This article may contain an excessive amount of intricate detail that may interest only a particular audience.(December 2020) |
Opening film | This Life of Mine by Sophie Fillières |
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Location | South Korea SEOUL |
Founded | 1997 |
Most recent | 2024 |
Hosted by | Seoul International Women's Film Festival |
No. of films | 132 films from 39 countries |
Festival date | August 22–28, 2024 |
Language | Korean / International |
Website | www |
SEOUL International Women's Film Festival (SIWFF, previously International Women's Film Festival in Seoul, IWFFIS) is an annual film festival held in Seoul, South Korea. The first festival took place on April 1, 1997, which marked the second appearance of the international film festival in Korea following Busan International Film Festival launched in 1996. This was a time when there was not a clear idea on how to define a film festival. During this time, SEOUL International Women's Film Festival came up with the catchphrase "See The World Through Women's Eyes." This phrase set its main goal to introduce women's films that explore “women’s reality from the women’s perspectives.”
The 1st edition of Seoul International Film Festival focused on featuring films by women, for women, and of women. The festival received a number of positive reviews from the audience, which was never anticipated this much. Seoul International Film Festival, which used to occur every other year, has become an annual event since the 3rd festival in 2001 as a result of continuous audience support.
For the 6th edition in 2004, SEOUL International Women's Film Festival looked for changes by relocating the festival office and venues to Sinchon, the street of youth and culture. The Queer Rainbow section, which presented films about life and culture of gender minorities, was first introduced in the 9th edition in 2007. In 2015, SEOUL International Film Festival attempted to build a new festival identity and became a cultural platform more approachable for a wide variety of audiences by changing the official English title of the festival from International Women's Film Festival in Seoul to SEOUL International Women's Film Festival and by retouching the festival logo used for last 17 years.
The 23rd edition of the Seoul International Women's Film Festival, was held from August 26 to September 1, 2021 at the Megabox Sangam World Cup Stadium and the Oil Tank Culture Park. [1]
The 24th edition of the Seoul International Women's Film Festival was held from August 25 to September 1, 2022. Bang Min-ah was appointed as the ambassador for the festival and also hosted the opening ceremony on August 25. [2]
SIWFF represented itself as an activist forum in light of the Candlelight Revolution [3] which occurred in 2016 at Ewha University. This on campus activism movement occurred after students found out the university illegitimately admitted a student due to her connection with the Korean president at the time, Park Geun-Hye. The campus is just a few minutes away from the festival cinema which was hosting its 18th edition of the festival. Accordingly, audience numbers for this year rose exponentially from previous years. According to Hyeyoung Cho, a programmer for the festival, the 'young-young feminists' were responsible for the high turnout, the same constituency responsible for the Candlelight Revolution. These 'young-young feminists' were dedicated to volunteer for the festival while also looking for feminist role models within the film industry. They showed up in numbers to show their support for relevant documentaries to their own experience, such as Candle Wave Feminists, directed by Kangyu Garam. [4]
SIWFF addressed the #MeToo movement during its 20th film festival in light of the Harvey Weinstein scandal. The 2013 Sundance documentary about Anita Hill was shown which consisted of a similar scandal involving her sexual assault accusations against U.S. Supreme Court nominee, Clarence Thomas. SIWFF added a panel following the screening to dissect the recent news of similar accounts while critiquing the gender hierarchy embedded in our society. [5]
In March 2018, SIWFF's director Kim Sunah worked with the government agency KOFIC to broaden the film industry's standards regarding gender equality. She shed light on the inequality stemming from gender issues and sexual abuse, which then influenced the overall film industry and the films produced. [6] The film festival also strives to actively raise awareness about women's issues through cinema. For example, for this year's 20th festival, SIWFF added an International Feature Competition to shed light on gender inequality from a diverse perspective. The Korean Feature Competition was also added in order to support the wide perspectives of female filmmakers. This year's festival will also highlight women's films via the 20th Anniversary Retrospective screenings to acknowledge the history of women's films.
The 20th SIWFF also integrated two new international conferences to the program- "Film Feminism's New Challenge: From Stare to Body and to the Joy of Difference" and "Policies and Strategies for Gender Equality in Film Industry." [7] These conferences strive to evaluate the role of film and feminism embedded in social trends like online hashtag movements and gender politics. Some countries the conferences discuss include France, Taiwan, and South Korea.
The film festival did not shy away from recognizing the 16 missing people in the 2014 South Korean sinking of MV Sewol Ferry Accident. The 16th film festival opened up with a solemn celebration to honor the victims in the accident while featuring wartime films in their lineup. [8]
List of the Documentary Ock Rang Awardees
Year | Edition | Film | Director |
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2002 | 1 | Waiting for Spring / A Wedding Gift | Jung Sue-yeon / Yi Choung-hwa |
2003 | 2 | Life Goes on | Ryu Mi-rye |
2004 | 3 | Umma (Mother) | Joung Ho-hyun |
2005 | 4 | Shocking Family / We Are Not Defeated | Kyoung-soon / Lee Hye-ran |
2006 | 5 | Out: Smashing Homophobia Project | Yi Young (Feminist Video Activism WOM) |
2007 | 6 | 3×FTM | Kim Il-rhan |
2008 | 7 | The Time of Our Lives | Hong Ji-you, HAan Young-hee |
2009 | 8 | REDMARIA | Kyung-soon |
2010 | 9 | 2 Lines | Ji-min |
2011 | 10 | Wandering Stars | Lee Suk-gyung |
2012 | 11 | The Empire of Shame | Hong Li-gyeong |
2013 | 12 | Glittering Hands | Lee Kil-bora |
2014 | 13 | Holy Working Day | Lee Hee-won |
2015 | 14 | Host Nation | Lee Ko-woon |
2016 | 15 | For Vagina's Sake | Kim Bo-ram |
2017 | 16 | Face the Other Side | Lee Sun-Hee |
2018 | 17 | One Way Restaurant | Parkkang Areum |
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