelling from a distance. This arrangement was also intended to discourage possible visits to licensed premises before rehearsal!
John Sims Reeves was an English operatic, oratorio and ballad tenor vocalist during the mid-Victorian era.
Robert Kanzow Bowley, was an English amateur musician, and later an early music administrator.
The Handel Society of New York (HSNY) was a New York City based musical organization that presented concert and semi-staged performances of operas and oratorios by George Frideric Handel from 1966-1974. The group mainly performed out of Carnegie Hall and was responsible for presenting the American and New York premieres of several works by Handel. The ensemble was also the first to record many of these works; releasing several LPs for RCA and Westminster Records.
Parnasso in festa, per li sponsali di Teti e Peleo, by George Frideric Handel, is a festa teatrale, a form also called a "serenata", a type of Italian opera intended as entertainment to celebrate a festive royal or state occasion. The work was written to celebrate the marriage of Anne, Princess Royal and Prince William of Orange. Parnasso in festa had its first performance in London at the King's Theatre on 13 March 1734 and was repeated five times. The operatic entertainment, to an anonymous libretto, was such a success at its London premiere that although it was intended as a one-off production for a royal wedding, Parnasso in festa was revived by Handel in several subsequent seasons.
William Henry Husk (1814–1887) was an English historian of music and critic.
George Frederick Perry was a British violinist and organist, and composer of operas and oratorios. He was musical director of the Haymarket Theatre, and later was leader of the orchestra of the Sacred Harmonic Society.
Samuel Harrison was an English singer. A tenor, he sang in notable concerts of the day, including the Concerts of Antient Music and the Three Choirs Festival.
Charles Lockey was an English singer. A tenor, he is known particularly as a soloist in the first performance of Mendelssohn's oratorio Elijah.
References
- 1 2 3 Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- 1 2 3 "Royal College of Music: Sacred Harmonic Society". AIM25. Retrieved 15 March 2016.
- ↑ Robin Humphrey Legge (1896). . In Lee, Sidney (ed.). Dictionary of National Biography . Vol. 45. London: Smith, Elder & Co.