Screeching Weasel is an American punk rock band consisting of Ben Weasel (vocals), Mike Kennerty (guitar), Mike Hunchback (guitar), Zach "Poutine" Brandner (bass) and Pierre Marche (drums). Screeching Weasel is originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have reformed several times with lineup changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009. Other prominent members include guitarist/bassist Dan Vapid and drummer Dan Panic, who have each appeared on six of the band's studio albums, and Green Day bassist Mike Dirnt who appeared on one.
The Lillingtons were a pop-punk band formed in 1995 in Newcastle, Wyoming. The band is composed of its original members, vocalist and lead guitarist Kody Templeman, drummer Tim O’Hara, bassist Cory Laurence, and later added rhythm guitarist Alex Volonino.
Boogadaboogadaboogada! is the second studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on vinyl in December 1988 through Roadkill Records. It was the group's only album to feature Fish on bass and the last with Steve Cheese on drums, both leaving the band shortly after the album's release. Although still influenced by hardcore punk, the album also shows hints of the band's later Ramones-inspired sound.
My Brain Hurts is the third studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993 through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
"Radio Blast" is a song by Chicago-based pop punk band Screeching Weasel. The band lineup for this single is the same as on their 1993 album, Wiggle. 2000 copies were initially pressed on Underdog Records. A later repress came out on burgundy colored vinyl and had a sticker on the sleeve that proclaimed it "not part of the limited edition". Both pressings are now out of print, but the two songs from this release can be found on the B-sides and rarities collection, Kill the Musicians. The A-side is a vicious attack on the state of rock radio. Side B is the sad story of a girl who cannot find love and ends up committing suicide. "The Girl Next Door" was covered by Blink-182, which was first released on a 1998 reissue of their first demo album, Buddha.
"Suzanne Is Getting Married" is a song by punk rock band Screeching Weasel. It was released as a single in 1994 through Lookout! Records. The title track was written and released to commemorate the wedding of Maximumrocknroll's Suzanne Bartchy and AK Press's Ramsey Kanaan.
Punkhouse is the first EP by the Chicago-based punk rock band Screeching Weasel. The EP was originally released on 7-inch vinyl with a limited pressing of 500 copies on July 7, 1989 through Limited Potential Records. It was the band's only non-compilation release to feature drummer Brian Vermin and the first to feature Dan Vapid, who would be featured on many later Screeching Weasel albums. Musically, the songs on Punkhouse are in a similar vein to the band's previous album Boogadaboogadaboogada!, albeit with a rougher sound.
Anthem for a New Tomorrow is the sixth studio album by the American punk rock band Screeching Weasel. It was released in 1993 through Lookout! Records. According to Contemporary Musician, Anthem for a New Tomorrow is "widely regarded as one of the band's best efforts".
How to Make Enemies and Irritate People is the seventh studio album by the Chicago-based punk rock band Screeching Weasel. Planned as the group's final album, it was released in August 1994 on CD, vinyl and cassette through Lookout Records. Shortly before recording the album, bassist/backing vocalist Dan Vapid left the band and, as a result, Green Day bassist Mike Dirnt was recruited to play on the album.
Kill the Musicians is a compilation album released in 1995 which was meant to serve as a "cleaning up" of loose ends after Screeching Weasel's breakup in 1994. The compilation collects demos, B-sides, vinyl-only EPs, and other various odds and ends the band had accumulated in their career from 1989 to 1994. It came on the heels of 1994's How to Make Enemies and Irritate People, which itself was a collection of the final songs the band had written prior to splitting up. The band would soon reform in 1996 and remain together again until 2000, when they disbanded again. This collection was out of print for a short period until it was remastered and re-released by Asian Man Records in 2005. The original album contained an in-depth essay written by Ben Weasel covering the history of the band. This was later omitted from the re-issue. In 2010, Recess Records had intentions to release a double LP vinyl reissue, however production was aborted and only a small amount of test pressings exist.
Television City Dream is the ninth studio album by the American punk rock band Screeching Weasel. It was released in 1998 through Fat Wreck Chords. It was the band's last album released through Fat Wreck Chords until First World Manifesto in 2011. The album is the first to feature new members Mass Giorgini, Zac Damon, and Dan Lumley. The cover art was done by Giorgini's father, noted artist Aldo Giorgini. The songs on the album are notably faster than previous Screeching Weasel albums. The album was re-released on November 9, 2010, featuring five bonus tracks from the original recording sessions.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Grow Up is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King, it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Major Label Debut is the tenth EP by Chicago punk rock band Screeching Weasel. Despite the name, the E.P. was the first release on Panic Button Records, an independent record label owned by band members Ben Weasel and John Jughead.
Weasel Mania is a compilation album by the Chicago punk rock band Screeching Weasel. It was released on Fat Wreck Chords in 2005. The album title is an homage to the Ramones album Ramones Mania.
Riverdales is the eponymously titled debut studio album by the Chicago-based punk rock band the Riverdales. Formed after the break-up of Screeching Weasel, the band sought to write more Ramones-inspired music and the album was released on June 7, 1995, through Lookout Records with the catalog number LK 120. The group supported the album by opening for Green Day on the initial US leg of the tour for their album Insomniac. Riverdales experienced substantial success on the tour, and the album became the group's best-selling release to date.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).
