Octet (Mendelssohn)

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Octet in E-flat major
by Felix Mendelssohn
Octetp1.jpg
First page of the autograph manuscript
Key E-flat major
Opus 20
Composed1825 (1825)
DedicationEduard Ritz
Performed30 January 1836 (1836-01-30)
Durationabout 30 minutes
Movementsfour
Scoringdouble string quartet (4 violins, 2 violas, 2 celli)

The String Octet in E-flat major, Op. 20, MWV R 20, was written by the 16-year-old Felix Mendelssohn during the fall of 1825 and completed on October 15. [1] Written for four violins, two violas, and two cellos, this work created a new chamber music genre. Conrad Wilson summarizes much of its reception ever since: "Its youthful verve, brilliance and perfection make it one of the miracles of nineteenth-century music." [2] This was one of the first works of Mendelssohn to be very well received. [3]

Contents

Background

Mendelssohn wrote his octet and gave a signed score to his friend and violin teacher Eduard Rietz  [ de ] as a birthday present. Rietz copied parts from the score to use for the premiere. The string octet was a fairly new genre of chamber music at the time, the most widely known genre of chamber music still being the string quartet. The genre was rapidly gaining popularity among other composers. [4]

When Mendelssohn composed his octet, it was a rather new genre, and he may have been inspired by Louis Spohr's Double Quartet in D minor, Op. 65. [1] But Spohr's double quartet was written with the two quartets playing apart from each other; Mendelssohn's octet is an undivided ensemble. [2] In the score, Mendelssohn wrote that the piece should "be played by all the instruments in the style of a symphony." [1]

Structure

Instrumentation

The incipit of the Octet, Op. 20 MendelssohnOctet.png
The incipit of the Octet, Op. 20

The original score is for a double string quartet with four violins and pairs of violas and cellos. Mendelssohn instructed in the public score, "This Octet must be played by all the instruments in symphonic orchestral style. Pianos and fortes must be strictly observed and more strongly emphasized than is usual in pieces of this character." [8]

The piece is sometimes played by full string sections using more players for each part as well as an added double bass part which usually (but not always) doubles the second cello part an octave lower. Arturo Toscanini created such a version for a performance with the NBC Symphony Orchestra in 1947. In 2009, conductor Yoon Jae Lee made a transcription of the first, second, and last movements for full orchestra. [9]

The composer also transcribed the piece as a piano duet with violin and cello ad. lib. and orchestrated the third movement (with alterations) as an alternative third movement to his Symphony No. 1 in C minor.[ citation needed ]

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References

  1. 1 2 3 Todd, R. Larry (2003). Mendelssohn : a life in music. Library Genesis. Oxford ; New York : Oxford University Press. ISBN   978-0-19-511043-2.
  2. 1 2 "Octet in E-flat major, Op. 20 - Felix Mendelssohn". www.earsense.org. Retrieved 2021-04-28.
  3. "Felix Mendelssohn: Octet in E-flat major, op. 20, for strings (1825)". Library of Congress. Retrieved 2021-04-28.
  4. "Felix Mendelssohn: Octet in E-flat major, op. 20, for strings (1825)". Library of Congress. Retrieved 2021-04-28.
  5. Program notes Archived 2013-06-16 at the Wayback Machine from a concert at the Kennedy Center
  6. LA Phil, Program notes. Retrieved 19 October 2017
  7. R Larry Todd, Mendelssohn, p. 152. Retrieved 19 October 2017
  8. "Octet in E-flat major for string, Op. 20" (PDF). NY Philharmonic. Retrieved 13 June 2011. – NY Philharmonic program notes PDF
  9. "Review: Reduced Baltimore contingent pleases at Longwood". Philly.com. Archived from the original on October 23, 2013. Retrieved 11 April 2013.