Alphonse Gabriel Capone, sometimes known by the nickname "Scarface", was an American gangster and businessman who attained notoriety during the Prohibition era as the co-founder and boss of the Chicago Outfit from 1925 to 1931. His seven-year reign as a crime boss ended when he went to prison at the age of 33.
The Saint Valentine's Day Massacre was the murder of seven members and associates of Chicago's North Side Gang on Saint Valentine's Day 1929. The men were gathered at a Lincoln Park, Chicago, garage on the morning of February 14, 1929. They were lined up against a wall and shot by four unknown assailants, two of whom were disguised as police officers.
Paul Muni was an American stage and film actor from Chicago. He started his acting career in the Yiddish theater and during the 1930s, he was considered one of the most prestigious actors at the Warner Bros. studio and was given the rare privilege of choosing his own parts.
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman, and starring James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.
Scarface is a 1932 American gangster film directed by Howard Hawks and produced by Hawks and Howard Hughes. The screenplay, by Ben Hecht, is based loosely on the novel first published in 1930 by Armitage Trail, which was inspired by Al Capone. The film was developed and released during the pre-Code era of Hollywood. The film stars Paul Muni as Italian immigrant gangster Antonio "Tony" Camonte who violently rises through the Chicago gangland, with a supporting cast that includes George Raft and Boris Karloff. Camonte's rise to power dovetails with his relentless pursuit of his boss's mistress while his own sister pursues his best hitman. In an overt tie to the life of Capone, a version of the Saint Valentine's Day Massacre is depicted.
Scarface is a 1983 American crime drama film directed by Brian De Palma, written by Oliver Stone, and starring Al Pacino. It is a remake of the 1932 film of the same name, in turn based on the novel of the same name first published in 1930 by Armitage Trail. It tells the story of Cuban refugee Tony Montana (Pacino), who arrives penniless in Miami during the Mariel boatlift and becomes a powerful drug lord. The film co-stars Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Robert Loggia, Míriam Colón and F. Murray Abraham.
John Donato Torrio was an Italian-born American mobster who helped build the Chicago Outfit in the 1920s later inherited by his protégé Al Capone. Torrio proposed a National Crime Syndicate in the 1930s and later became an adviser to Lucky Luciano and his Luciano crime family.
Antonio "Tony" Montana is a fictional character and the villain protagonist of the 1983 film Scarface. This character is portrayed by Al Pacino in the film and is voiced by André Sogliuzzo in the 2006 video game Scarface: The World Is Yours. Embodying the possibility of a person rising from the bottom of society to the top, Tony Montana has become a cultural icon, as well as one of the most iconic film characters of all time.
William Riley Burnett was an American novelist and screenwriter. He is best known for the crime novel Little Caesar, the film adaptation of which is considered the first of the classic American gangster movies.
Vincenzo Colosimo, known as James "Big Jim" Colosimo or as "Diamond Jim", was an Italian-American Mafia crime boss who emigrated from Calabria, Italy, in 1895 and built a criminal empire in Chicago based on prostitution, gambling and racketeering. He gained power through petty crime and heading a chain of brothels. From 1902 until his death in 1920, he led a gang known after his death as the Chicago Outfit. Colosimo was assassinated on May 11, 1920, and no one was ever charged with his murder. Johnny Torrio, an enforcer whom Colosimo imported in 1909 from New York, seized control of Colosimo's businesses after his death. Al Capone, a close associate of Torrio, has been accused of involvement in Colosimo's murder but was not yet in Chicago at the time.
Special Agent is a 1935 American crime drama film directed by William Keighley and starring Bette Davis and George Brent. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney. The film was produced by Cosmopolitan Productions and released by Warner Bros.
Mafia films—a version of gangster films—are a subgenre of crime films dealing with organized crime, often specifically with Mafia organizations. Especially in early mob films, there is considerable overlap with film noir. Popular regional variations of the genre include Italian Poliziotteschi, Chinese Triad films, Japanese Yakuza films, and Indian Mumbai underworld films.
The George Raft Story is a 1961 American biographical film directed by Joseph M. Newman that stars Ray Danton as Hollywood film star George Raft. The picture was retitled Spin of a Coin for release in the United Kingdom, a reference to Raft's character's nickel-flipping trick in Scarface (1932), the film that launched his career as an actor known for portraying gangsters.
The Thirteenth Guest is a 1932 American pre-Code mystery comedy thriller film, released on August 9, 1932. The film is also known as Lady Beware in the United Kingdom. It is based on the 1929 novel The Thirteenth Guest written by crime fiction author Armitage Trail, best known for the novel Scarface on which the 1932 movie of the same name was based. The novel was filmed again in 1943 as Mystery of the 13th Guest.
Maurice R. Coons, known by the pen name Armitage Trail, was an American pulp fiction author, known best for his 1929 novel Scarface. This novel was based on the life of gangster Al Capone, and was adapted as the 1932 film Scarface directed by Howard Hawks and produced by Howard Hughes. The story was later modernized and remade in the 1983 film Scarface. Coons's only other significant work is the detective novel The Thirteenth Guest, though he is speculated to have used a variety of pseudonyms.
The era of American film production from the early sound era to the enforcement of the Hays Code in 1934 is denoted as Pre-Code Hollywood. The era contained violence and crime in pictures which would not be seen again until decades later. Although the Hays office had specifically recommended removing profanity, the drug trade, and prostitution from pictures, it had never officially recommended against depictions of violence in any form in the 1920s. State censor boards, however, created their own guidelines, and New York in particular developed a list of violent material which had to be removed for a picture to be shown in the state. Two main types of crime films were released during the period: the gangster picture and the prison film.
Scarface Nation: The Ultimate Gangster Movie and How It Changed America is a 2008 book written by Ken Tucker and published by St. Martin's Press about the 1983 American crime film Scarface and its influence on society, film, and the music industry.
Al Capone (1899–1947) is one of the most notorious American gangsters of the 20th century and has been the subject of numerous articles, books, and films. From 1925 to 1929, shortly after Capone relocated to Chicago, he was the most notorious mobster in the country. Capone cultivated an image of himself in the media that fascinated the public. His personality and character have modeled fictional crime lords and criminal masterminds ever since his death. The stereotypical image of a mobster wearing a pinstriped suit and tilted fedora are based on photos of Capone. His accent, mannerisms, facial construction, physical stature, and parodies of his name have represented gangsters in comics, movies, music, and literature.
