Shaka McGlotten | |
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| Occupation | Writer, professor |
| Education | University of Texas at Austin |
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Shaka McGlotten is a social anthropologist and Professor of Media Studies at the State University of New York at Purchase, where they have also served as the chair of Gender Studies and Global Black Studies since 2017. McGlotten's work reflects an interest in critically examining two strains of feminist thinking: feminist science and technology studies and affect theory.
McGlotten was born in Willingboro Township, New Jersey, and moved to Germany as a young child. Their father, Clifford McGlotten, was in the U.S. Army and the family traveled extensively as a result. The 1980s were spent between San Antonio, TX, and various cities in Germany, including Nürnberg, Berlin, and Frankfurt. They received their B.A. studio art from Grinnell College in 1997, before going on to receive their Ph.D. in Social Anthropology from the University of Texas at Austin in 2005.
In 2006, they began their position as Assistant Professor of Media Studies at Purchase College. A year later, they contributed a chapter titled "Virtual Intimacies" for David Phillips and Kate O'Riordan's collection, Queer Online: Media Technology and Sexuality. [1] McGlotten continued writing numerous chapters and articles before publishing their first book, Virtual Intimacies: Media, Affect, and Queer Sociality' [2] in 2013. The following year, the collection, Zombies and Sexuality: Essays on Desire and the Living Dead [3] (co-edited with Steve Jones) was published. Their second book, Dragging: In the Drag of a Queer Life, [4] which takes an ethnographic approach in documenting the influence of drag on several artists and activists, was published in August 2021.
In 2014, they received the Alexander von Humboldt Foundation Fellowship for Experienced Researchers to support research for Dragging. [5] [4] In 2017, they were awarded the Arts Writers Grant from The Andy Warhol Foundation, [6] and the Akademie Schloss Solitude Social Science Fellowship. [7] In 2020, McGlotten was introduced as a Faculty Fellow for the Data & Society Research Institute. [8]
McGlotten has also received numerous faculty awards throughout their time as a professor at Purchase College. [9]
Since 2007, McGlotten has published two books, [4] [2] two edited volumes, [3] [10] and dozens of peer-reviewed journals, chapters, and online publications.
McGlotten coined "Black data" to describe the phenomenon of (and response to) modern surveillance technology and media evolving in order to both target and exclude populations based on their racial identities. McGlotten looks to contemporary artists, researchers, policy makers, and others in order to suggest solutions to the oppression brought about by these forms of technological control.
Black data describes the opacities of technological black boxes, the violences of black sites and black ops, the revolutionary impulses embodied by anarchist black blocs, and the historical and contemporaneous ways people of African descent are subjected to forms of technological mastery (as commodities, demographic problems, or vectors of risk, for example). Simultaneously, "black data" refers to political aesthetic counter-practices, from forms of black fugitivity that seek to create alter-publics or find refuge in "the undercommons," to the reimagining of black histories, presents, and futures through the creative lens of Afrofuturism. [11]
Sherry Turkle is the Abby Rockefeller Mauzé Professor of the Social Studies of Science and Technology at the Massachusetts Institute of Technology. She obtained an BA in social studies and later a PhD in sociology and personality psychology at Harvard University. She now focuses her research on psychoanalysis and human-technology interaction. She has written several books focusing on the psychology of human relationships with technology, especially in the realm of how people relate to computational objects. Her memoir 'Empathy Diaries' received fair critical reviews.
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores. A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes. Prominent examples of countercultures in the Western world include the Levellers (1645–1650), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), and the globalized counterculture of the 1960s (1965–1973).
Queer theory is a field of post-structuralism that emerged in the early 1990s out of queer studies and women's studies. The term can have various meanings depending upon its usage, but has been broadly associated with the study and theorisation of gender and sexual practices that exist outside of heterosexuality, and which challenge the notion that heterosexual desire is 'normal'. Following social constructivist developments in sociology, queer theorists are often critical of what they consider essentialist views of sexuality and gender. Instead, they study those concepts as social and cultural phenomena, often through an analysis of the categories, binaries, and language in which they are said to be portrayed.
New media is described as communication technologies that enable or enhance interaction between users as well as interaction between users and content. In the middle of the 1990s, the phrase "new media" became widely used as part of a sales pitch for the influx of interactive CD-ROMs for entertainment and education. The new media technologies, sometimes known as Web 2.0, include a wide range of web-related communication tools such as blogs, wikis, online social networking, virtual worlds, and other social media platforms.
"New Queer Cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
Disability studies is an academic discipline that examines the meaning, nature, and consequences of disability. Initially, the field focused on the division between "impairment" and "disability," where impairment was an impairment of an individual's mind or body, while disability was considered a social construct. This premise gave rise to two distinct models of disability: the social and medical models of disability. In 1999 the social model was universally accepted as the model preferred by the field. However, in recent years, the division between the social and medical models has been challenged. Additionally, there has been an increased focus on interdisciplinary research. For example, recent investigations suggest using "cross-sectional markers of stratification" may help provide new insights on the non-random distribution of risk factors capable of acerbating disablement processes.
Postgenderism is a social, political and cultural movement which arose from the eroding of the cultural, psychological, and social role of gender, and an argument for why the erosion of binary gender will be liberatory.
Tom Boellstorff is an anthropologist based at the University of California, Irvine. In his career to date, his interests have included the anthropology of sexuality, the anthropology of globalization, digital anthropology, Southeast Asian studies, the anthropology of HIV/AIDS, and linguistic anthropology.
