Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg, also known as Strasbourg Minster, is a Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of Rayonnant Gothic architecture. Architect Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318, and beyond through his son Johannes von Steinbach, and his grandson Gerlach von Steinbach, who succeeded him as chief architects. The Steinbachs's plans for the completion of the cathedral were not followed through by the chief architects who took over after them, and instead of the originally envisioned two spires, a single, octagonal tower with an elongated, octagonal crowning was built on the northern side of the west facade by master Ulrich von Ensingen and his successor, Johannes Hültz. The construction of the cathedral, which had started in the year 1015 and had been relaunched in 1190, was finished in 1439.
Nikolaus Gerhaert, also known as Nikolaus Gerhaert van Leyden, was a Dutch sculptor, although aside from his sculptures, few details are known of his life. He worked in both stone and wood.
Konrad Witz was a German painter, active mainly in Basel. His 1444 panel The Miraculous Draft of Fishes has been credited as the earliest extant faithful portrayal of a landscape in European art history, being based on observation of real topographical features.
The Palais Rohan in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X.
Auguste-Barthélemy Glaize (1807–1893) was a French Romantic painter of history paintings and genre paintings.
The Musée de l'Œuvre Notre-Dame is the city of Strasbourg's museum for Upper Rhenish fine arts and decorative arts, dating from the early Middle Ages until 1681. The museum is famous for its collection of original sculptures, glass windows, architectural fragments, as well as the building plans of Strasbourg Cathedral. It has a considerable collection of works by Peter Hemmel von Andlau, Niclas Gerhaert van Leyden, Nikolaus Hagenauer, Ivo Strigel, Konrad Witz, Hans Baldung and Sebastian Stoskopff.
The Musée des Beaux-Arts de Strasbourg is the old masters paintings collection of the city of Strasbourg, located in the Alsace region of France. The museum is housed in the first and second floors of the baroque Palais Rohan since 1898. The museum displays works by non-Upper Rhenish artists from between the 14th century and 1871 and by Upper Rhenish artist from between 1681 and 1871. The museum owned 1,934 works as of 31 December 2015, this number has substantially increased since. The old masters from the upper-Rhenish area until 1681 are exhibited in the neighboring Musée de l’Œuvre Notre-Dame.
Michel Serre (1658–1733) was a Catalan-born French painter.
The Passion of Christ is a set of ten late 15th-century, Gothic religious paintings now displayed in the choir of the Catholic part of Old Saint Peter's Church in Strasbourg, France. The set is classified as a Monument historique by the French Ministry of Culture since 1978.
Peter Hemmel of Andlau was a late Gothic stained glass artist, whose workshop in Strasbourg was active between 1447 and 1501. Sometimes working alone and sometimes in collaboration with other stained-glass artists in the city, it mainly supplied religious buildings in what is now Austria, southern and eastern Germany, eastern France and northern Italy, though none of Hemmel's windows survive in Andlau itself.
The Chapelle Notre-Dame de Kergoat is a 16th century chapel in the hamlet Kergoat, in the commune Quéménéven, Finistère, northwestern France. It has various stained glass windows and contains statues of Sainte Marguerite, Sainte Barbe, Saint Joseph, Saint Francis, Saint Mathurin, John the Baptist with the Virgin Mary. Some other statues have been moved to the musée de Quimper. i.e.Saint Sébastien, Saint Roch, Sainte Marie Madeleine, Sainte Barbe, the Virgin Mary and an "Ecce Homo". The Calvary of the Kergoat chapel is 6.50 metres in height. It includes a table to accommodate offerings. Statues include those of John the Baptist, Saint Guénolé, and John the Evangelist, and a Vierge de Pitié. The chapel and the calvary are a listed historical monument since 1935.
Ambrosius Volmar Keller is a 1538 portrait painting by the German Renaissance artist Hans Baldung. The painting was offered to the city of Strasbourg by German Emperor Wilhelm II, from his private collection, in 1890. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 191.
The Great Vanity is a 1641 Baroque allegorical still life painting by the Alsatian artist Sebastian Stoskopff. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 1249.
The Dead Lovers, also known as The Rotting Pair, is a circa 1470 painting by a German Gothic artist, probably from Ulm or more generally from Swabia or the Upper Rhine region. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 1442.
The Nativity of the Virgin and The Doubt of Saint Joseph are two Catholic panel paintings by the Notname Strasbourg-based artist called "Upper Rhenish Master". Both paintings are almost square and belong to the City hospital of Strasbourg, founded in the early 12th century. They are on display in the Musée de l'Œuvre Notre-Dame since 1936. Their inventory number is MBA 1481 and MBA 1482.
Madonna in the Vine Arbour is a circa 1541–1543, unsigned painting by Hans Baldung. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 536.
Glasses in a Basket is a 1644 Baroque still life painting by the Alsatian artist Sebastian Stoskopff. It is on display in the Musée de l'Œuvre Notre-Dame of Strasbourg, France. Its inventory number is MBA 1281.
The Five Senses, also known as Summer is a signed and dated 1633 oil painting by Sebastian Stoskopff. It was painted at the height of the artist's stay in Paris from 1621 to 1640/1641. Together with its slightly wider pendant The Four Elements, or Winter, it is today in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 1695.
The Standing Saint is a circa 1528–1530 painting by Hans Baldung. It is on display in the Musée de l'Œuvre Notre-Dame, with its pendant, Saint George. Its inventory number is MBA 2130.a.
The Stoning of Saint Stephen is a 1522 painting by the German Renaissance artist Hans Baldung. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 315.
