Scarlet Days | |
---|---|
Directed by | D. W. Griffith |
Written by | Stanner E. V. Taylor (original story, scenario) |
Produced by | D. W. Griffith |
Starring | Richard Barthelmess Clarine Seymour |
Cinematography | G. W. Bitzer |
Edited by | James Smith |
Distributed by | Paramount Pictures/Artcraft |
Release date |
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Running time | 7 reels (6,916 feet) |
Country | United States |
Languages | Silent English intertitles |
Scarlet Days is a 1919 American silent Western film produced and directed by D. W. Griffith and released through Paramount/Artcraft Pictures, Artcraft being an affiliate of Paramount. Richard Barthelmess stars in a role for which Griffith had screentested Rudolph Valentino. [1] [2] In today's time, this film is considered by many to be one of Griffith's worst films though it might have worked better as a short film. [3] This film was unlike others created by D.W. Griffith. According to an article written for The Cincinnati Enquirer , written on the 16 of November 1919: "Unlike other recent Griffith production, Scarlet Days is a story of the old West, of the gold rush days of 49- Bret Harte transferred to the screen!" [4] The Western film genre was expanding at this time and Scarlet Days fits into this category. Western films were popular for this time.
Considered a lost film, a print was found in the State Film Archives of the Soviet Union, which donated it to the Museum of Modern Art in 1969. [5] The film was screened to the public, for the first time since its rediscovery, on March 24 and 25, 1969. Scarlet Days was shown alongside another missing film, A Romance of Happy Valley , at the Museum of Modern Art's auditorium with titles still printed in Russian. English titles were later created by the Department of Film at the Museum of Modern Art. [6]
As described in a film magazine, [7] Rosie Nell (Besserer), a woman of dance halls in early lawless California, is wrongly charged with the murder of one of her fellow entertainers. Because her daughter (Dempster), who knows nothing of her mother's station in life, is to return the next day from her school in the east, Rosie is granted three days of grace to be spent in company with her daughter at a nearby cabin. The three days pass happily, but King Bagley (Long), manager of the dance hall, has seen the daughter and determined to make her his own. The women barricade themselves in the cabin to resist capture and Alvarez (Barthelmess), a young outlaw with considerable local prestige, comes to their assistance. John Randolph (Graves), who also loves the young woman, joins the fight on their side, which ends with the timely arrival of the Sheriff (Fawcett). This results in a happy ending.
Public response to this film was overwhelmingly positive during its release in November 1919. Many news sources in 1919 published review articles complimenting and comparing Scarlet Days to other films created by D.W.Griffith. News outlets such as the "New-York Tribune", "San Francisco Chronicle", "Cincinnati Enquirer", and more were including reviews on Scarlet Days as well as announcing local showtimes for this film. A review article from the "Cincinnati Enquirer" stated that: "The latest D.W. Griffith production soon will be ready for local release. Griffith as usual has assembled a sparkling cast for his new picture." [4] Scarlet Days traveled across the country to show in various theaters after its release date on November 9, 1919. Prior to the actual showing, news articles would be released to inform readers of short plot summaries and events in the production.
On an opposing view written for "Variety" magazine wrote on Scarlet Days negatively, and claimed that: "Scarlet Days as a story was not worthy of Griffith's direction in picturization. It is entire too commonplace." [8] For current day moviegoers, this film is one of the least popular of D.W. Griffith's directed pictures. Scarlet Days was considered to be made too late in the era where Western films were becoming popular. Though some new sources gave positive feedback in response to the release of this film, opposing viewpoints claimed that: "Outside of [the lack of plot depth] there is nothing more to say except that it is a surprise that Griffith should at this late date take to filming rip-snorting Western mellers with a lot of harum-scarum rough stuff with gunplay." [8]
David Wark Griffith was an American film director. Considered one of the most influential figures in the history of the motion picture, he pioneered many aspects of film editing and expanded the art of the narrative film.
Richard Semler Barthelmess was an American film actor, principally of the Hollywood silent era. He starred opposite Lillian Gish in D. W. Griffith's Broken Blossoms (1919) and Way Down East (1920) and was among the founders of the Academy of Motion Picture Arts and Sciences in 1927. The following year, he was nominated for the Academy Award for Best Actor for two films: The Patent Leather Kid and The Noose.
