Scar | ||||
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Studio album by | ||||
Released | May 15, 2001 | |||
Recorded | September 7–10, 2000 | |||
Studio | Sound Factory, Hollywood, California | |||
Genre | Alternative rock | |||
Length | 57:59 | |||
Label | Mammoth | |||
Producer | Craig Street, Joe Henry | |||
Joe Henry chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Alternative Press | 8/10 [2] |
The Guardian | [3] |
Los Angeles Times | [4] |
Pitchfork | 4.0/10 [5] |
Q | [6] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [8] |
Spin | 8/10 [9] |
Uncut | [10] |
Scar is the eighth studio album by Joe Henry, released in May 2001 on Mammoth Records. Co-produced by Craig Street, it marked another shift in direction for Henry's music, and a foray into the genres of jazz and soul music. The opening track is a homage to comedian Richard Pryor (whom the album is also dedicated to), and according to Henry's essay "The Ghost in the Song," he was "called by a vision" to collaborate with free jazz artist Ornette Coleman. Henry wrote:
I had a dream. A "vision," I'm tempted to say. And the vision had a voice, and the voice spoke a word: Ornette. It didn't need to speak the other word, for I knew. I needed Ornette Coleman's musical voice to complete the song with which I was at that precise moment struggling.
Henry eventually convinced Coleman to record a solo for the track "Richard Pryor Addresses a Tearful Nation," and also contributed a reprise at the very end of the album as a hidden track. Henry discusses his interactions with Coleman at length as the last part of a 2016 interview. [11]
Another track of note is "Stop", a tango written by Henry. His wife, Melanie, sent an early demo of the track to her sister Madonna, who re-used the lyrics for "Don't Tell Me". Henry often quips during live gigs that "I recorded my version as a tango, and she recorded hers as a hit".
Lizz Wright recorded a jazzy take on "Stop" which she included in her 2005 release Dreaming Wide Awake , also an album produced by Craig Street and recorded by S. Husky Höskulds.
All songs written by Joe Henry, except where noted.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of predecessors such as Jimmy Blanton and Charles Mingus, Haden helped to revolutionize the harmonic concept of bass playing in jazz, evolving a style that sometimes complemented the soloist, and other times moved independently, liberating bassists from a strictly accompanying role, to allow more direct participation in group improvisation.
Joseph Lee Henry is an American singer-songwriter, guitarist, and producer. He has released 15 studio albums and produced multiple recordings for other artists, including three Grammy Award-winning albums.
Richard Pryor is the debut album of comedian Richard Pryor. It was recorded live in 1968 at the Troubadour in West Hollywood, California.
Change of the Century is the fourth album by jazz saxophonist Ornette Coleman, released on Atlantic Records in May 1960. It sold very well from soon after its release. Recording sessions for the album took place on October 8 and 9, 1959, in New York City.
This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
Town Hall, 1962 is a live album by Ornette Coleman, recorded on December 21, 1962 at New York City's Town Hall and released in 1965 by the ESP-Disk label. It was the first recording of Coleman's new trio, featuring rhythm section David Izenzon and Charles Moffett.
Live 1976–1977 is the sixth album of the bassist Stanley Clarke. This is his first live album.
Sound Grammar is a live album by jazz saxophonist and composer Ornette Coleman, recorded live in Ludwigshafen, Germany, on 14 October 2005. The album was produced by Coleman and Michaela Deiss, and released on Coleman's new Sound Grammar label. It was his first new album in almost a decade, since the end of his relationship with Verve in the 1990s. It features a mix of new and old originals.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in 1985 by Geffen Records.
Skies of America is the 17th album by jazz saxophonist Ornette Coleman, released on Columbia Records in 1972. It consists of one long composition by Coleman taking up both sides of the album, played by the London Symphony Orchestra and conducted by David Measham. Coleman himself only plays on a few segments, and there is no other jazz instrumentation.
The Avant-Garde is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
Body Meta is an album by Ornette Coleman and Prime Time, released in 1978.
Discography for American jazz saxophonist Ornette Coleman.
Live Ankara is a live album by trumpeter Don Cherry. It was recorded in November 1969 at the US Embassy in Ankara, Turkey, and was released on LP in 1978 by Sonet Records. On the album, Cherry is joined by three Turkish musicians: saxophonist and percussion Irfan Sümer, bassist Selçuk Sun, and drummer Okay Temiz. The album was reissued by Sonet on CD in 1996, paired with Eternal Now, with the title The Sonet Recordings.