The sociology of the Internet involves the application of sociological theory and method to the Internet as a source of information and communication. The overlapping field of digital sociology focuses on understanding the use of digital media as part of everyday life, and how these various technologies contribute to patterns of human behavior, social relationships, and concepts of the self. Sociologists are concerned with the social implications of the technology; new social networks, virtual communities and ways of interaction that have arisen, as well as issues related to cyber crime.
Social presence theory explores how the "sense of being with another" is influenced by digital interfaces in human-computer interactions. Developed from the foundations of interpersonal communication and symbolic interactionism, social presence theory was first formally introduced by John Short, Ederyn Williams, and Bruce Christie in The Social Psychology of Telecommunications. Research on social presence theory has recently developed to examine the efficacy of telecommunications media, including SNS communications. The theory notes that computer-based communication is lower in social presence than face-to-face communication, but different computer-based communications can affect the levels of social presence between communicators and receivers.
Nida Sinnokrot (1971) is a Palestinian-American artist, focusing on installation art, and filmmaker. Raised in Algeria, Sinnokrot relocated to the United States as an adolescent.
Roderick Ferguson is Professor of Women's, Gender, and Sexuality Studies and American Studies at Yale University. He was previously professor of African American and Gender and Women's Studies in the African American Studies Department at the University of Illinois, Chicago. His scholarship includes work on African-American literature, queer theory and queer studies, classical and contemporary social theory, African-American intellectual history, sociology of race and ethnic relations, and black cultural theory. Among his contributions to queer theory, Ferguson is credited with coining the term Queer of Color Critique, which he defines as "...interrogat[ion] of social formations as the intersections of race, gender, sexuality, and class, with particular interest in how those formations correspond with and diverge from nationalist ideals and practices. Queer of color analysis is a heterogeneous enterprise made up of women of color feminism, materialist analysis, poststructuralist theory, and queer critique." Ferguson is also known for his critique of the modern university and the corporatization of higher education.
Zethu Matebeni is a sociologist, activist, writer, documentary film maker, Professor and South Africa Research Chair in Sexualities, Genders and Queer Studies at the University of Fort Hare. She has held positions at the University of the Western Cape and has been senior researcher at the Institute for Humanities in Africa (HUMA) at UCT. She has been a visiting Professor Yale University and has received a number of research fellowships including those from African Humanities Program, Ford Foundation, the Fogarty International Centre and the National Research Foundation.
Hameed Sharif "Herukhuti" Williams is an American cultural studies scholar whose work focuses on sex research and education. He is also a systems theorist, culture and interdisciplinary social scientist, journalist and public speaker who has written about and lectured on bisexuality particularly among people of African descent.
Rob Cover is a social theorist and media scholar, specialising in critical sexuality studies, digital media theory, minority stereotyping and media scandals, with work on LGBTIQ youth suicide, cultures of social networking and audience interactivity, as well as cultural and media representations of population. He is Professor of Digital Communication at RMIT University, Melbourne, and formerly an associate professor at The University of Western Australia, from 2013 to 2019 where he served as Deputy Head of the School of Social Sciences. Previously, he was senior lecturer in Media at The University of Adelaide and has held visiting research and teaching fellowships at The University of Queensland, Adelaide University, and the Indian Institute of Technology, Kharagpur.
V. Spike Peterson is a professor of international relations in the School of Government and Public Policy at the University of Arizona, and affiliated faculty in the Department of Gender and Women's Studies, the Institute for LGBT Studies, International Studies, Human Rights Practice Program, and the Center for Latin American Studies. Her cross-disciplinary research and teaching are focused on international relations theory, gender and politics, global political economy, and contemporary social theory. Her recent publications examine the sex/gender and racial dynamics of global inequalities and insecurities and develop critical histories of ancient and modern state formation and Anglo-European imperialism in relation to marriage, migration, citizenship and nationalism. Peterson is "considered to be among the most internationally important senior scholars currently working at the intersections of International Relations, Feminist and Queer Theory, and of International Political Economy."
Kate Devlin, born Adela Katharine Devlin is a Northern Irish computer scientist specialising in Artificial intelligence and Human–computer interaction (HCI). She is best known for her work on human sexuality and robotics and was co-chair of the annual Love and Sex With Robots convention in 2016 held in London and was founder of the UK's first ever sex tech hackathon held in 2016 at Goldsmiths, University of London. She is Senior Lecturer in Social and Cultural Artificial Intelligence in the Department of Digital Humanities, King's College London and is the author of Turned On: Science, Sex and Robots in addition to several academic papers.
Kareem Khubchandani is a researcher, performance artist, and organizer. Khubchandani’s research, teaching, and performance exists at the intersections between queer nightlife, global politics, ethnography, South Asian diaspora, and drag. Khubchandani performs in drag as LaWhore Vagistan who interweaves storytelling, standup comedy, body art, theater, and digital media.
The Necro Files is a 1997 horror comedy zombie film by director Matt Jaissle. The film depicts zombies as sexual creatures whose desires for human flesh are not limited to anthropophagy.
Zombie pornography is a subgenre of pornography involving zombies, a type of undead being with uncontrollable appetites but no personal desire. Films in the subgenre emerged during a surge in the 1980s Italian sexploitation industry and saw minor release in the United States the next decade, but their use of zombie sex was primarily to shock the viewer. Film-maker Bruce LaBruce released Otto; or, Up with Dead People (2008) and L.A. Zombie (2010), two prominent gay zombie porn films seen by scholars as subverting homophobic tropes about gay life; in the films, zombification is physically similar to AIDS, a disease typically associated with gay men. While zombie porn may be appealing to some because it breaks taboos related to necrophilia, and plays with male viewers' fear of castration, zombies are also ferocious creatures that can destroy their sexual partners. As a result, the genre has remained largely unappealing.
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