Secret Mall Apartment is a 2024 American documentary film directed by filmmaker Jeremy Workman that recounts the story of a group of young Rhode Islanders who built a secret apartment inside the bustling Providence Place shopping mall in Providence, Rhode Island in 2003, living there for four years until getting caught and charged with trespassing in 2007.[1][2][3]
The group filmed much of their activity in the secret apartment with inexpensive Pentax Optio cameras that they purchased at the mall's RadioShack and concealed in Altoids tins.[4] The story of the secret apartment had been urban legend for many years[5] and the documentary brought together the original 8 participants for the first time in 17 years.[6]
Secret Mall Apartment marks the second collaboration between Workman and actor Jesse Eisenberg, who serves as one of the film's producers.[7][8] Previously, Eisenberg produced Workman's 2018 documentary The World Before Your Feet.
Synopsis
The film tells the true story of eight Rhode Islanders who built and lived in a secret apartment inside a busy local mall from 2003 to 2007.[9]
According to main subject Michael Townsend, after the story broke in 2007, several Hollywood production companies approached him about making a film.[10] For nearly 15 years, he and his fellow artists turned down "north of 30 directors" who wanted to make a documentary on the story.[11] Finally, in 2019, after meeting director Jeremy Workman in Greece, Townsend felt like he had had finally found a director who could tell the story properly, which involved depicting how the group's outside public artwork intersected with the larger ideas of the secret apartment.[12] In interviews, Workman has talked about seeing the secret apartment as "the Trojan Horse" to explore deeper ideas about passion and purpose.[6]
Release
Secret Mall Apartment had its world premiere at the SXSW Film Festival on March 8, 2024[7] where its popularity earned it the festival's first added "Buzz Screening".[13] It was cited in several high-profile publications as one of the stand-out documentaries of SXSW[14][15] and subsequently as one of "the best documentaries of 2024."[16][17]
It was announced that the film would be released theatrically in the United States beginning March 21, 2025, including at the cineplex of the Providence Place, the very mall where the story took place.[27]
Critical response
Secret Mall Apartment has been widely praised upon its release. It has a 100% positive rating on Rotten Tomatoes, based on 21 reviews.[28]
Brian Farvour of The Playlist stated that "art and rebellion collide in this unique time capsule.".[29] Coleman Spilde of The Daily Beast stated that "director Jeremy Workman sews together a larger narrative that, at times, becomes unexpectedly moving." Brian Tallerico of RogerEbert.com stated that "the Secret Mall Apartment led to the kind of environment where creatives inspire other creatives to be their best selves".[30] Alex Hudson of Exclaim! stated that "'Secret Mall Apartment' turns a childlike fantasy into a commentary on capitalism."[31] Michael Nordine of Variety gave the film a mixed positive review, writing that the film "is a thoughtful celebration of the DIY artistry behind that experiment, but only a so-so investigation of it."[32]
Despite only playing at film festivals in 2024, critic Peter Keough called the film one of the best documentaries of the year, stating in The Arts Fuse that "the secret apartment also symbolized a Borgesian kind of subversiveness, a meta-mirror of the culture that the artists inhabited and subverted."[33]Vogue also included the film as one of the best documentaries of 2024 stating that "the film is both an elaborate archaeological excavation and a creative re-enchantment of urban corporate space."[34]
For Point of View, Susan G. Cole wrote that "If this was act of resistance, wouldn’t it have been useful for the forces you’re fighting to know what you were doing? Who benefits, actually? And if nobody can see this clever installation, is it art? Like any fascinating meditation on the meaning of art and its potential as a political force, Workman’s doc asks more questions than it answers, which is a very good thing."[35]
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