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Sohrab Merwanji Modi was an Indian stage and film actor, director and producer. His films include Khoon Ka Khoon (1935), a version of Shakespeare's Hamlet, Sikandar, Pukar, Prithvi Vallabh, Jhansi ki Rani, Mirza Ghalib, Jailor and Nausherwan-E-Adil (1957). His films always carried a message of strong commitment to social and national issues.
The Muslim social is a film genre in Indian cinema that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made Garam Hava (1973), called it "a skewed way to look at cinema. When there is no Hindu social or Christian social, how can there be a Muslim social".
Hakim Ahmad Shuja MBE, was a famous Urdu and Persian poet, playwright, writer, film writer and lyricist, scholar and mystic, from former British India, later Pakistan.
Agha Hashar Kashmiri was an Urdu poet, playwright and dramatist. A number of his plays were Indian Shakespearean adaptations.
Yahudi Ki Ladki is a historical Urdu play by Agha Hashar Kashmiri, on the theme of persecution of Jews by the Romans. It was first published in 1913. The play became his best known work, and a classic in Parsi-Urdu theatre.
Raj Hath, also called Rajhath, is a 1956 Indian (Hindi) romantic fantasy drama film directed and produced by Sohrab Modi. It starred Madhubala, Pradeep Kumar, Tun Tun, Sohrab Modi and Ulhas in the main roles. The music for the film was scored by well known music directors, Jaikishan Dayabhai Panchal and Shankarsingh Raghuwanshi, often credited as Shankar Jaikishan.
Khoon Ka Khoon also called Hamlet is the first Hindi/Urdu 1935 sound film adaptation of the Shakespearen play Hamlet. Directed by Sohrab Modi under his Stage Film Company banner, it is cited as one of the earliest talkie versions of this play. Credited as "the man who brought Shakespeare to the Indian screen", it was Modi's debut feature film as a director. The story and script were by Mehdi Hassan Ahsan from his Urdu adaptation of Shakespeare's "Hamlet". Starring Sohrab Modi, Khoon Ka Khoon was also the debut in films of Naseem Banu who played Ophelia. The other star cast included Shamshadbai, Ghulam Hussain, Obali Mai, Fazal Karim and Eruch Tarapore.
Nausherwan-E-Adil also called Farz Aur Mohabbat, is a 1957 Indian costume action drama Hindi/Urdu film directed by Sohrab Modi. Produced by Minerva Movietone, it had music composed by C. Ramchandra with lyrics by Parwaiz Shamshi. The story, screenplay and dialogue writer was Shams Lucknowi. The cinematographer was Lateef Bhandare. The cast included Sohrab Modi, Raaj Kumar, Mala Sinha, Naseem Banu, Bipin Gupta and Shammi.
Jailor is a 1938 Hindustani psychosocial melodrama film produced and directed by Sohrab Modi. Produced by Minerva Movietone, the story and lyrics were written by Kamal Amrohi and Ameer Haider with screenplay by J. K. Nanda. The film had music direction by Mir Sahib, while the cinematographer was Y. D. Sarpotdar. The film starred Sohrab Modi, Leela Chitnis, Sadiq Ali, Eruch Tarapore, Abu Bakar, Baby Kamala and Kusum Deshpande.
Talaq (Divorce) is a 1938 Urdu/Hindi social melodrama film directed by Sohrab Modi for Minerva Movietone. The story was written by Anand Kumar and Gajanan Jagirdar with dialogue and lyrics by Anand Kumar. Music was composed by Mir Saheb. Following the debacle of his earlier films based on Shakesperian tragedies like Khoon Ka Khoon (1935) and Said-e-Havas, Modi shifted to making social contemporary dramas like Talaq, Jailor and Meetha Zahar (1938). The film had Naseem Banu in the lead role with Prem Adib, Gajanan Jagirdar, Navin Yagnik, Sheela, and Abu Baker as co-stars.
Meetha Zahar is a 1938 Indian Hindi/Urdu-language social drama film directed by Sohrab Modi for his Minerva Movietone productions. The screenplay was by Gajanan Jagirdar with dialogue by Munshi Abdul Baqi and director of photography by Y. S. Sarpotdar The music was by B. S. Hoogan with lyrics by Irshad Ahmed. The cast included Naseem Banu, Sohrab Modi, Jagirdar, Sadiq Ali, Eruch Tarapore, Sadat Ali, Sheela and Fakir Mohammed.
Sheesh Mahal is a 1950 social Urdu/Hindi film produced and directed by Sohrab Modi for Minerva Movietone. The story writer was the late Khan-Bahadur Hakim Ahmad Shuja, an Urdu poet and writer. The screenplay and dialogue were by Munshi Abdul Baqui and Shams Lucknawi. The music direction was by Vasant Desai and the lyricists were Aajiz, Shams Lucknowi and Nazim Panipati. The film starred Sohrab Modi, Naseem Banu, Mubarak, Pran, Nigar Sultana, Pushpa Hans, Jawahar Kaul and Leela Mishra.
