Necroticism – Descanting the Insalubrious is the third album by British extreme metal band Carcass. It was released on 30 October 1991 through Earache Records. This album is the first to feature guitarist Michael Amott and marked the first time Carcass had recorded as a four-piece. Many of the tracks describe economical ways to dispose of dead bodies. Necroticism continues the move towards a predominant death metal sound which was started in Symphonies of Sickness, featuring songs with longer sections and complex structures, more akin to the then-burgeoning technical death metal subgenre.
Slaughter of the Soul is the fourth studio album by Swedish melodic death metal band At the Gates, released on 14 November 1995 by Earache Records. It was their last album before their eleven-year breakup from 1996 to 2007. Slaughter of the Soul is considered a landmark in melodic death metal and played a major role in popularizing the Gothenburg scene, alongside The Jester Race by In Flames and The Gallery by Dark Tranquillity. The album was recorded and mixed in Studio Fredman, early 1995.
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. but did not release any complete music until 1988 when Justin Broadrick and B. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal.
Sonic Temple is the fourth studio album by British rock band The Cult, released on 10 April 1989. The album features some of the band's most popular songs, including "Fire Woman" and "Edie ". Sonic Temple was the last album recorded with longtime bassist Jamie Stewart, who left in 1990, and the first to feature session drummer Mickey Curry.
Cult of Luna is a Swedish post-metal band from Umeå founded in 1998. They are known for post-metal music similar to the contemporary bands Neurosis and Isis. The band was signed to Earache Records in the early 2000s and released five albums, including the commercially successful albums Salvation (2004) and Somewhere Along the Highway (2006). After an extended period of inactivity, Cult of Luna returned with its Indie Recordings debut Vertikal (2013) and companion EP Vertikal II (2013), both drawing inspiration from Fritz Lang's 1927 film, Metropolis. In 2016 the band released their space-themed collaborative album, Mariner, featuring American vocalist Julie Christmas.
Oceanic is the second full-length album by American post-metal band ISIS, released on September 17, 2002, by Ipecac Recordings. On November 4, 2014, a remastered edition was released via Hydrahead/Ipecac Recordings.
Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Alarum is an Australian progressive metal band which formed in 1992. Their first album, Fluid Motion, was self-released in 1998. The second album, Eventuality..., was released in Australia and United States on Willowtip Records in October 2004 and in Europe on Earache Records in June 2005. From April to June 2006 Alarum toured US with Necrophagist, Arsis, Cattle Decapitation and Neuraxis. They followed with shows in the United Kingdom and Ireland with Obituary. The group's third album, Natural Causes, was issued in Australia and US in October 2011 and in Europe in January 2012. Alarum released their fourth album Circle’s End in June 2020.
Somewhere Along the Highway is the fourth studio album by Swedish post-metal band Cult of Luna, released in 2006 by Earache Records. A concept album, it revolves around the motif of male loneliness. It was warmly received by critics and accordingly claimed several awards.
United Abominations is the eleventh studio album by American thrash metal band Megadeth. Released on May 15, 2007, United Abominations is the first Megadeth release distributed through Roadrunner Records and, with the exception of the band's frontman Dave Mustaine, was recorded with an all-new line-up. It is the first album since The World Needs a Hero (2001) to be recorded by a full-time line-up as the previous studio album The System Has Failed (2004) was recorded by Mustaine alongside session musicians. While touring to promote the album, guitarist Glen Drover left the band for personal reasons and was replaced by Chris Broderick, leaving this as the only Megadeth studio album to which he contributed.
Cult of Luna is the debut studio album by Swedish post-metal band Cult of Luna, released in 2001. It was originally released by Rage of Achilles, and later by Earache Records after the band signed a record contract.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
Eternal Kingdom is the fifth studio album by Swedish post-metal band Cult of Luna. It was released in 2008 on Earache Records like the band's previous three albums. The album was recorded at Tonteknik Studios in Umeå where the band originates from between February and April 2008.
Love and Hate in Dub is first remix album by English industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate, and they adopt a more ambient, dub and drum and bass flavor.
White Wizzard is an American heavy metal band from Los Angeles, formed in 2007. They have released one EP and four albums: Over the Top released in 2010, Flying Tigers released in 2011, The Devil's Cut released in 2013, and Infernal Overdrive released 2018. Throughout the band's history, it has undergone numerous lineup changes, with only Jon Leon remaining a stable member of the band. The end of the band was announced by Jon Leon in April 2018, however, he announced that he was reassembling the band in March 2019.
The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP. That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.
The Fateful Dark is the third studio album from British heavy metal band Savage Messiah, released by Earache Records in Europe and Century Media Records in the USA.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.
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