The Sarcophagus of Adelphia is an early Christian, circa 340 AD sarcophagus now in the Museo Archeologico Regionale Paolo Orsi in Syracuse, region of Sicily, Italy. [1] The sarcophagus was found in the Rotunda of Adelphia inside the Catacombs of San Giovanni, in Siracusa. The iconography displayed has similarities to the layout of the Dogmatic and Junius Bassus sarcophagi, although the quality of to depictions is simplified.
The name of the sarcophagus derives from the hypothesis that it was used for the burial of the Roman noblewoman Adelfia. The central medallion would represent a portrait of the couple, mentioned in the center of the lid by an epigraph arranged on three lines in a tabula ansata on a red background:
(H)IC ADELFIA C(LARISSIMA) F(EMINA)
POSITA CONPAR
BALERI COMITIS
Here lies Adelphia, famous woman, wife of Count Valerius.
The front side of the marble sarcophagus is split into two registers, typical of the style of the time, with both Old Testament and New Testament subjects and a central shell-shaped clipeus containing the portraits of the dead couple, embracing. The lid of the sarcophagus forms a third register. Of note, the depictions of Moses and Jesus, and perhaps God in Eden, are unbearded, as opposed to the bearded Abraham. [2] The scenes are depicted in a high bas relief. The scenes do not follow a timeline, and can be poorly distinct from one another.
In the upper lid are likely four episodes, two likely regarding the life of Mary on the left, and two depicting events surrounding the Nativity, including the three Magi following the star of Bethlehem. It also contains a plaque identifying Adelphia and her spouse Valerius. The second register has eight episodes, four on each side of the central shell with the married couple. On the left, from left to right, are scenes depicting:
On the right are scenes depicting
In the third (lowest) register, are scenes depicting:
According to the inscription, Adelphia was the wife of a Count Valerius. According to recent studies, Valerius was the friend of St. Augustine cited in the Introduction of the De nuptiis et concupiscentia (“About marriage and lust”). [3]
Lorenzo Ghiberti, born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of Commentarii contains important writing on art, as well as what may be the earliest surviving autobiography by any artist.
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Early Christian art and architecture is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550, Christian art is classified as Byzantine, or according to region.
The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path".
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The Nativity of Jesus has been a major subject of Christian art since the 4th century.
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The Dogmatic Sarcophagus, also known as the "Trinity Sarcophagus" is an early Christian sarcophagus dating to 320–350, now in the Vatican Museums. It was discovered in the 19th century during rebuilding works at the basilica di San Paolo fuori le Mura, in Rome, Italy.
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The Catacombs of Domitilla are an underground Christian cemetery named after the Domitilla family that had initially ordered them to be dug. Located in Rome, Italy, are the human-made subterranean passageways used for cemeteries and religious practice. They are among the largest catacombs in Rome, spreading out 17 km, largely along the ancient Via Ardeatine, laid out on four levels, and housing approximately 15,000 bodies underground. The Catacombs of Domitilla are the only catacombs in Rome that have an underground Basilica and are of one only five Roman catacombs open to the public. Constructed during the second and third centuries, this labyrinth of underground passages contains frescoes and a wealth of Christian iconography while also presenting masterful engineering skills and innovative architectural techniques.
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