Serenade No. 10 | |
---|---|
by Wolfgang Amadeus Mozart | |
![]() Mozart, c. 1781, detail from portrait by Johann Nepomuk della Croce | |
Other name | Gran Partita |
Key | B-flat major |
Catalogue | K. 361/370a |
Composed | 1781 or 1782 |
Duration | about 50 minutes |
Movements | Seven |
Scoring | Twelve winds and string bass |
The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was composed in 1781 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. [1] It consists of seven movements.
Some prominent authorities (Köchel, Tyson, and Dexter Edge) show that the paper and watermarks of this work prove a composition date of 1781. That the work was specially composed for a public concert given by Anton Stadler on March 23, 1784, is less likely, because this performance has no proven connection with the date of composition and only marks an ante quem date. The autograph of this work contains 24 leaves of paper-type 57. Four other compositions that used this paper can be securely dated to 1781. It was shown by Alan Tyson that this fact is sufficiently compelling to presume that K. 361 was composed in 1781. There is no evidence whatsoever that the 24 leaves of this paper-type that appear in the autograph of K. 361 were ever intended for anything other than K. 361, and it is clear from the pattern of paper-usage that K. 361 was the principal project for which Mozart acquired that paper-type.[ citation needed ]
The documentary history also shows that there is an unequivocal reference to wind-band music in Vienna in 1781. The performance of only four movements in 1784 generated the belief that the work was composed in two stages. Bastiaan Blomhert has made a compelling argument that the octet version of movements 1, 2, 3 and 7 of the Gran Partita are the original version, one that Mozart enlarged in 1784 for the Akademie of Anton Stadler in the Vienna Burgtheater. [2]
The work is scored for 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 4 horns and double bass. In performance, the double bass is sometimes replaced by a contrabassoon. Mozart's Harmoniemusik, including K. 361, shows his interest in texture through his use of unique combinations of instruments for the era, scoring, rhythm and articulation. [3]
The serenade is in seven movements as follows:
The opening movement begins with a slow introduction in B flat major in which tutti syncopated rhythms are set in opposition to solo passages for clarinet and oboe. This leads into the Allegro moderato, which is a monothematic sonata form. The first theme of the exposition opens, originally presented in B flat major in the clarinets, later returns in F major in the basset horns and oboes in a modified form as the second theme. This theme continues to be explored in the development and returns in the recapitulation, this time in B flat major both times.
The second movement is a minuet featuring two contrasting trio sections. The minuet section is in B flat major and uses all the instruments extensively. The first trio is in E-flat major and employs only the clarinets and basset horns. This section leads into a repeat of the minuet section. The second trio section is in the relative minor, G minor, and extensively uses the solo oboe, basset horn and bassoon.
Described by Goodwin as "virtually an 'operatic' ensemble of passionate feeling and sensuous warmth", [4] the third movement, marked Adagio, is in E flat major. A syncopated pulse occurs almost throughout the movement while solo lines alternate between the solo oboe, clarinet, and basset horn.
The fourth movement is a second minuet; like the second movement, it has two trio sections. The fast, staccato minuet section is in B flat major. The first trio, by contrast, has fewer staccato notes and is in the parallel minor, B-flat minor. After the minuet section is repeated, the second trio is played. This section is in F major and is largely legato.
The fifth movement, labeled Romanze, returns to the slow tempo and E flat major tonality of the third movement. The movement begins and ends with an Adagio section in the tonic and in triple meter with many long notes in the melody. Contrasting with these sections is an Allegretto section between them, which is in C minor and features constant pulse in the bassoons.
The sixth movement is a set of six variations on an Andante theme in B flat major. The theme is presented primarily by the solo clarinet. The variations make use of various rhythmic motives and often feature solo instruments; for example, the first variation features the solo oboe. Unlike the other variations, all of which are in B flat major, the fourth variation is in B flat minor. The last two variations are in different tempos from the rest of the movement: the fifth is marked Adagio, while the sixth is marked Allegro. The last variation is also in triple meter, in contrast with the other variations, which are in duple meter.
