Seattle Syndrome Volume One

Last updated
Seattle Syndrome Volume One
Seattle Syndrome Volume One cover.jpg
Compilation album by
Various artists
ReleasedNovember 1981
Recorded1980–1981
Genre New wave, post-punk, punk rock, hardcore punk, electronica
Length42 min
Label Engram Records
Producer Danny Eskenazi, Homer Spence, Jack Weaver, Bill Stuber

Seattle Syndrome Volume One is a compilation of Seattle-based bands and artists released on vinyl and cassette in late 1981 on Engram Records. [1] Supervised by former Telepaths guitarist Homer Spence, Danny Eskenazi (who also bankrolled the project) and local promoter Neil Hubbard, and recorded and engineered by Jack Weaver, the compilation features many of the well-known bands of the late seventies and early eighties music scene of Seattle, as well as including bands from Washington state. Stylistically, the contributions encompass a variety of music genres, ranging from hardcore punk to post punk and new wave as well as covering experimental electronica, psychedelic rock and rockabilly.

Contents

The bands

Among the fifteen bands and artists contributing to the record are the regionally successful X-15 and The Pudz with their respective tracks Vaporized and Take Me to Your (Leader) as well as post punk acts such as The Blackouts and The Beakers who were considered very influential on certain bands of the later grunge scene such as The U-Men, Soundgarden or The Young Fresh Fellows. [2] Hardcore punk bands The Fartz (who would later evolve into Ten Minute Warning, also of considerable influence on the following generation of Seattle underground rock bands) and The Refuzors contribute songs as well as long-lasting pop punks, The Fastbacks (then with a teenaged Duff McKagan on drums who would later join the Fartz and then be a formative member of Guns N' Roses). Jim Basnight of punk pioneers The Meyce and later of power poppers The Moberlys is featured with his solo song We'll Always Be in Love. Finally, electronic and avant garde projects like Savant, Danny Eskenazi's own K7SS or Audio Leter side project Body Falling Downstairs were also included to present a comprehensive picture of the Seattle underground music scene. On the other hand, popular and also commercially successful Seattle power pop bands like The Heats or The Cowboys had been consciously omitted from the record because, according to Neil Hubbard as quoted by Stephen Tow, "[they] were not a part of the creative scene that later blossomed into the grunge scene." [3]

Title and cover art

The title "Seattle Syndrome" refers to the predicament Seattle based bands found themselves in during the late seventies and early eighties, described by Neil Hubbard as the fact that "a Seattle band could produce stunning renditions of highly original tunes, to little or no support. You could do anything here, good or bad, and nobody would care." [4] However, due to the then underdeveloped touring and promotion circuit for underground music, almost all of the bands who left Seattle for other cities – such as the Blackouts (who relocated to Boston, with some of their members later joining Ministry), art-punks Chinas Comidas (Los Angeles) or glam punk band The Fags (New York City) – only found little success abroad and split up shortly afterwards. [1]

The album's cover art contains a picture by Mark Strathy, who was a Professor of Art at Central Connecticut State University in New Britain, Connecticut. Mark donated the artwork to Seattle's EMP Museum's permanent collection in April, 2015.

Reception and legacy

Music journalist Clark Humphrey describes "Seattle Syndrome" both as "the first definitive document of the Seattle new-music scene" and "a souvenir of a time that was already moving on", since eight of the fifteen bands represented on the record had already disbanded by the time of its release. [4]

Music historian Stephen Tow regards the first volume of "Seattle Syndrome" as "a critical yardstick in the history of underground Seattle music", ranking in with other influential compilations like "Deep Six" (released in 1986 on C/Z Records) or "Sub Pop 200" (released in 1988 on Sub Pop Records). In fact, "Deep Six" producer and C/Z founder Chris Hanzsek, then living in Boston, is reported to have been inspired by the "Syndrome" compilation to move to Seattle, start his own record label and, ultimately, release his own compilation of the burgeoning Seattle music scene. [3]

Mark Baumgarten calls the record "a definitive compilation of songs documenting the city's punk and new wave scenes that was highly influential to the bands that went on to form the nucleus of the grunge movement". [5]

Sequel

A sequel to "Seattle Syndrome Volume One" followed in 1982 entitled "Seattle Syndrome Two", once again presenting underground bands and artists from Seattle.

