Mariner | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 8, 2016 | |||
Studio | Studio Hufvudstaden (Söderköping, Sweden) Tonteknik Recording (Umeå, Sweden) Translator Audio & Loho Studios (New York City, U.S.) | |||
Genre | Post-metal, sludge metal, doom metal [1] | |||
Length | 54:34 | |||
Label | Indie | |||
Producer | Kristian Karlsson, Magnus Líndberg, Andrew Schneider | |||
Cult of Luna chronology | ||||
| ||||
Julie Christmas chronology | ||||
|
Mariner is a collaborative studio album between the Swedish post-metal band Cult of Luna and the American vocalist Julie Christmas, formerly of the bands Made Out of Babies and Battle of Mice. Serving as Cult of Luna's seventh studio album and the first time Christmas has appeared on the entirety of a full-length album since her 2010 solo debut The Bad Wife , Mariner was released on April 8, 2016 through Indie Recordings. [2] Contrasting the industrial city themes of Cult of Luna's last studio efforts, Vertikal and Vertikal II from 2013, Mariner focuses its concept on space exploration.
Both Julie Christmas and the members of Cult of Luna had a mutual respect and appreciation for each other's music prior to working together on Mariner. [3] [4] Though Christmas reached out earlier, [3] the two parties began communicating about a collaboration more seriously when Cult of Luna curated the May 2014 festival Beyond the Redshift in London. [4] [5] Cult of Luna wanted Christmas to participate and perform her solo album The Bad Wife . The performance didn't work out but both parties kept in touch after the festival. Guitarist Johannes Persson sent Christmas a demo track the band was working on at the time and asked her to write lyrics and record vocals. Impressed with the result, Cult of Luna asked Christmas if she would be interested in creating a full album. [3] Persson recalled what initially drew him to Christmas in the first place, stating: "I just love Julie's singing. She can go from the softest melodies to the wildest screams, and everything in between. The range of her voice is incredible." [4]
Mariner was written and recorded over the course of about a year. [4] Cult of Luna worked on the instrumental portions in a studio near their hometown of Umeå and digitally sent Christmas demos and tracks. Working with producer Andrew Schneider at his own studio in Coney Island in New York City, she wrote lyrics, recorded vocals and sent them back to Cult of Luna in Sweden. [4] After telling Christmas the thematic and musical direction Cult of Luna was aiming for with Mariner, the band gave her full creative control to write and perform how she best saw fit. [4] Christmas said the experience of working with Cult of Luna was "excellent" and elaborated: "Those guys are great to work with personally, because they have a sense of humor, and they're all super talented but regular, normal people who are just trying to do something that they believe in." [3] Since the album was created largely through online file sharing, Christmas didn't even meet any of the members of Cult of Luna in person until September 2015 when Mariner was roughly halfway completed and the band was doing a small U.S. tour. [4]
Acknowledging that the band's previous album themes went from rural (on 2006's Somewhere Along the Highway ) to a fictional story about a mental patient's diary (on 2008's Eternal Kingdom ) to urban and industrial (on 2013's Vertikal ), Cult of Luna made a conscious effort to focus their attention on themes of space exploration. [4] From Mariner's official announcement:
"At the end of Vertikal, we stood in the cold harshness of the mechanical city and looked up onto the stars. We lost ourselves in the awe of their grace and thought that 'maybe the answer is to be found above.' The ship was leaking and by the look of it, our home was dying. No room for fear when a greater call demands your full attention. So, we left... Onward, forward. Like the old seafarers, we explored the vastness of space. Not bound by physical laws we pass the speed of light and chase the expansion of space until we reach its limit. And then, we continued on and disappeared. This is our story." [6]
Persson describes Mariner's concept as "a journey into the unknown." [4] That journey comes to a conclusion at the end of the album's final track, "Cygnus," which was heavily inspired by the "Star Gate" sequence from Stanley Kubrick's 1968 film, 2001: A Space Odyssey . Persson elaborated on the theme and story behind the final moments of the album, stating: "What we were trying to put across in those last few minutes was the sound of us penetrating the outer-outer limits of space. [...] It's how we imagine it would be to cross that final limit of the universe. Then we continue on into darkness and disappear." [4]
Coinciding with the album's official announcement, Cult of Luna began promoting Mariner in February 2016 with an online stream of the opening track, "A Greater Call". [2] In March 2016, Cult of Luna released "The Wreck of S.S. Needle" for online streaming. [7] Coinciding with the album's first tour announcement in June 2016, the band released a music video for "Chevron" directed by Spanish filmmaker Javier Longobardo, who was requested to "create a journey through unknown worlds with continuous momentum." [8]
At the time of Mariner's release, there were no scheduled tour dates in direct support of the album as a collaborative unit. Cult of Luna has stated that there will not be a full tour, however the band hoped to schedule a few select festival appearances for 2016. Persson commented on the difficulties getting a tour together, stating: "It's hard enough to get six, seven people in their mid- to late-30s with kids and jobs to be able to go and tour in the first place. Add in somebody from another continent and it's an equation that is very difficult to solve." [4] In November 2016, seven months after the album's release, Cult of Luna will embark on a five-date European tour in support of Mariner and perform it in its entirety. [9]
Review scores | |
---|---|
Source | Rating |
Consequence of Sound | C+ [10] |
Metal Hammer | [11] |
Metal Injection | 10/10 [12] |
MetalSucks | [13] |
Rock Hard | 8.5/10 [14] |
Upon release, Mariner was met with critical acclaim from music critics.