Broken Blossoms or The Yellow Man and the Girl, often referred to simply as Broken Blossoms, is a 1919 American silent drama film directed by D. W. Griffith. It was distributed by United Artists and premiered on May 13, 1919. It stars Lillian Gish, Richard Barthelmess, and Donald Crisp, and tells the story of young girl, Lucy Burrows, who is abused by her alcoholic prizefighting father, Battling Burrows, and meets Cheng Huan, a kind-hearted Chinese man who falls in love with her. It was the first film distributed by United Artists. It is based on Thomas Burke's short story "The Chink and the Child" from the 1916 collection Limehouse Nights. In 1996, Broken Blossoms was included in the annual selection of 25 motion pictures to be added to the National Film Registry of the Library of Congress.
Intolerance is a 1916 epic silent film directed by D. W. Griffith. Subtitled as Love's Struggle Throughout the Ages and A Sun-Play of the Ages, the three-and-a-half-hour epic intercuts four parallel storylines, each separated by several centuries: first, a contemporary melodrama of crime and redemption; second, a Judean story: Christ's mission and death; third, a French story: the events surrounding the St. Bartholomew's Day massacre of 1572; and fourth, a Babylonian story: the fall of the Babylonian Empire to Persia in 539 BC. Each story had its own distinctive color tint in the original print. The scenes are linked by shots of a figure representing Eternal Motherhood, rocking a cradle.
Robert Emmett Harron was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is possibly best recalled for his roles in the D.W. Griffith directed films The Birth of a Nation (1915) and Intolerance (1916).
Carol Dempster was an American film actress of the silent film era. She appeared in films from 1916 to 1926, working with D. W. Griffith extensively.
Isn't Life Wonderful is a 1924 American silent romantic drama film directed by D. W. Griffith for his company D. W. Griffith Productions, and distributed by United Artists. It was based on the short story "Isn’t Life Wonderful?" in the 1923 book Defeat by Geoffrey Moss, and it was released under the alternative title Dawn.
Mary Pickford (1892–1979) was a Canadian-American motion picture actress, producer, and writer. During the silent film era she became one of the first great celebrities of the cinema and a popular icon known to the public as "America's Sweetheart".
Stanner E.V. Taylor was an American screenwriter and film director of the silent era. He wrote for more than 100 films between 1908 and 1929.
The Battle of the Sexes is a 1914 American silent drama film directed by D. W. Griffith for the Majestic Motion Picture Company. No complete print of the film is known to exist; however, a fragment has survived. Griffith remade the film as The Battle of the Sexes in 1928 as a comedy-drama and this latter version is available on DVD.
A Romance of Happy Valley is a 1919 American drama film directed by D. W. Griffith and starring Lillian Gish. Believed lost for almost 50 years, a print was discovered in 1965 in the State Film Archives of the Soviet Union, which donated it to the Museum of Modern Art.
True Heart Susie is a 1919 American drama film directed by D. W. Griffith and starring Lillian Gish. A print of the film survives in the film archive of the British Film Institute. The film has seen several VHS releases as well as a DVD issue.
The Greatest Question is a 1919 American drama film directed by D. W. Griffith. Based upon a novel by William Hale, the film has a plot involving spiritualism.
Clarine E. Seymour was an American silent film actress.
The Fight for Freedom is a 1908 American black-and-white short silent Western film which may have been directed by D. W. Griffith. Filmed in Shadyside, New Jersey in June 1908, the film was released on July 17, 1908.
The Girl Who Stayed at Home is a 1919 American silent drama film produced and directed by D. W. Griffith and released by Paramount Pictures. Prints of the film exist.
The Love Flower is a 1920 American silent drama film produced by D. W. Griffith and released through the then nascent United Artist company of which Griffith was a founding partner.
The Hope Chest is an American silent comedy-drama film released in 1918, starring Dorothy Gish. The film was directed by Elmer Clifton and based on a serialized story by Mark Lee Luther, originally published in Woman's Home Companion. It is not known whether the film currently survives.
I'll Get Him Yet is a lost 1919 American silent comedy film starring Dorothy Gish and directed by Elmer Clifton. It was produced by D. W. Griffith under his production unit New Art Film. Paramount Pictures distributed the film.
Adolph Lestina was an American stage and film actor who was a member of D. W. Griffith's stock company of film actors.