A Wreath in Time | |
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Directed by | D. W. Griffith |
Written by | D. W. Griffith |
Produced by | Biograph Company Manhattan, New York |
Starring | Mack Sennett Florence Lawrence |
Cinematography | G. W. Bitzer |
Release date |
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Running time | 9 minutes (split-reel, 558 feet) [1] |
Country | United States |
Language | Silent |
A Wreath in Time is a 1909 American silent comedy film written and directed by D. W. Griffith, produced by the Biograph Company of New York City, and co-starring Mack Sennett and Florence Lawrence. [2] At its release in February 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. A Wreath in Time shared its reel with another Biograph short also directed by Griffith, the drama Edgar Allen Poe [ sic ]. [1] [a] Original paper rolls of contact prints of both motion pictures, as well as safety-stock copies of the two films, are preserved in the Library of Congress. [2] [3]
In its published 1985 catalog of paper prints in its silent-film collection, the Library of Congress provides the following summary of the comedy's storyline:
A man (Mack Sennett) takes leave of his wife (Florence Lawrence) and goes off to a saloon, where his friends and the liquor influence him into going to a burlesque show. In order to make the night out legitimate, the men send messages to their wives saying they have gone to a fraternal conclave. In one scene, the camera moves in close to a theater box where the men are enjoying the dancers. The camera shifts to the man's home where his wife reads of a train wreck, assumes he is killed, and goes to the undertaker to buy a wreath. The last scene shows the erring husband returning home to find his wife wearing widow's weeds, and the wife is both happy and angry, but the film ends an embrace. [2] [b]
The screenplay for this short is credited to director Griffith, who produced the picture at Biograph's headquarters and main studio, which were located inside a renovated brownstone mansion at 11 East 14th Street in New York City. Filming was done there and also on location a short distance away from the studio, at the intersection of 8th Avenue and 14th Street, December 1–8, 1908 by Biograph cinematographer G. W. Bitzer. [4]
Compiling and verifying cast members in early Biograph productions such as A Wreath in Time is made more difficult by the fact that Biograph, as a matter of company policy, did not begin publicly crediting its performers and identifying them in film-industry publications or in newspapers advertisements until four years after the release of this short. In its April 5, 1913 issue, the Chicago-based trade journal Motography in a news item titled "Biograph Identities Revealed" announces that "at last" Biograph "is ready to make known its players." [5] That news item also informs filmgoers that for the price of ten cents they can purchase a poster from Biograph on which the names and respective portraits of 26 of the company’s principal actors were featured. [5]
The co-stars of this short were among many early Biograph players who performed anonymously and were consistently uncredited in their screen appearances for the studio. Florence Lawrence, in the role of Mrs. John Goodhusband in this film, was known in 1909 to theater audiences only as the "Biograph Girl", although within a few years after this comedy's release, she would be widely publicized as one of the leading actors in the United States' motion-picture industry. [6]
Months after its release in February 1909, the film and its split-reel companion, Edgar Allen Poe, continued to circulate throughout the country. Most comments about both films in available sources from that year are not independent assessments and generally have commercial interests in promoting the Biograph productions. The local newspaper in Brunswick, Georgia, for example, employs the grandest terms in its October 27, 1909 issue to encourage residents to see the comedy short at the town's Grand Theatre. "'The Wreath in Time' is another great big biograph [ sic ] feature picture", adding "This is positively the greatest picture ever seen at the Grand." [7] Earlier, the Dixie Theatre in Fairmont, West Virginia described the "photoplay" in its newspaper advertisement as a "laugh maker" and a "rich production". [8] The theatre assured all prospective ticket buyers that the comedy and Edgar Allen Poe would satisfy them: "We guarantee both of these pictures and trust that our patrons will not miss them." [8]
Photographic prints and a film copy of A Wreath in Time exist. The Library of Congress (LC)) holds a reduced 203-foot roll of paper images printed directly from the comedy's original 35mm master negative. [2] Submitted by Biograph to the United States government shortly before the film's release, the roll is part of the original documentation required by federal authorities for motion-picture companies to obtain copyright protection for their productions. [9] While the LC's paper print record is not projectable, such paper copies can be transferred onto modern polyester-based safety film stock to produce rolls of negatives and then prints for screening. In fact, during the 1950s and early 1960s, Kemp R. Niver and other LC staff restored more than 3,000 early paper rolls of film images from the library's collection and transferred many to safety stock, including A Wreath in Time. [9] [c]
The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.
The Golden Louis is a 1909 American drama film written by Edward Acker, directed by D. W. Griffith, and produced by the Biograph Company in New York City. Originally, this short was distributed to theaters on a "split reel", accompanying another Griffith-directed film, the comedy The Politician's Love Story.
