A choir is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures.
A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Jakob Ludwig Felix Mendelssohn Bartholdy, widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's Songs Without Words are his most famous solo piano compositions.
An oratorio is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Catholic composers looked to the lives of saints and histories from the Bible while Protestant composers only to Biblical topics. Oratorios became extremely popular in early 17th-century Italy partly because of the success of opera and the Catholic Church's prohibition of spectacles during Lent. Oratorios became the main choice of music during that period for opera audiences.
The St Matthew Passion, BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of Baroque sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord Jesus Christ according to the Evangelist Matthew".
A Child of Our Time is a secular oratorio by the British composer Michael Tippett (1905–1998), who also wrote the libretto. Composed between 1939 and 1941, it was first performed at the Adelphi Theatre, London, on 19 March 1944. The work was inspired by events that profoundly affected Tippett: the assassination of a German diplomat by a young Jewish refugee in 1938, and the Nazi government's reaction to the assassination which was in the form of a violent pogrom against Germany's Jewish population: Kristallnacht. Tippett's oratorio deals with these incidents in the context of the experiences of all oppressed people, and it carries a strongly pacifistic message of ultimate understanding and reconciliation. The text's recurrent themes of shadow and light reflect the Jungian psychoanalysis which Tippett underwent in the years immediately before he wrote the work.
The Brockes Passion, or Der für die Sünde der Welt gemarterte und sterbende Jesus, is a German oratorio, libretto by Barthold Heinrich Brockes, first published in 1712 and seeing 30 or so more editions over the following 15 years.
The Prodigal Son is an oratorio by Arthur Sullivan with text taken from the parable of the same name in the Gospel of Luke. It features chorus with soprano, contralto, tenor and bass solos. It premiered in Worcester Cathedral on 10 September 1869 as part of the Three Choirs Festival.
Saint Peter's Singers (SPS) is a chamber choir associated with Leeds Minster, Leeds, West Yorkshire, England that celebrated during the Season 2017/2018 the fortieth anniversary of the choir's formation by Harry Fearnley in 1977. An anniversary concert took place at Leeds Minster on Sunday 25 June 2017 with the National Festival Orchestra and soloists Kristina James, Joanna Gamble, Paul Dutton and Quentin Brown. Further anniversary year events included Bach Cantatas and Music for Christmas at Fulneck Church in August and December respectively, Handel Coronation Anthems at Holy Trinity, Boar Lane as part of the Leeds Handel Festival in September and a tour of East Anglia in October. In November at Leeds Town Hall, the Singers participated in Herbert Howells's masterpiece Hymnus Paradisi with Leeds Philharmonic Chorus and Leeds College of Music Chorale under the direction of Dr David Hill with the Orchestra of Opera North. 2018 began with a concert of Sacred Choral Masterworks at Leeds Town Hall in February and Bach's Mass in B minor at Leeds Minster on Good Friday 2018 in memory of long-serving member Jan Holdstock. The final concert of the current season takes place at Leeds Minster on Sunday 24 June at Leeds Minster at 5.30. At this event will be presented the first performance of a new work from composer Philip Moore commissioned for the Singers' 40th anniversary – the motet Tu es Petrus – along with music by E W Naylor, Arvo Part, Sir Hubert Parry, Judith Bingham and Maurice Durufle.
Marjorie Gwendolen Thomas was an English opera and oratorio singer for almost three decades. She sang at the Royal Opera House and was a regular performer at the Promenade Concerts and the Three Choirs Festivals and, for many years, a professor of singing at London's Royal Academy of Music. A favourite soloist of Sir Malcolm Sargent's, she also participated in a number of recordings of Gilbert and Sullivan operas.
Otto Moritz David Goldschmidt was a composer, conductor, pianist and educator, whose works included a piano concerto and other piano pieces, and an oratorio, Ruth, on a biblical theme, written for the Three Choirs Festival. From a prosperous mercantile family in Hamburg, he studied under Felix Mendelssohn at the Leipzig Conservatoire and quickly established himself as a pianist. Among the singers whom he accompanied was "the Swedish Nightingale", the soprano Jenny Lind. They married in 1852, after which she insisted on being billed as "Madame Lind-Goldschmidt".
Derby Choral Union is one of the UK’s longest standing choral societies having been formed in 1866. The choir was established to perform choral music of the highest quality, a tradition it strives to maintain to this day. The repertoire includes traditional choral works as well as music by 20th-century and more contemporary composers. Derby Choral Union is a registered charity and an independent choral society. It promotes concerts in Derby, England, and the surrounding district, and has over 100 active members.
The Creation, the oratorio by Joseph Haydn, is structured in three parts. He composed it in 1796–1798 on German text as Die Schöpfung. The work is set for soloists, chorus and orchestra. Its movements are listed in tables for their form, voice, key, tempo marking, time signature and source.
William Smith Rockstro was an English musicologist, teacher, pianist and composer. He is best remembered for his books, including music textbooks, music history and biographies of famous musicians.
Le Laudi, Op. 25, is an oratorio by the Swiss composer Hermann Suter. The full title is Le Laudi di San Francesco d'Assisi . The text is Francis of Assisi's Canticle of the Sun in the original Italian. Suter scored the work for soloists, choir, children's choir, organ and large orchestra. It was premiered in 1924, with the composer conducting the Basler Gesangverein on the occasion of its centenary. The oratorio of around 70 minutes is one of Suter's most important works and has been championed by conductors such as Wilhelm Furtwängler, who conducted the first performance in Vienna in 1926 and further performances in Europe. Although now performed relatively rarely elsewhere, it has been presented regularly in Switzerland. It was also recorded in 1991 and 2007.
Carl Friedrich Rungenhagen was a German composer and academic teacher at the Prussian Academy of Arts.
The Brockes Passion, or Der für die Sünde der Welt gemarterte und sterbende Jesus, is a German oratorio libretto by Barthold Heinrich Brockes, first published in 1712 and going through 30 or so editions in the next 15 years.
George Frederick Perry was a British violinist and organist, and composer of operas and oratorios. He was musical director of the Haymarket Theatre, and later was leader of the orchestra of the Sacred Harmonic Society.
Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of Messiah, George Frideric Handel's 1741 oratorio. On the initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna.
Charles Lockey was an English singer. A tenor, he is known particularly as a soloist in the first performance of Mendelssohn's oratorio Elijah.