Track listing

Side A
  1. "Vaporized" - X-15
  2. "Take Me to Your (Leader)" - The Pudz
  3. "Discover Your Feet" - Student Nurse
  4. "Four Steps Toward a Cultural Revolution" - The Beakers
  5. "We'll Always Be in Love" - Jim Basnight
  6. "Someone Else's Room" - The Fastbacks
  7. "White Power" - The Refuzors
  8. "Campaign Speech" - The Fartz
  9. "Party 88" - The 88's
Side B
  1. "Young Man" - The Blackouts
  2. "I'm 37" - The Macs
  3. "Love Is a Tractor" - Philippo Scrooge
  4. "Stationary Dance" - Savant
  5. "The Politics of Ecstasy" - Body Falling Downstairs
  6. "21.252" - K7SS

Related Research Articles

Soundgarden American rock band

Soundgarden was an American rock band formed in Seattle, Washington, in 1984 by singer and rhythm guitarist Chris Cornell, lead guitarist Kim Thayil, and bassist Hiro Yamamoto; Matt Cameron became the band's full-time drummer in 1986, and bassist Ben Shepherd became a permanent replacement for Yamamoto in 1990. The band dissolved in 1997 and re-formed in 2010. Following Cornell's death in 2017 and a year of uncertainty regarding the band's future, Thayil declared in October 2018 that Soundgarden was finished, though they did reunite in January 2019 for a one-off concert in tribute to Cornell.

Grunge is an alternative rock genre and subculture that emerged during the mid-1980s in the American Pacific Northwest state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of punk rock and heavy metal, but without punk's structure and speed. The genre featured the distorted electric guitar sound used in both genres, although some bands performed with more emphasis on one or the other. Like these genres, grunge typically uses electric guitar, bass guitar, drums and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, psychological trauma and a desire for freedom.

Sub Pop American record label

Sub Pop is a record label founded in 1986 by Bruce Pavitt and Jonathan Poneman. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as Nirvana, Soundgarden, and Mudhoney, central players in the grunge movement. They are often credited with helping popularize grunge music. The label's roster includes Fleet Foxes, Beach House, The Postal Service, Sleater-Kinney, Flight of the Conchords, Foals, Blitzen Trapper, Father John Misty, clipping., Shabazz Palaces, Bully, METZ, Rolling Blackouts Coastal Fever, TV Priest and The Shins. In 1995, the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group.

Beat Happening American indie pop band

Beat Happening is an American indie pop band formed in Olympia, Washington in 1982. Calvin Johnson, Heather Lewis, and Bret Lunsford have been the band's continual members. Beat Happening were early leaders in the American indie pop and lo-fi movements, noted for their use of primitive recording techniques, disregard for the technical aspects of musicianship, and songs with subject matters of a childish or coy nature.

Music of Washington (state)

The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is best known for being the birthplace of grunge, a type of rock and roll, during the Early-1990s, as well as a major contributor to the evolution of punk rock, indie music, folk, and hip-hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.

K Records Independent record label in Olympia, Washington

K Records is an independent record label in Olympia, Washington founded in 1982. Artists on the label included early releases by Beck, Modest Mouse and Built to Spill. The record label has been called "key to the development of independent music" since the 1980s.

Fastbacks Pop punk band from Seattle

Fastbacks were a Seattle, Washington, punk rock band. Formed in 1979 by songwriter/guitarist Kurt Bloch, and friends Lulu Gargiulo and Kim Warnick, they disbanded in 2001. Their sound mixed a generally punk rock approach to vocals and sound textures with poppy tunes and strong musicianship.

<i>Hype!</i> 1996 rockumentary directed by Doug Pray

Hype! (1996) is a documentary directed by Doug Pray about the popularity of grunge rock in the early to mid-1990s United States. It incorporates interviews and rare concert footage to trace the development of the grunge scene from its early beginning in neighborhood basements to its emergence as an explosive pop culture phenomenon. Hype! attempts to dispel some of the myths of the genre promulgated by media hype by depicting the grunge subculture from the point of view of people who were active in the scene. The film generally portrays this mythos in a satirical way while acknowledging that it was media hype that helped propel some of these obscure bands to fame.

The Fartz were originally formed in 1981 and were one of the first well-known hardcore bands from Seattle, Washington. They were signed to Jello Biafra's Alternative Tentacles Record label. They were notable not only for playing incredibly fast and heavy music, but also for their politically and socially conscious song lyrics that criticized government policies, religious hypocrisy, racism, sexism, and poverty. Throughout their musical career they championed a blue collar, working class perspective on life.