Linda Arvidson was an American stage and film actress. She became one of America's early motion picture stars while working at Biograph Studios in New York, where none of the company's actors, until 1913, were credited on screen. Along with Florence Lawrence, Marion Leonard, and other female performers there, she was often referred to by theatergoers and in trade publications as simply one of the "Biograph girls". Arvidson began working in the new, rapidly expanding film industry after meeting her future husband D. W. Griffith, who impressed her as an innovative screen director. Their marriage was kept secret for reasons of professional discretion.
Herbert Yost was an American actor who in a career that spanned nearly half a century performed predominantly on stage in stock companies and in numerous Broadway productions. Yost also acted in motion pictures, mostly in one-reel silent shorts released by the Biograph Company and Edison Studios between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest stock actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films. He was ultimately cast in scores of motion pictures in the early silent era, although with the exceptions of appearing in three more films in the sound era, Yost spent the remaining decades of his career acting in major theatre productions, almost exclusively on Broadway.
The Curtain Pole is a 1909 American comedy film directed by D. W. Griffith. A print of the film still exists. The film was made by the American Mutoscope and Biograph Company when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century.
A Drunkard's Reformation is a 1909 American drama film directed by D. W. Griffith. Prints of the film survive in the film archive of the Library of Congress. The American Mutoscope and Biograph Company advertised the feature as "The most powerful temperance lecture ever depicted".
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Edgar Allen Poe [sic] is a 1909 American silent drama film produced by the Biograph Company of New York and directed and co-written by D. W. Griffith. Herbert Yost stars in this short as the 19th-century American writer and poet Edgar Allan Poe, while Linda Arvidson portrays Poe's wife Virginia. When it was released in February 1909 and throughout its theatrical run, the film was consistently identified and advertised with Poe's middle name misspelled in its official title, using an "e" instead of the correct second "a". The short was also originally shipped to theaters on a "split reel", which was a single reel that accommodated more than one film. This 450-foot drama shared its reel with another Biograph short, the 558-foot comedy A Wreath in Time. Prints of both films survive.
Her First Biscuits is a 1909 American silent short comedy film written by Frank E. Woods, directed by D. W. Griffith, and starring John R. Cumpson and Florence Lawrence. At its release in June 1909, the comedy was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the drama The Faded Lilies. Prints of both films are preserved in the film archive of the Library of Congress.
A Sound Sleeper is a 1909 American comedy film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short was filmed in one day in the Coytesville borough of Fort Lee, New Jersey, which at the time was a popular filming location for many early motion-picture studios in the northeastern United States. Due to the brief running time of this comedy, it was originally distributed in April 1909 on a split reel with another Biograph release, a longer dramatic film titled The Winning Coat.
Trying to Get Arrested is a 1909 American comedy short film directed by D. W. Griffith, produced by the Biograph Company of New York City, and starring John R. Cumpson. Filmed in two days in early 1909 at Palisades Park, New Jersey, it was released in April that year and distributed to theaters on a "split reel", which was a single film reel that included more than one motion picture. The other picture that accompanied this comedy was the Biograph "dramedy" The Road to the Heart.
The Road to the Heart is a 1909 American short film, a dramedy directed by D. W. Griffith and produced by the Biograph Company of New York City. Starring David Miles, Anita Hendrie and Herbert Yost, it was filmed over two days in March 1909 at Biograph's studio in Manhattan and released that April in theaters as a film reel split with the Biograph comedy Trying to Get Arrested.
A Rude Hostess is a 1909 American silent film comedy written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and co-starring Marion Leonard and Arthur V. Johnson. At its release in April 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. A Rude Hostess shared its reel with another Biograph comedy short directed by Griffith, Schneider's Anti-Noise Crusade. Original contact-print paper rolls of both motion pictures, as well as projectable safety-stock copies of the films, are preserved in the Library of Congress.
Schneider's Anti-Noise Crusade is a 1909 American silent film comedy written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and co-starring John R. Cumpson and Florence Lawrence. At its release in April 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. This short shared its reel with another Biograph comedy directed by Griffith, A Rude Hostess.
The Medicine Bottle is a 1909 American silent thriller film written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and starring Florence Lawrence, Adele DeGarde, and Marion Leonard. At its release in March 1909, the short was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one film. This drama shared its reel with another Biograph short directed by Griffith, the comedy Jones and His New Neighbors.
Jones and His New Neighbors is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Anita Hendrie. It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in March 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the dramatic "thriller" The Medicine Bottle.
Jones and the Lady Book Agent is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Flora Finch as the "lady book agent". It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in May 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph comedy short directed by Griffith, The French Duel. The film was released on May 10, 1909 by Biograph Company and was met by positive viewers. The film is presumed lost.
The Invisible Fluid is a 1908 American silent science fiction comedy film produced by the American Mutoscope and Biograph Company of New York, directed by Wallace McCutcheon Sr., and starring Edward Dillon. The short's plot relies extensively on the filming and editing technique of substitution splicing, also known as "stop trick", a special effect that creates the illusion of various characters or objects suddenly vanishing on screen.