Rolling Stone named Mariner the 9th best metal album of 2016. [15] Terrorizer listed the album at No. 8 on its year-end list. [16]
In 2019, MetalSucks compiled a list of the best metal albums between 2010-2019, polling 180 musicians, managers, publicists, label representatives and writers, where Mariner was ranked the 25th best album of the decade. [17]
No. | Title | Length |
---|---|---|
1. | "A Greater Call" | 8:19 |
2. | "Chevron" | 8:53 |
3. | "The Wreck of S.S. Needle" | 9:33 |
4. | "Approaching Transition" | 12:59 |
5. | "Cygnus" | 14:50 |
Total length: | 54:34 |
No. | Title | Length |
---|---|---|
6. | "Beyond the Redshift" | 11:43 |
Total length: | 66:17 |
Mariner personnel adapted from CD liner notes. [18]
Chart (2016) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [19] | 193 |
Finnish Albums (Suomen virallinen lista) [20] | 29 |
Swedish Albums (Sverigetopplistan) [21] | 28 |
Swiss Albums (Schweizer Hitparade) [22] | 76 |
The Black Dahlia Murder is an American melodic death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. Currently, the band consists of lead vocalist Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and guitarists Brandon Ellis and Ryan Knight. The Black Dahlia Murder has undergone various lineup changes, with Trevor Strnad and Eschbach remaining the only constant members, until the former's death in 2022, which then saw Eschbach take over lead vocals. Out of the nine studio albums they have released to date, the last eight have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands. Their ninth and latest album Verminous was released on April 17, 2020.
Cult of Luna is a Swedish post-metal band from Umeå founded in 1998. They are known for post-metal music similar to the contemporary bands Neurosis and Isis. The band was signed to Earache Records in the early 2000s and released five albums, including the commercially successful albums Salvation (2004) and Somewhere Along the Highway (2006). After an extended period of inactivity, Cult of Luna returned with its Indie Recordings debut Vertikal (2013) and companion EP Vertikal II (2013), both drawing inspiration from Fritz Lang's 1927 film, Metropolis. In 2016 the band released their space-themed collaborative album, Mariner, featuring American vocalist Julie Christmas.
Somewhere Along the Highway is the fourth studio album by Swedish post-metal band Cult of Luna, released in 2006 by Earache Records. A concept album, it revolves around the motif of male loneliness. It was warmly received by critics and accordingly claimed several awards.
The Beyond is the second studio album by Swedish post-metal band Cult of Luna, released in 2003. The subject matter is dissent with authorities, similar in some ways to contemporaries Isis' Panopticon. This album sees the rawness of the self-titled debut channeled into a cleaner sounding and more crisply produced sound. The tempo is slowed and the feeling is of a more expansive, reflective album, which almost bridges the gap between Cult of Luna and Salvation, leaning more towards the former.
"The Rising" is a song by American metal band Trivium. It was released as the fourth single from the band's third studio album The Crusade. The song was the band's first charting single in the US, peaking at number 32 on the Billboard Mainstream Rock Chart.
The Ocean is a German progressive metal band started in 2000 by German guitarist Robin Staps. Loïc Rossetti has been the band's vocalist since the 2010 albums Heliocentric and Anthropocentric.
Eternal Kingdom is the fifth studio album by Swedish post-metal band Cult of Luna. It was released in 2008 on Earache Records like the band's previous three albums. The album was recorded at Tonteknik Studios in Umeå where the band originates from between February to April 2008.
