"Samson" | |
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Song by Regina Spektor | |
from the album Songs/Begin to Hope | |
Recorded | 25 December 2001 |
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Songwriter(s) | Regina Spektor |
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Music video | |
"Samson" on YouTube |
"Samson" is a song written and recorded by American singer-songwriter Regina Spektor, from her albums Songs and Begin to Hope . Despite having never been officially released as a single, it has charted in several countries, and is often considered one of Spektor's greatest songs. [1] [2] As of 2009 it has sold 143,000 copies in United States. [3]
"Samson" was initially recorded as the first track for Spektor's second album Songs , which she recorded in one take on Christmas Day 2001. [4] In 2006, Spektor re-recorded the song for her album Begin to Hope , which, unlike Songs, had a major label backing.
Lyrically, "Samson" references the biblical episode of Samson and Delilah, found in Judges 16. [5] [6] Samson was granted extraordinary physical strength by God, though his strength was held in his hair, without which he was powerless. He fell in love with Delilah, who, because of his lust for women, discovered his vulnerability, and used it against him. [6] [7]
The song is composed in the key of B major. The earlier recording from Songs has a tempo of 76 beats per minute, whereas the Begin to Hope version was recorded at a significantly faster tempo of 90 beats per minute. [8] The song alters between bars of 6/4 and bars of 4/4. [9] Spektor's voice ranges from the low note of B3 to the high notes of D♯5.
"Samson" had an accompanying music video, despite not having been released as a single. The video was shot in almost black and white, and revolved around Spektor performing the song on a piano whilst paper designs pan over the camera. [10]
Despite not being released as a single, the Begin to Hope version of "Samson" charted in four countries, being Spektor's most charted single to date (along with "Fidelity").
Chart (2007) | Peak position |
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Australia (ARIA) | 52 |
Belgium (Flanders) (Ultratop) | 30 |
Sweden (Sverigetopplistan) | 29 |
UK Singles Chart | 174 |
"Samson" has been performed by the following contestants on reality singing competitions:
Samson was the last of the judges of the ancient Israelites mentioned in the Book of Judges and one of the last leaders who "judged" Israel before the institution of the monarchy. He is sometimes considered as an Israelite version of the popular Near Eastern folk hero also embodied by the Sumerian Gilgamesh and Enkidu, as well as the Greek Heracles. Samson was given superhuman powers by God in the form of extreme strength.
Delilah is a woman mentioned in the sixteenth chapter of the Book of Judges in the Hebrew Bible. She is loved by Samson, a Nazirite who possesses great strength and serves as the final Judge of Israel. Delilah is bribed by the lords of the Philistines to discover the source of his strength. After three failed attempts at doing so, she finally goads Samson into telling her that his vigor is derived from his hair. As he sleeps, Delilah cuts Samson's hair, thereby enabling her to turn him over to the Philistines.
"No Surprises" is a song by the English rock band Radiohead, released as the fourth and final single from their third studio album, OK Computer (1997), in 1998. It was also released as a mini-album in Japan, titled No Surprises / Running from Demons.
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Songs is the second album by singer-songwriter Regina Spektor. The album was recorded in its entirety on Christmas Day of 2001; each song was recorded in one take. Copies of the self-released album were sold at Spektor's early live shows. The album is still sold at shows. This is the only album of hers not available on streaming services, though many of the tracks can be heard on the 2006 compilation album Mary Ann Meets the Gravediggers and Other Short Stories.
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"Hey There Delilah" is a song by American pop rock band Plain White T's, for whom it remains their signature song. It was released on May 9, 2006, as an EP from their third studio album, All That We Needed (2005). The song was later released in 2007 as a single from their fourth studio album, Every Second Counts (2006), with added string instrumentation.
"Fidelity" is a song by American singer-songwriter Regina Spektor, released as the second single from her fourth album Begin to Hope. The song marked Spektor's first and only Billboard 100 entry and is her most successful track to date. Despite a release date of September 25, the song did not hit the charts until December. The song was released in the UK as a two-part single on March 12, 2007. The song makes it Spektor's highest-charting single across the world.
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Samson was a character in the Biblical Book of Judges. He is said to have been raised up by God to deliver the Israelites from the Philistines. In the story, God grants him unusual strength, which is facilitated by a Nazirite vow prohibiting him from cutting his hair. His strength and violent temper are illustrated in several colorful stories portraying him as dominant over man and nature. He also succeeds in his charge to battle the Philistines, more through acts of personal vengeance than by any formal military strategy. Eventually the Philistines defeat him by bribing his new love interest, Delilah, into extracting from him the secret to his strength. Once learned, the Philistines cut his hair while he sleeps, at which point he is easily defeated.
"Mon cœur s'ouvre à ta voix" is a popular mezzo-soprano aria from Camille Saint-Saëns's opera Samson and Delilah, known in English as "Softly awakes my heart", or more literally "My heart opens itself to your voice". It is sung by Delilah in act 2 as she attempts to seduce Samson into revealing the secret of his strength.
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"Don't Leave Me (Ne Me Quitte Pas)" is a song by Regina Spektor, from her 2012 album What We Saw from the Cheap Seats. It was released as the album's second single on March 26, 2012. Although a handful of critics assumed this was an English-language cover version of Jacques Brel's song "Ne me quitte pas", Spektor's song is different in every way except the title. The chord structure, melody, and lyrics are all completely different. Brel's song was written in the key of A minor, in 3/4 time. It is a slow, haunting story of a man trying to win back his former lover—a song about the cowardice of men according to Brel. In contrast, Spektor's song is lively, in 4/4 time, and in a major key. Its lyrics evoke a carefree jaunt through various neighborhoods of New York City, the narrator describing all the beautiful and interesting things encountered along the way. Somehow the narrator ends up in the cafés and gardens of Paris, and the song ends with repeated declarations of love for Paris in the rain.
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