Bharosa (Trust) is a 1940 Hindi/Urdu social melodrama film produced and directed by Sohrab Modi. Made under the Minerva Movietone banner, the story and lyrics were by Lalchand Bismil, with cinematography by Y. D. Sarpotdar. The music was composed by G. P. Kapoor, and the cast included Chandra Mohan, Sardar Akhtar, Mazhar Khan, Sheela, Maya Devi and Eruch Tarapore.
Mehtab (1913–1997) was an Indian actress of Hindi/Urdu films who worked from 1928 to 1969. She was born in Sachin, Gujarat, to a Muslim family and named Najma. Her father, Nawab Sidi Ibrahim Mohammad Yakut Khan III, was the Nawab of Sachin, near Surat in the state of Gujarat. Starting her career in the late 1920s with small roles in films like Second Wife (1928), Indira B. A. (1929) and Jayant (1929), she went on to do character roles before acting in the lead opposite Ashraf Khan in Veer Kunal (1932). After almost a decade of doing mainly action-oriented roles, she came into prominence with the Kidar Sharma-directed Chitralekha (1941).
Phir Milenge is a 1942 Indian Hindi and Urdu-language social drama film produced and directed by Sohrab Modi. Made under the banner of Minerva Movietone, it had music by Mir Saheb while the lyricist was Pandit Sudarshan. Modi had discovered Meena when she came to watch his film shooting. He cast her in a character role for her debut in Sikandar (1941). This was her second film for Modi where she played a supporting role. She was later to marry producer, director Roop K. Shorey and go on to become popular as Meena Shorey.
Ek Din Ka Sultan is a 1945 Hindi/Urdu historical drama film produced and directed by Sohrab Modi with story by Agha Jani Kashmiri. The production company was Minerva Movietone with cinematography by Y. D. Sarpotdar. The music was composed by Rafiq Ghaznavi, Shanti Kumar Desai and D. Gadkar with lyrics by Wali Saheb. The stars featuring in the film were Mehtab, Wasti, Pratima Devi, Ghulam Hussain and Ghory.
Atma Tarang is a 1937 Hindi social drama film directed by Sohrab Modi. This film and Khan Bahadur, made the same year, were the first films produced under Modi's newly established banner, Minerva Movietone (1936). The music was composed by Habib Khan, with art direction by Rusi K. Banker. The film starred the singer-actor Feroz Dastur in the role of Mohan, with Sohrab Modi, Prabha, and Vasant Pahelwan. C. Ramchandra, the famous music composer was a harmonium accompanist for Minerva Movietone music directors like Habib Khan and Bindu Khan. He also acted in a small role in Atma Tarang and in the earlier Said-e-Havas (1936).
Hamlet is a 1954 Hindi tragedy drama film, produced and directed by Kishore Sahu. The film was a free adaptation of Shakespeare's tragedy, with Sahu playing Hamlet as well as writing the screenplay, while the dialogue was by Amanat Hilal and B. D. Verma. It was produced by Hindustan Chitra, a production company started by Sahu in 1944. It was Ramesh Naidu's first film as a music composer. The film starred Mala Sinha, Kishore Sahu, Venus Banerji, Kamaljeet and Jankidas.
References
- ↑ "Cast and crew of Said-e-Havas". Gomolo.com. Retrieved 14 December 2014.
- ↑ Samiuddin, Abida (1 August 2007). Encyclopaedic Dictionary Of Urdu Literature (2 Vols. Set). Global Vision Publishing Ho. p. 337. ISBN 978-81-8220-191-0 . Retrieved 3 October 2012.
- ↑ Rajadhyaksha, Ashish; Willemen, Paul (1999). Encyclopaedia of Indian cinema . British Film Institute. Retrieved 12 August 2012.
- ↑ "BUFC-Said-E-Havas". BUFVC. Retrieved 14 December 2014.
- ↑ Craig Dionne; Parmita Kapadia (27 March 2014). Bollywood Shakespeares. Palgrave Macmillan. pp. 206–. ISBN 978-1-137-37556-8 . Retrieved 14 December 2014.
- 1 2 Poonam Trivedi; Dennis Bartholomeusz (2005). India's Shakespeare: Translation, Interpretation, and Performance. University of Delaware Press. pp. 270–. ISBN 978-0-87413-881-8 . Retrieved 14 December 2014.
- ↑ "Said-e-Havas". Alan Goble. Retrieved 14 December 2014.
- ↑ Tom Bishop; Sukanta Chaudhuri; Alexa Huang; Graham Bradshaw (28 December 2012). The Shakespearean International Yearbook: Volume 12: Special Section, Shakespeare in India. Ashgate Publishing, Ltd. pp. 1–. ISBN 978-1-4094-7108-0 . Retrieved 14 December 2014.
- ↑ "Songs, Saed-e-Havas". Muvyz, Inc. Retrieved 14 December 2014.
