Sam Hunter | |
---|---|
Born | January 5, 1923 |
Died | July 27, 2014 91) | (aged
Occupation | Art Historian, Art critic, Author, Curator, Professor, Museum Director |
Nationality | American |
Alma mater | Williams College |
Spouse | Edys Hunter (1954-1976); Maïa Hunter (1986-2000)+(2006-2014) |
Sam Hunter (January 5, 1923 – July 27, 2014) was an American historian of modern art. [1] He was emeritus professor of Art History at Princeton University and an Art Historian, Author, Museum Director, Professor and Curator.
A native of Springfield, Massachusetts, Hunter graduated from Williams College in 1944. He served in the U.S. Navy from 1943–46, rising to the rank of lieutenant junior grade and receiving five battle stars. [2]
Sam Hunter began his professional career in 1947, when he joined the New York Times as an art critic for a two and a half year stint. He studied at the American Academy in Rome and the University of Florence through the Hubbard Hutchinson Fellowship, earning a certificate of studies in 1951. While in Florence he studied with Bernard Berenson at I Tatti and with Roberto Longhi. He spent a year as an editor with art publisher Harry N. Abrams Inc. before serving as editor of Arts Magazine . In 1954 he taught at UCLA in Los Angeles, and was then called to the Museum of Modern Art in New York.
He was an author, an Emeritus professor of art history at Princeton University, director of the Jewish Museum, founding director of the Rose Art Museum at Brandeis University, Director of The Poses Institute of Fine Arts, acting director of the Minneapolis Institute of Art, and a visiting professor at the Clark Art Institute at Williams College, Harvard University and various other institutions of higher learning. While associate curator at the Museum of Modern Art in New York, he organized the first major museum exhibitions of the work of Jackson Pollock and David Smith.
He penned monographs, exhibition catalogues, articles, wrote the original book on the collections of the Museum of Modern Art and contributed to textbooks and various treatments of modern art that are used at universities all over the world. In addition to curating many museum and gallery exhibitions, Hunter has written on Francis Bacon, Tom Wesselmann, George Segal, Arnaldo Pomodoro, Jackson Pollock, Robert Rauschenberg, Isamu Noguchi, Larry Rivers, Alex Katz, Tony Rosenthal, Jean Dubuffet, Hans Hofmann, Philip Guston, Leonard Nelson, and many other modern artists.
Hunter's early photographs of Francis Bacon and his studio, taken in London in 1950, were most recently seen in the 2008/9 Francis Bacon exhibition that originated at the Tate Modern in London, went to the Museo del Prado in Barcelona and ended at the Metropolitan Museum of Art in New York, and that were used in the accompanying exhibition catalogue.
Hunter was a pioneer of 20th Century Art History who helped to create and build the field of art history as we know it today, along with his contemporary colleagues, art historians Thomas Hess, Harold Rosenberg, Clement Greenberg, Dore Ashton and Irving Sandler, among others. In addition, Professor Hunter forged long term friendships and associations with many well known artists, museum directors, art critics, curators, dealers, collectors and other academics and authors of the twentieth century, from the mid-1940s, some of which endured into the early 21st century.
Hunter died aged 91 in Princeton, New Jersey on July 27, 2014. [2] [3] [4] [5]
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was the first museum on the West Coast devoted solely to 20th-century art. The museum's current collection includes over 33,000 works of painting, sculpture, photography, architecture, design, and media arts, and moving into the 21st century. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
John Kirk Train Varnedoe was an American art historian, the chief curator of painting and sculpture at the Museum of Modern Art (MoMA) from 1988 to 2001, Professor of the History of Art at the Institute for Advanced Study in Princeton, New Jersey, and Professor of Fine Arts at the New York University Institute of Fine Arts.
Henry Geldzahler was a Belgian-born American curator of contemporary art in the late 20th century, as well as a historian and critic of modern art. He is best known for his work at the Metropolitan Museum of Art and as New York City Commissioner of Cultural Affairs, and for his social role in the art world with a close relationship with contemporary artists.
Karl Gunnar Vougt Pontus Hultén was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 1974–1981.
The Rose Art Museum, founded in 1961, is a part of Brandeis University in Waltham, Massachusetts, US. Named after benefactors Edward and Bertha Rose, it offers temporary exhibitions, and it displays and houses works of art from the permanent collection of 9,000 objects. The museum has one of the largest collections of modern and contemporary art in New England. Since its inauguration, the Rose Art Museum has been recognized for its avant-garde and forward-thinking approach to modern and contemporary art.
Robert Rosenblum was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries.
Beatriz Colomina is an architecture historian, theorist and curator. She is the founding director of the Program in Media and Modernity at Princeton University, the Howard Crosby Butler Professor of the History of Architecture and director of graduate studies in the School of Architecture.
Stephen Baron Johnsonis an American artist. He is most well known for linear style, influenced by architecture and other objects relating to the built environment.
William Stanley Rubin was an American art scholar, a distinguished curator, critic, collector, art historian and teacher of modern art.
Autumn Rhythm is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works.
Peter Curtis Bunnell was an American author, scholar and historian of photography. For more than 40 years he had a significant impact on collecting, exhibiting, teaching and practicing photography through his work as a university professor, museum curator and prolific author.
Maurice Tuchman is an American curator. He worked as the first curator of twentieth century art at Los Angeles County Museum of Art (LACMA), where he organized several notable exhibitions.
Peter Howard Selz was a German-born American art historian and museum director and curator who specialized in German Expressionism.
Paul Hayes Tucker is an American art historian, professor, curator, and author. His specialties include Claude Monet and impressionism.
Emily Braun is a Canadian-born art historian, curator and distinguished professor of art history at Hunter College and the Graduate Center of the City University of New York. Braun is a specialist in the history of modern European art and is known for her contributions to the study of Italian modernism and cubism. In addition to her academic work, Braun serves as the curator of the Leonard A. Lauder Collection of Cubist Art.
Stanton Loomis Catlin was an American art historian, specializing in Latin America. After studying at Oberlin College and the Academy of Fine Arts, Prague, he was to have studied European modern art. The Second World War interrupted these plans and he instead focused on Latin American art. During the war Catlin assisted with exhibiting American art in Latin America, served as a Latin American specialist with the Office of the Coordinator of Inter-American Affairs and as a lecturer at the University of Chile. At the war's end he served with the United Nations Relief and Rehabilitation Administration in Germany, assisting displaced persons.
Michael P. Mezzatesta is an American art historian, curator, and museum director. He served as the Mary D.B.T. and James H. Semans Director of the Nasher Museum of Art at Duke University from 1987 to 2003.
Francis Valentine O’Connor was an American art historian who was pioneering scholar of the visual art of the New Deal and an expert on the contemporary artist Jackson Pollock.
{{cite web}}
: CS1 maint: multiple names: authors list (link){{cite web}}
: CS1 maint: bot: original URL status unknown (link)