The sixth movement, with the third variation slightly altered, was adapted by Mozart from the second movement of the Flute Quartet in C major (K. 285b).
The seventh and last movement is a rondo. The movement employs many tutti passages in which the oboes and clarinets play in unison, particularly in the rondo theme. The episodes between the returns of the theme feature a greater degree of interplay between the instruments.
Eine kleine Nachtmusik, K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string orchestras. The serenade is one of Mozart's most famous works.
The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.
Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. Although originally written for basset clarinet, in contemporary performances it usually is played on a clarinet in A. It is Mozart's only completed clarinet quintet and is one of the earliest and best-known works, written especially for the instrument. It remains to this day one of the most admired of the composer's works. Sometimes the quintet is referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. Mozart also wrote a trio for clarinet, viola, and piano for Stadler, the so-called Kegelstatt Trio, in 1786. Stadler was a friend to Mozart who was very talented in the instrument.
The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname "Turkish", was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg. It follows the typical fast–slow–fast musical structure.
The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.
The String Quintet No. 2 in C minor, K. 406/516b, was written by Wolfgang Amadeus Mozart in 1787. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola. Unlike his other string quintets, however, the work was not originally written for strings. Having completed the two string quintets K. 515 and K. 516, Mozart created a third by arranging his Serenade No. 12 for Winds in C minor K. 388/384a, written in 1782 or 1783 as a string quintet. Although by then Mozart was entering each new work into his catalogue of compositions, he did not enter this quintet, perhaps because it was an arrangement rather than a new work.
The Serenade No. 11 for winds in E-flat major, K. 375, was written by Wolfgang Amadeus Mozart on 15 October 1781 for St Theresa's day.
Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26–31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, William V, Prince of Orange. They were published as Mozart's Opus 4.
The six string quartets, K. 168–173, were composed by Wolfgang Amadeus Mozart in late 1773 in Vienna. These are popularly known as the Viennese Quartets. Mozart may have hoped to have them published at the time, but they were published only posthumously by Johann André in 1801 as Mozart's Op. 94.
Divertimento No. 11 or Divertimento in D, K. 251, is a composition by Wolfgang Amadeus Mozart. It was written in July 1776 in Salzburg, possibly for the name day of Mozart's sister, Nannerl on July 26 or her birthday on July 30. The work is scored for oboe, two horns, two violins, viola and double bass.
The Serenade No. 4 in D major, K. 203/189b was written in August 1774 by Wolfgang Amadeus Mozart for ceremonies at the University of Salzburg. It is nicknamed Colloredo after Mozart's patron, Count Hieronymus von Colloredo. The work is very similar to the serenade K. 204 composed for Salzburg the following summer.
Josef Triebensee (Trübensee) was a Bohemian composer and oboist.
Felix Mendelssohn wrote thirteen string symphonies between 1821 and 1823, when he was between 12 and 14 years old.. These symphonies were tributes to Classical symphonies especially by Joseph Haydn, Carl Philipp Emanuel Bach, and Wolfgang Amadeus Mozart.
The Divertimento No. 15 in B-flat major, K. 287, is a divertimento for two horns and strings by Wolfgang Amadeus Mozart. He composed the work in six movements in 1777 for the name day of Countess Maria Antonia Lodron. It is also known as the Lodronische Nachtmusik Nr. 2.
The Divertimento No. 17 in D major, K. 334/320b was composed by Wolfgang Amadeus Mozart between 1779 and 1780 and was possibly composed for commemorating the graduation of a close friend of Mozart's, Georg Sigismund Robinig, from his law studies at the University of Salzburg in 1780. Lasting about 42 minutes, it is the longest of the divertimenti by Mozart.
The divertimenti in B-flat major, K 186/159b, and E-flat major, K 166/159d, are two companion compositions for pairs of oboes, English horns, clarinets, horns and bassoons by Wolfgang Amadeus Mozart.
Michael Haydn's Serenade in D major, Perger 87, MH 86 was written in Salzburg in 1767.
The divertimenti in F major, B-flat major, E-flat major, F major, and B-flat major are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart.