The Greatest Thing in Life | |
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Directed by | D. W. Griffith |
Written by | Lillian Gish D. W. Griffith Stanner E.V. Taylor |
Produced by | D. W. Griffith |
Starring | Robert Harron Lillian Gish |
Cinematography | G. W. Bitzer, Henrik Sartov (*French) |
Edited by | James Smith |
Production company | Famous Players–Lasky / Artcraft |
Distributed by | Paramount Pictures |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Greatest Thing in Life is a 1918 American silent drama film about World War I, directed by D. W. Griffith and starring Lillian Gish, Robert Harron, and David Butler. The film is now considered lost as no prints are known to exist. [1] [2] [3] [4]
This film was released later in the same year as Griffith's more famous World War I film, Hearts of the World , which also stars Lillian Gish and Robert Harron. The Greatest Thing in Life was renowned for two main aspects: the groundbreaking portrait photography style of Henrik Sartov, [5] and a "new and daring" interracial kiss between a white officer and a black soldier (both male). [6]
As described in a film magazine, [7] Leo Peret (Lestina) has a small quiet tobacco shop in Greenwich Village. Edward Livingston (Harron), a wealthy young clubman and man-about-town, comes in frequently ostensibly to buy cigarettes but in reality to talk to the daughter Jeannette (Gish), and he is soon in love with the little shop girl. Leo is homesick for his native France, but lacks the funds to make the passage. Edward, learning of their plight, sends $1,000 with a note saying that the money is payment for a good deed. Leo accepts the money and he and Jeannette embark at once. In France Leo regains his health but suffers a broken leg. When Edward learns of this he goes to France and seeks out Jeannette to resume his lovemaking. He finds that he has a rival, however, in Mons Le Bebe, a grocer, and after forcefully embracing Jeannette one evening, she bids him to be gone forever. She is discouraged over Le Bebe's fondness for garlic and his refusal to accept the beauties of Chantecler . But a chicken is just a chicken to Le Bebe.
War with Germany is declared and Le Bebe marches off to battle with Jeannette's blessing. The French soldiers are driven from the town by the Germans and Jeannette, her father and aunt, and little Peaches (Jackson) seek safety in the cellar. Leo is trusted with the hiding place of a telephone and he volunteers to keep the French posted. In defense of the town Le Bebe is shot in the leg, and he drags himself to the cellar. Jeannette hides him under some sand and he escapes capture. Meanwhile, Edward has enlisted in the American army that comes to the aid of France, and although he despises his fellow soldiers, he is a brave man. In a charge two companies become mixed and he finds himself in a shell hole with a black soldier who is dying. Edward's manliness asserts itself and he accomplishes the soldier's final request.
Leo is discovered listening to a German officer (Peil) discussing plans and is shot. He creeps back to the cellar and Jeannette relays the information by telephone to the French. Just as the Germans reach the cellar and force their way in, American troops enter the town. Le Bebe dies defending Jeannette, and she is saved from death by an American scouting party led by Edward. Later at the town's bakery shop, Jeannette hands out cakes and pies to the soldiers. Edward renews his lovemaking, and she is pleased with her American sweetheart.
After attaining significant fame as a director of war pictures, D. W. Griffith was invited by the British government to film on actual World War I battlefields. [8] Griffith had originally intended to make only a single picture with the material, but came back with over 86,000 feet and decided to turn it into three. [9]
The chief production was Hearts of the World , with The Great Love and The Greatest Thing in Life made with the leftover battlefield footage. Some of the footage was filmed on the Marne River in Château-Thierry, France. There is some speculation, however, as to whether some of the shots originated in the Salisbury Plain Training Area, in the United Kingdom, or was footage purchased by Griffith from Franz Kleinschmidt. [10]
The film is now considered to be a lost film as no prints are known to exist. Previously, the Cohen Media Group listed this film as part of their holdings from Raymond Rohauer collection, but this turned out to be an error. [2] [3] [4]
Broken Blossoms or The Yellow Man and the Girl, often referred to simply as Broken Blossoms, is a 1919 American silent drama film directed by D. W. Griffith. It was distributed by United Artists and premiered on May 13, 1919. It stars Lillian Gish, Richard Barthelmess, and Donald Crisp, and tells the story of young girl, Lucy Burrows, who is abused by her alcoholic prizefighting father, Battling Burrows, and meets Cheng Huan, a kind-hearted Chinese man who falls in love with her. It was the first film distributed by United Artists. It is based on Thomas Burke's short story "The Chink and the Child" from the 1916 collection Limehouse Nights. In 1996, Broken Blossoms was included in the annual selection of 25 motion pictures to be added to the National Film Registry of the Library of Congress.