<i>Sub Pop 200</i> 1988 compilation album by Sub Pop Records

Sub Pop 200 is a compilation released in the early days of the Seattle grunge scene. It features songs from Tad, The Fluid, Nirvana, Steven "Jesse" Bernstein, Mudhoney, The Walkabouts, Terry Lee Hale, Soundgarden, Green River, Fastbacks, Blood Circus, Swallow, Chemistry Set, Girl Trouble, The Nights and Days, Cat Butt, Beat Happening, Screaming Trees, Steve Fisk, and The Thrown Ups.

Jack Endino American producer and musician

Jack Endino is an American producer and musician based in Seattle, Washington. Long associated with Seattle label Sub Pop and the grunge movement, Endino worked on seminal albums from bands including Mudhoney, Soundgarden and Nirvana. He was also the guitarist for Seattle band Skin Yard, which was active between 1985 and 1992. Endino currently manages a studio in Seattle called Soundhouse Recording.

Love Battery Band

Love Battery was an American rock band from Seattle, Washington.

The Squirrels

The Squirrels are a novelty pop band based in Seattle, Washington. Founded in 1984 by lead vocalist Rob Morgan, the band went through numerous lineups, but has stuck to the aesthetic that Peter Blecha describes as "cross-pollinat[ing] bubblegum sensibilities with punk attitudes."

Seattle is the largest city in the U.S. state of Washington and has long played a major role in the state's musical culture, popularizing genres of alternative rock such as grunge and being the origin of major bands like Alice in Chains, Soundgarden, Pearl Jam, Foo Fighters. The city remains home to several influential bands, labels, and venues.

"Swallow My Pride" is a song by the Seattle, Washington-based rock band Green River. Featuring lyrics written by frontman Mark Arm and music written by guitarist Steve Turner, the song is the third track on the band's debut EP, Come On Down (1985). It was later re-recorded by Green River and appeared on the band's sole studio album, Rehab Doll (1988).

10 Minute Warning American punk band

10 Minute Warning was a hardcore punk band from Seattle, Washington. They became famous locally as one of the first bands to adapt the popular punk sound to something slower and heavier, paving the way for grunge bands like Green River and Mother Love Bone before breaking up in 1984.

X-15 (band)

X-15 is an American rock band formed in Bellingham, Washington in 1979 by lead singer Kelly Mitchell, guitarist Eric Alton, bass player Tim Lollar, keyboardist Erik Rohrer, and drummer Todd Fuhs. They are best known as one of the most successful alternative bands operating out of Seattle during the years 1980 through 1987, leading up to the Seattle grunge explosion, and for their cult-classic song "Vaporized".

<i>Deep Six</i> (album) 1986 compilation album by various artists

Deep Six is a 1986 compilation album featuring six Seattle-based rock bands. It was the first release by C/Z Records, with a catalogue number of CZ01 for 2,000 copies. The album was reissued as a joint C/Z Records/A&M Records release on April 5, 1994.

<i>6 Songs for Bruce</i> Demo album by Soundgarden

6 Songs for Bruce, also commonly known as the 4-Track Demo, is an early single-sided demo cassette tape by American rock band Soundgarden.

The Beakers were an art punk band from Seattle, Washington. Although the band only existed for twelve months, they were considered influential on the local underground music scene. The band include Mark H. Smith as a vocalist and guitarist, Jim Anderson as a saxophonist and vocalist, George Romansic as the drummer, and Frankie Sundsten as the bassist. The band broke up in January 1981.

References

  1. 1 2 Tow, Stephen: The Strangest Tribe. How a Group of Seattle Rock Bands Invented Grunge. Sasquatch Books, Seattle, 2011, p. 40.
  2. Prato, Greg: Grunge Is Dead. The Oral History of Seattle Rock Music. ECW Press, Toronto, 2008, p. 42. For further testimony on the Beakers's influence on bands like Young Fresh Fellows or Soundgarden's Kim Thayil see the liner notes of the Beakers retrospective "Four Steps to a Cultural Revolution" released on K Records in 2004.
  3. 1 2 Tow 2011, p. 41.
  4. 1 2 Humphrey, Clark: Loser. The Real Seattle Music Story. Updated and revised 2nd edition, MISCmedia, Seattle, 1999, p. 71.
  5. Baumgarten, Mark: Love Rock Revolution: K Records and the Rise of Independent Music. Sasquatch Books, Seattle, 2012.