Scorched | ||||
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Live album by | ||||
Released | 13 January 2004 | |||
Recorded | 7 September 2002 | |||
Venue | Alte Oper (Frankfurt, Germany) | |||
Genre | Jazz, third stream, classical crossover | |||
Length | 63:53(CD) | |||
Label | DG Deutsche Grammophon | |||
Producer | Udo Wuestendoerfer | |||
Mark-Anthony Turnage & John Scofield chronology | ||||
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Scorched is the live recorded premiere of the (re-)composition by Mark-Anthony Turnage commissioned by the Society of Friends and Patrons of the Frankfurt Radio Symphony Orchestra in 2002. Turnage recomposed and orchestrated original compositions by jazz guitarist John Scofield for symphony orchestra and big band to which the title refers (SCOfield ORCHstratED). Scofield was part of the project together with John Patitucci on electric bass and Peter Erskine on drums. [1] In 2004, it was nominated for a Grammy for "Best Classical Crossover Album". [2]
The work on Scorched is used in the film portrait of Turnage by Barrie Gavin (Getting Scorched: Mark-Anthony Turnage, DVD, 2009)
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Guardian | [3] |
In a review for AllMusic, Rick Anderson wrote that Turnage's "orchestral elaborations on Scofield's original themes are surprisingly insightful and exciting... Turnage avoids the standard classical-jazz crossover error of trying to make an ensemble this large actually swing; instead, he creates interest with dense but agile harmonic movement and crisp rhythmic change-ups... Very highly recommended." [1]
The Guardian's John L Walters stated: "Given the enormous amount of musical thought needed to face up to an improviser of Scofield's calibre, Turnage has done a terrific job." [3]
Harvey Siders of Jazz Times commented: "Scorched... proves that the ultimate in fusion has been undertaken-not necessarily achieved, but certainly attempted... The fusion is not always successful. Sure, when Turnage provides Scofield with a lush background the result is beautiful, but that's no big deal." [4]
In an article for Gramophone, David Gutman remarked: "the synthesis of classical and jazz elements is more convincing than in most so-called 'fusion', with a real sense of two musicians striking sparks off one another... this is a successful example of an oft-derided genre." [5]
Writing for The Morning Call, Tim Blangger stated: "while Sco may have bucketloads of good work behind him, this may be one of his strongest recordings... Turnage's contribution here can't be understated, either... This is a refreshing mix, especially for both jazz and classical folks who may feel they've heard it all before." [6]
In a review of a live performance of Scorched, Lawrence A. Johnson of Chicago Classical Review wrote that it "is a ground-breaking triumph... an artful fusion of genres that preserves the blistering dynamism and improvisational essence of jazz while deftly and imaginatively drawing on the resources of a large symphony orchestra." [7]
All titles composed by Mark-Anthony Turnage and John Scofield.
The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA for Africa's "We Are the World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards for the latter single were given to the song's producer, Quincy Jones.
Mark-Anthony Turnage is an English composer of contemporary classical music.
John Scofield is an American guitarist and composer. His music over a long career has blended jazz, jazz fusion, funk, blues, soul and rock. He first came to mainstream attention as part of the band of Miles Davis; he has toured and recorded with many prominent jazz artists including saxophonists Eddie Harris, Dave Liebman, Joe Henderson, and Joe Lovano; keyboardists George Duke, Joey DeFrancesco, Herbie Hancock, Larry Goldings, and Robert Glasper; fellow guitarists Pat Metheny, John Abercrombie, Pat Martino, and Bill Frisell; bassists Marc Johnson and Jaco Pastorius; and drummers Billy Cobham and Dennis Chambers. Outside the world of jazz, he has collaborated with Phil Lesh, Mavis Staples, John Mayer, Medeski Martin & Wood, and Gov't Mule.
Peter Clark Erskine is an American jazz drummer who was a member of the jazz fusion groups Weather Report and Steps Ahead.
John Patitucci is an American jazz bassist and composer.
Thomas William Ellis Smith is a Scottish jazz saxophonist, composer, and educator.
John Laird Abercrombie was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
Tim Garland is a British jazz saxophonist, composer, and bandleader. His compositions draw from modern jazz and classical concert music.
Vince Mendoza is an American composer, music arranger and conductor. He debuted as a solo artist in 1989, and is known for his work conducting the Metropole Orkest and WDR Big Band Köln, as well as arranging music for musicians such as John Scofield, Joni Mitchell, Michael Brecker and Björk. Over the course of his career, he has won seven Grammy Awards and one Latin Grammy Award and has been nominated for a total of 38 between the two awards.
Paul Goodwin is an English conductor and former oboist.
John Wilson is a British conductor, arranger and musicologist, who conducts orchestras and operas, as well as big band jazz. He is the artistic director of Sinfonia of London.
Twice Through the Heart is a musical work by the English composer Mark-Anthony Turnage, variously described as a dramatic scena, as a monodrama, as a song cycle, as a chamber opera or even as a "dramatic song-cycle-cum-scena". It is scored for mezzo-soprano and 16 instrumentalists and sets an English-language libretto by the Scottish poet Jackie Kay based on her script for a television programme about a woman jailed for killing her violent husband.
Akoustic Band is the first album by the Chick Corea Akoustic Band, featuring Chick Corea with John Patitucci and Dave Weckl. The group was nominated and received the 1990 Grammy Award for Best Jazz Instrumental Performance, Group at the 32nd Annual Grammy Awards.
The hr-Bigband is the big band of Hessischer Rundfunk, the public broadcasting network of the German state of Hesse. Founded 1946 as Tanz- und Unterhaltungsorchester des Hessischen Rundfunks it was renamed to hr Big Band in 1972. Since 2005 it is written hr-Bigband. For international tours and CD releases it is also named Frankfurt Radio Bigband.
Spirit of the American Range is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by the Dutch record label Pentatone on February 10, 2015. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon in April 2013 and January 2014. It contains works by three American 20th-century composers: Walter Piston's ballet suite from The Incredible Flutist, George Antheil's "A Jazz Symphony", and Aaron Copland's Symphony No. 3. The recording was the third by the orchestra under Kalmar's leadership, following the highly successful Music for a Time of War (2011) and This England (2012). Spirit of the American Range received a Grammy Award nomination for Best Orchestral Performance, and its producer, Blanton Alspaugh, was nominated for Producer of the Year, Classical.
Jim Gailloreto is an American saxophonist, composer, and group leader from Chicago whose string arrangements were heard on Kurt Elling's Grammy Award–winning CD Dedicated To You.
Arias and Barcarolles is a 78-minute contemporary classical studio album of music by Leonard Bernstein, performed by Thomas Hampson, Frederica von Stade, Simon Carrington, Neil Percy and the London Symphony Orchestra under the direction of Michael Tilson Thomas. In addition to the song cycle which gives it its name, the album includes the Suite from Bernstein's opera A Quiet Place and the Symphonic Dances from his musical West Side Story. It was released in 1996.
Dispelling the Fears is a double concerto for two trumpets and orchestra by the British composer Mark-Anthony Turnage. It was composed in 1993 and 1994.
Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into a larger nine-movement suite. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.