Lillian Diana Gish was an American actress. Her film-acting career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was called the "First Lady of American Cinema", and is credited with pioneering fundamental film performance techniques. In 1999, the American Film Institute ranked Gish as the 17th greatest female movie star of Classic Hollywood cinema.
The Musketeers of Pig Alley is a 1912 American short drama and a gangster film. It is directed by D. W. Griffith and written by Griffith and Anita Loos. It is also credited for its early use of follow focus, a fundamental tool in cinematography.
Robert Emmett Harron was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is possibly best recalled for his roles in the D.W. Griffith directed films The Birth of a Nation (1915) and Intolerance (1916).
Judith of Bethulia (1914) is an American film starring Blanche Sweet and Henry B. Walthall, and produced and directed by D. W. Griffith, based on the play "Judith and the Holofernes" (1896) by Thomas Bailey Aldrich, which itself was an adaptation of the Book of Judith. The film was the first feature-length film made by pioneering film company Biograph, although the second that Biograph released.
Hearts of the World is a 1918 American silent World War I propaganda film written, produced and directed by D. W. Griffith. In an effort to change the American public's neutral stance regarding the war, the British government contacted Griffith due to his stature and reputation for dramatic filmmaking.
Orphans of the Storm is a 1921 American silent drama film by D. W. Griffith set in late-18th-century France, before and during the French Revolution.
The New York Hat is a silent short film which was released in 1912, directed by D. W. Griffith from a screenplay by Anita Loos, and starring Mary Pickford, Lionel Barrymore, and Lillian Gish.
Home, Sweet Home (1914) is an American silent biographical drama directed by D. W. Griffith. It stars Earle Foxe, Henry Walthall and Dorothy Gish.
An Unseen Enemy is a 1912 Biograph Company short silent film directed by D. W. Griffith, and was the first film to be made starring the actresses Lillian Gish and Dorothy Gish. A critic of the time stated that "the Gish sisters gave charming performances in this one-reel film". The film was shot in Fort Lee, New Jersey where early film studios in America's first motion picture industry were based at the beginning of the 20th century. Consistent with practice at that time, the actors in the cast and their roles are not listed in the film..
The Informer is a 1912 American short drama film directed by D. W. Griffith and featuring Mary Pickford, Henry B. Walthall, Harry Carey, Lionel Barrymore, Dorothy Gish, and Lillian Gish. It was filmed in the Pike County town of Milford, Pennsylvania. Prints of the film survive at the film archive of the Library of Congress.
The House of Darkness is a 1913 American short drama film directed by D. W. Griffith.
The Mothering Heart is a 1913 American short drama film directed by D. W. Griffith. A print of the film survives in the film archive of the Museum of Modern Art.
The Battle of the Sexes is a 1914 American silent drama film directed by D. W. Griffith for the Majestic Motion Picture Company. No complete print of the film is known to exist; however, a fragment has survived. Griffith remade the film as The Battle of the Sexes in 1928 as a comedy-drama and this latter version is available on DVD.
The Great Love is a 1918 American silent war drama film directed and written by D. W. Griffith who, along with scenario writer Stanner E.V. Taylor, is credited as "Captain Victor Marier". The film stars George Fawcett and Lillian Gish. Set during World War I, exterior scenes were shot on location in England. The Great Love is now considered to be a lost film.
A Romance of Happy Valley is a 1919 American drama film directed by D. W. Griffith and starring Lillian Gish. Believed lost for almost 50 years, a print was discovered in 1965 in the State Film Archives of the Soviet Union, which donated it to the Museum of Modern Art.
True Heart Susie is a 1919 American drama film directed by D. W. Griffith and starring Lillian Gish. A print of the film survives in the film archive of the British Film Institute. The film has seen several VHS releases as well as a DVD issue.
The Greatest Question is a 1919 American drama film directed by D. W. Griffith. Based upon a novel by William Hale, the film has a plot involving spiritualism.
The Girl Who Stayed at Home is a 1919 American silent drama film produced and directed by D. W. Griffith and released by Paramount Pictures. Prints of the film exist.
Adolph Lestina was an American stage and film actor who was a member of D. W. Griffith's stock company of film actors.