Basilica di Santa Maria delle Vigne | |
---|---|
Religion | |
Affiliation | Roman Catholic |
Province | Genoa |
Ecclesiastical or organizational status | National monument |
Status | Active |
Location | |
Location | Genoa, Italy |
Architecture | |
Type | Church |
Style | Romanesque; Baroque; Neoclassical [1] |
Santa Maria delle Vigne is a Roman Catholic basilica church in Genoa, Italy. It was built in the 10th century. The main altar was completed in 1730 by Giacomo Antonio Ponsonelli. The church is also the final resting place of the leading early Italian composer Alessandro Stradella, who was murdered in 1682. [2]
Situated outside of the Carolingian-era walls, in what is now the heart of the historical center, a short distance from the cathedral of San Siro, the basilica is considered the most ancient shrine to the Virgin Mary in Genoa. A chapel dedicated to the Virgin Mary had been built in this place by the 6th century, as a response to a Marian apparition to Argenta of the Grillo family . [3] [4]
On the site of this first sacred building, shortly before the year 1000, a church was built, named Santa Maria delle Vigne because it was located in the center of an area containing vineyards. [5] [6] [1] [7] [8]
In the middle of the 10th century, the farm where the chapel was built belonged to a viscount, Idone, who gave it to his son Oberto. Around 980, Oberto, together with Guido di Carmandino, promoted the construction of the new church on the site of the ancient chapel. [9] The first official reports of the new building date back to the Registrum Curiae of 1083. [5] [10] [11] A collegiate church was also founded, [4] which appears in a document of 1061, where it was mentioned as having existed for a long time. [7] In 1222, Pope Honorius III issued a papal bull, fixing the number of canons at 12 and establishing the rules of the community. The provost of the chapter still holds the title of Prelate of Honour of His Holiness. [12]
A town arose around the church in the 12th century, and was incorporated together with San Siro in the urban fabric of a city which was growing and now extended outside its early Carolingian walls. It was consecrated in 1117, and in 1147, shortly before the new "Barbarossa walls" contained it within the town limits, the church became the parish church of what would shortly become one of the liveliest commercial districts near the Port of Genoa. [5] [6] [1] The construction of the campanile, the only Romanesque structure remaining after the renovations of future centuries, also dates to this period. [10] [11]
Additional work was done in the 13th century, including to the roof. The first major alterations to the original Romanesque complex began in 1585, financed by Agapito Grillo, when it was decided to extend the apse up to the area of the cemetery behind it, and expand the side apses with chapels on either side of the main altar. The extensions were carried out by the architect Gaspare della Corte. The Chapel of the Crucifix has a marble covering, added by Taddeo Carlone in 1587.
In 1646, during a pastoral visit by cardinal Stefano Durazzo, the cardinal arranged for additional renovations. [13] [8] These renovations included the opening of three semicircular windows and an overhaul of the naves, with the replacement of the columns and the construction of the cupola, and were entrusted to the architect Daniele Casella . [10] [8] With the transformation of the interior in Baroque style, the chapels and side altars were also enriched with paintings and sculptures by the confraternities and noble families.
Around 1820 the frescoes in the vaults were completed. Between 1841 and 1848, a new marble facade, done in Neoclassical style, was added to the church; it was designed by Ippolito Cremona . [5] [10] [8] Since the addition of the facade, the building has not undergone any substantial modifications.