Julie Christmas is an American musician from Brooklyn, New York. Christmas is her legal middle name; she was named so after the fact that she was born on Christmas day. She is the former lead singer of defunct Brooklyn-based noise rock band Made Out of Babies and the former lead singer of defunct post-metal supergroup Battle of Mice. In 2010, she released a critically acclaimed solo album titled The Bad Wife, and in 2016, she became a featured member on the Swedish post-metal band Cult of Luna's album Mariner.
As Blood Runs Black is an American metalcore/deathcore band from Los Angeles, California. They have released three albums. Their first album, Allegiance, was released on June 6, 2006. Their second album, Instinct, was released on March 15, 2011. Instinct reached number 1 on the Billboard Heatseakers Albums chart and number 111 on the Billboard 200 for the week of April 2, 2011. On June 30, 2013, As Blood Runs Black announced that they would be self-releasing their newest album, Ground Zero, with the help of crowdfunding via IndieGoGo; this was successful and the album was released on October 27, 2014.
Vertikal is the sixth studio album by Swedish post-metal band Cult of Luna and is also the band's first studio album since Eternal Kingdom (2008). The album was released in Europe on January 25, 2013 through Indie Recordings, and in the US on January 29, 2013 on CD through Density Records and on vinyl through Back on Black. To promote the album, Cult of Luna released the song "I: The Weapon" for online streaming prior to the release of Vertikal, and released a music video for the song "Passing Through" in February 2013. The album was critically acclaimed upon release and earned an average score of 85 based on 10 reviews at Metacritic, which assigns a normalized rating out of 100 to reviews from critics.
Red Lamb is an American heavy metal band formed in 2010 in Palm Beach, Florida. Members of the band have included Dan Spitz, Don Chaffin, Patrick Johansson and Chris Vrenna. The band released one self-titled album.
Girish and the Chronicles also known as GATC, is an Indian rock band from Gangtok, Sikkim, formed in 2009, by Vocalist Girish Pradhan. The line-up consists of Girish Pradhan on the Vocals, Yogesh Pradhan on the Bass, Suraz Sun on the Lead Guitars and Nagen Mongrati on the Drums. They have been based in Bengaluru, Karnataka, since 2013. The band has 3 Studio albums to their name.
Killitorous is a Canadian technical death metal band based in Ottawa, Ontario. The band is known for its unorthodox blend of technical death metal, grindcore and hardcore as well as using comedy and pop culture references rather than stereotypical death metal themes.
"Fatal Illusion" is a song by American thrash metal band Megadeth. It was released as the lead single from their fifteenth studio album, Dystopia on October 1st, 2015, and as a CD release on October 9th of the same year.
Delirium is the eighth studio album by Italian gothic metal band Lacuna Coil. It was released by Century Media Records on May 27, 2016. This is the first album to not feature long time drummer Cristiano "Criz" Mozzati, rhythm guitarist Cristiano "Pizza" Migliore, who retired from the band on Valentine's Day, February 14, 2014, and lead guitarist Marco "Maus" Biazzi, who left the band just before recording sessions, making it the first album since their debut to feature other band members, and the first one completely recorded and mixed in Italy.
Thomas Carl Chaminda Hedlund is a Sri Lankan-born Swedish drummer. He is currently the drummer for Swedish post-metal band Cult of Luna and Swedish indie rock band Deportees. Additionally, he is the touring drummer for French indie pop band Phoenix and previously played drums for The Perishers and Khoma. Hedlund has also been a session drummer and touring drummer for many other musical acts based in Europe.
Head Cage is the sixth studio album by American grindcore band Pig Destroyer. The album was released on September 7, 2018 through Relapse Records. The album features vocal cameos from Richard Johnson and Kat Katz from Agoraphobic Nosebleed, along with Dylan Walker from Full of Hell.
A Dawn to Fear is the seventh studio album by Swedish post-metal band Cult of Luna. It is the band's first studio album since Vertikal (2013) and first new material since Mariner (2016), their collaborative album with Julie Christmas. The album was released on September 20, 2019 through Metal Blade Records. Due to its length, most physical editions are released in two CDs.
May You Be Held is the fourth studio album by Canadian-American metal band Sumac. The album was released on October 2, 2020 through Thrill Jockey, pushed back from its original release date of September 18. To promote the album, Sumac released the track "The Iron Chair" for online streaming in July 2020. Sumac asked Thrill Jockey to refrain from posting the album to the music streaming platform Spotify due to what the band referred to as CEO Daniel Ek's "pretty repugnant statements" made earlier in 2020 about artists not performing well on the site.
The Long Road North is the eighth studio album by Swedish post-metal band Cult of Luna. The album was released on 11 February 2022 through Metal Blade Records. It peaked at No. 14 on the German albums chart.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)