Dionysius Lardner "Dion" Boucicault was an Irish actor and playwright famed for his melodramas. By the later part of the 19th century, Boucicault had become known on both sides of the Atlantic as one of the most successful actor-playwright-managers then in the English-speaking theatre. The New York Times hailed him in his obituary as "the most conspicuous English dramatist of the 19th century,"; he and his second wife, Agnes Robertson Boucicault, applied for and received American citizenship in 1873.
Olga Isabella Nethersole, CBE, RRC was an English actress, theatre producer, and wartime nurse and health educator.
Matilda Charlotte Vining, known professionally as Mrs. John Wood, was an English actress and theatre manager.
Leonora Braham was an English opera singer and actress primarily known as the creator of principal soprano roles in the Gilbert and Sullivan comic operas.
Harriett Everard was an English singer and actress best known for originating the role of Little Buttercup in the Gilbert and Sullivan hit H.M.S. Pinafore in 1878. The character regretfully reveals a key secret that sets up the ending of the opera.
Pauline Markham was an Anglo-American dancer and contralto singer active on burlesque and vaudeville stages during the latter decades of the 19th century. She began by performing juvenile roles in Manchester, made her debut on the London stage at 20 and a year later New York as a member of the British Blondes which introduced Victorian burlesque to America, where for a few years she would find phenomenal success before her career settled into a long steady decline.
The Fifth Avenue Theatre was a Broadway theatre in Manhattan, New York City, United States, at 31 West 28th Street and Broadway. It was demolished in 1939.
The Hollis Street Theatre (1885–1935) was a theatre in Boston, Massachusetts, that presented dramatic plays, opera, musical concerts, and other entertainments.
Lottie Venne was a British comedian, actress and singer of the Victorian and Edwardian eras, who enjoyed a theatre career spanning five decades. Venne began her stage career in musical burlesque before moving into farce and comedy. She appeared in several works by each of F. C. Burnand and W. S. Gilbert and was often in plays with Charles Hawtrey later in her career.
Sapho was a 1900 American play by Clyde Fitch, based on an 1884 French novel of the same name by Alphonse Daudet and an 1885 play by Daudet and Adolphe Belot. It was at the center of a sensational New York City indecency trial involving the play's star and producer/director, Olga Nethersole. The play was not an exceptional success but the incident is considered a notable step in the transformation of American society's attitudes regarding gender roles and public depictions of sex in the 20th century.
Benjamin E. Woolf was a British-born American violinist, composer, playwright, and journalist. His best-known works were the comic operas The Mighty Dollar and Westward Ho.
Sylvia Gerrish was an American musical theatre performer who found success in New York and London in the 1880s and early 1890s. She was known as "The Girl with the Poetical Legs".
Lenore Alma Stuart Stanley was a British actress and vocalist once popular on both sides of the Atlantic Ocean. She was perhaps best remembered as Lady Teazle in Sheridan's The School for Scandal and Aphrodite in George Procter Hawtrey's Atlanta. In a career of more than thirty years she appeared in some sixty plays and made two North American tours. Her later years were spent in reduced circumstances, culminating with her death at a London prison hospital following an arrest for public intoxication.
Laura Joyce Bell was an English-American actress and contralto singer mostly associated with Edwardian musical comedy and light opera.
Marie Jansen was an American musical theatre actress best known for her roles at the end of the 19th century. She starred in a number of successful comic operas, Edwardian musical comedies, and comic plays in New York, Boston, Philadelphia and London during the 1880s and 1890s.
Jennie Lee was a Victorian Era English stage actress, singer and dancer whose career was largely entwined with the title role in Jo, a melodrama her husband, John Pringle Burnett, wove around a relatively minor character from the Charles Dickens novel, Bleak House. She made her stage debut in London at an early age and found success in New York and San Francisco not long afterwards. Lee may have first starred in Jo around 1874 during her tenure at San Francisco's California Theatre, but her real success came with the play's London debut on 22 February 1876 at the Globe Theatre in Newcastle Street. Jo ran for many months at the Globe and other London venues before embarking for several seasons on tours of the British Isles, a return to North America, tours of Australia and New Zealand and later revivals in Britain. Reduced circumstances over her final years forced Lee to seek assistance from an actor's pension fund subsidised in part by proceeds from Royal Command Performances.
Isabella Hill, better known as Mrs Howard Paul, was an English actress, operatic singer and actress-manager of the Victorian era, best remembered for creating the role of Lady Sangazure in the Gilbert and Sullivan comic opera The Sorcerer (1877).
Alberta Gallatin was an American stage and film actress active in the late 19th and early 20th centuries. During her near forty-year career she acted in support of the likes of Elizabeth Crocker Bowers, James O’Neil, Edwin Booth, Joseph Jefferson, Thomas W. Keene, Richard Mansfield, Sir Johnston Forbes-Robertson, Minnie Maddern Fiske, Otis Skinner, Maurice Barrymore, Joseph Adler, E. H. Sothern and James K. Hackett. Gallatin was perhaps best remembered by theatergoers for her varied classical roles, as Mrs. Alving in Henrik Ibsen's domestic tragedy Ghosts and the central character in the Franz Grillparzer tragedy Sappho. Counted among her few film roles was the part of Mrs. MacCrea in the 1914 silent film The Christian, an early 8-reel production based on the novel by Hall Caine.
Daly's Theatre was a Broadway theatre at 1221 Broadway and 30th Street. It was built in 1867 and opened that year as Banvard's Museum but changed its name the following year to Wood's Museum and Metropolitan. In 1876 it became the Broadway Theatre, and finally was named Daly's Theatre in 1879 when it was acquired by Augustin Daly. After 1899, it was operated by the Shubert family. The building was demolished in 1920, after serving as a burlesque theatre and cinema.
Olympic Theatre was the name of five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York.