On January 8, 1983, Pope John Paul II issued a papal brief, bestowing on the church the title of minor basilica. [12]
Wikimedia Commons has media related to Basilica di Santa Maria delle Vigne . |
Musician Alessandro Stradella (1644-1682) is buried in the church. [14] On February 25, 1682, he was fatally stabbed during his stay in Genoa by hired assassins. A nobleman, Giovan Battista Lomellini, was suspected of responsibility, but was acquitted due to insufficient evidence. Lomellini's presumed motive was a belief that Stradella, who was giving Lomellini's sister music lessons, was also in a relationship with her. [2]
On April 16, 1815, while taking refuge in Genoa during Napoleon's Hundred Days, Pope Pius VII visited the church and celebrated Mass there. [15] [16]
Giacomo della Chiesa, the future Pope Benedict XV, was baptized in the church in 1854. [17] He lived nearby in his family's mansion on Salita Santa Caterina , and was always particularly connected to his parish church. [15]
Other people connected to the basilica include: Sister Elisa Giuseppina Mezzana, co-founder of the Sisters of the Divine Will ; Eugenia Maria Ravasco, founder of the Daughters of the Sacred Hearts of Jesus and Mary (beatified in 2003); Itala Mela, mystic and Christian apologist (beatified in 2017); Cardinal Gaetano Alimonda; and Rosa Maria Benedetta Gattorno Custo, founder of the Daughters of Saint Anna (beatified in 2000). [17]
Antonio Alessandro Boncompagno Stradella was an Italian composer of the middle Baroque period. He enjoyed a dazzling career as a freelance composer, writing on commission, and collaborating with distinguished poets, producing over three hundred works in a variety of genres.
Sebastiano Conca was an Italian painter.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
Giuseppe Bartolomeo Chiari, also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.
The Basilica della Santissima Annunziata del Vastato is a Catholic cathedral in Genoa, northern Italy; its decoration employed the major baroque studios and artists in Genoa in the 17th century.
Giuseppe Palmieri was an Italian painter of the late Baroque period.
Carlo Giuseppe Ratti (1737–1795) was an Italian art biographer and painter of the late-Baroque period. He was a pupil of the painter Giovanni Agostino Ratti. Born in Savona, he moved to Rome where he befriended Anton Raphael Mengs and Pompeo Batoni. He died in Genoa, where he labored for many years.
Gaspare Celio was an Italian painter of the late-Mannerist and early-Baroque period, active mainly in his native city of Rome.
Our Lady of Graces or Saint Mary of Graces is a devotion to the Virgin Mary in the Roman Catholic Church. Several churches with this dedication often owe their foundation to thankfulness for graces received from the Virgin Mary, and are particularly numerous in Italy, India, Australia, United States, Portugal, France and the Italian-speaking region of Switzerland. Also it is related to the Marian apparitions in which was revealed the Miraculous Medal, also known as the Medal of Our Lady of Graces.
The Basilica of Our Lady of Humility or Madonna dell'Umiltà is a Renaissance-style, Roman Catholic Marian basilica in Pistoia, region of Tuscany, Italy.
Santa Maria della Passione is a late Renaissance-style church located in Milan, Italy.
The Basilica of San Giovanni Maggiore is a church in Largo San Giovanni Maggiore in central Naples, Italy.
The church of Santa Maria Maddalena is found in central Bologna, Italy.
The Sanctuary of Madonna dei Miracoli is a church in Alcamo, province of Trapani, Sicily, southern Italy; it is dedicated to the Madonna of the Miracles.
Giuseppe Servolini, also known as Sorbolini, (1748–1834) was an Italian painter active mainly in Florence.
Prè is a neighbourhood in the old town of the Italian city of Genoa. It was one of the six sestieri of ancient Genoa. At present it is part of the Genoa's city I Municipio. Located close to the old harbour, it is likely the best-known neighbourhood of the old town of Genoa.
Maddalena is a neighbourhood in the old town of the Italian city of Genoa. It was one of the six sestieri of ancient Genoa. At present it is part of the Genoa's city Municipio I.
Villa Gruber De Mari was built by the noble Genoese family De Mari in the second half of the 16th century in the suburban area between the Sant'Anna and San Rocchino walkways linking the center of the city to the New Walls, in the Castelletto neighborhood of Genoa, Italy. The villa includes a 16th-century guard tower and the 17th-century former private chapel, now the Abbatial Church of Santa Maria della Sanità. The villa is located in a panoramic position within a large park, which has been opened to the public after the villa was acquired by the Municipality of Genoa in the 20th century.
Giovanni Scanzi was an Italian sculptor. His early apprenticeship led to formal studies in Rome, followed by a career as a prolific artist and teacher. He was particularly active creating monuments for the Monumental Cemetery of Staglieno in Genoa, with many other works located in museums, churches and public venues in Genoa and elsewhere.
Andrea Carrera or Carreca was an Italian Baroque painter mainly active in Sicily. He was born in Trapani and died in Palermo.