Shatavadhani Ganesh

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Shatavadhani R. Ganesh
Dr. R Ganesh2.JPG
Shathavadhi R Ganesh
BornR. Ganesh
(1962-12-04) 4 December 1962 (age 61)
Kolar, Kolar district, Karnataka, India
Occupation Avadhana, author, extempore poet
NationalityIndian
Subject Sanskrit, Kannada, Telugu, Tamil
Website
padyapaana.com

R. Ganesh (also known popularly as Shatavadhani Ganesh, born 4 December 1962 [1] ) is a practitioner of the art of avadhana, a polyglot, an author in Sanskrit and Kannada and an extempore poet in multiple languages. He has performed more than 1300 avadhanas, in Kannada, Sanskrit, Telugu and Prakrit. [2] [3] He is known for extempore composition of poetry (āśukavita) during these performances, and even of chitrakavya. [1] He is the only Śatāvadhāni from Karnataka. [1] [4] [5] He once set a record by composing poetry for twenty-four hours continuously. [1] From 30 November 2012 to 2 December 2012, he performed the first ever Shatavadhana entirely in Kannada. [6] [7] [8] [9] On 16 February 2014, in Bangalore, he performed his 1000th avadhāna. [3] [10]

Contents

Childhood and education

Ganesh was born on 4 December 1962, in Kolar, Karnataka, to R. Shankar Narayan Aiyar and K. V. Alamelamma. [1] Ganesh picked up Tamil, Kannada and Telugu from his environment as a child. [11] Also in his childhood, he read Sanskrit and Kannada literature and was writing poetry at the age of sixteen. [11] He learned English at school, and he later learned several other languages like Prakrit, Pali, Tamil, Hindi, Marathi, Greek, Latin and Italian. [11] He has a B.E. degree in mechanical engineering from UVCE, [12] an MSc (Engineering) degree in metallurgy from IISc, [12] [13] pursued research in materials science and metallurgy, [14] has an MA degree in Sanskrit, and a D. Litt in Kannada, [1] [13] which was awarded by Hampi University [11] for his thesis on the art of Avadhana in Kannada. [14]

Avadhana

Ganesh at Bangalore Astavadhana, at Kuvempu Bhasha Pradhikara, 14 February 2021 Ganesh shatavadhani 2.jpg
Ganesh at Bangalore Astavadhana, at Kuvempu Bhasha Pradhikara, 14 February 2021
Ganesh speaking in the felicitation program of S. L. Bhyrappa Dr.R Ganesh1.JPG
Ganesh speaking in the felicitation program of S. L. Bhyrappa

Ganesh is well known for his performances of avadhana , in which he composes extempore solutions in metrical verse to problems posed in parallel by the pṛcchakas on stage, satisfying the constraints imposed by them, while simultaneously dealing with interruptions designed to break his concentration. [9] [12] The performance tests poetic skill, creativity, memory, concentration, scholarship, and wit. [13] The main variants are the Aṣṭāvadhāna (eight pṛcchakas) and Śatāvadhāna (hundred pṛcchakas), both of which he performs. [12]

Although there are records of Bellave Narahari Sastry performing avadhana in Kannada during 1933–36 (having learnt it from Telugu's Pisupati Chidambara Shastri), there was no living tradition of avadhana in Kannada when Ganesh took it up; thus he is credited with reviving avadhana in Kannada. [12] [13] [15] In 1981, after seeing an avadhana performance for the first time, by Lepakshi Medavaram Mallikarjuna Sharma, he tried one himself in front of his friends. [12] He performed 13 astavadhana between 1981 and 1987. [12] In 1987, he gave a major astavadhana performance at Kolar in the centenary year of D. V. Gundappa, where thousands of people and several learned persons assembled. [12] His 100th and 200th astavadhanas were also performed at Kolar, his native place. [15] His astavadhanas became very popular and he gave hundreds of performances, some of which were viewed by people even in pouring rain. [12] He has performed avadhanas using eight languages, including Sanskrit, Kannada and Telugu. [12] He is also credited with introducing chitrakavya into avadhana, previously considered impossible to do in an avadhana. [12] He has given more than 20 avadhana performances in American and European countries. [15]

He performed his first Shatavadhana at Bharatiya Vidya Bhavan, Bangalore on 15 December 1991. [12] He did another one 15 days later, then one each again in 1992 and 1993, with his fifth, the first to be done entirely in Kannada, in 2012. [12] [16] [17]

In addition to his D. Litt thesis The Art of Avadhana in Kannada and the forthcoming Avadhana Sahasra, he has written books about the art of Avadhana to groom future avadhanis [12] including 'Shatavadhana Sharade, Shatavadhana Srividye and Sataavadhaana shaashvati. He has also started lectures on poetry composition, prosody and poetics on the website of "Padyapaana" organisation. [12]

Other work

He performed a shatavadhana in a single day in 1991[ citation needed ]. He also gives public lectures, [18] on dance ( nāṭya śāstra ), music, [19] [20] art, culture, literature, [21] poetics, etc. [5] In his kAvya-chitra shows, he performs with painter B.K.S.Varma, composing poems while the latter paints. [22] [23] He has also written lyrics and composed verses for dance performances. [12] [24] [25] He learned the performance art Yakshagana and conceived the idea of eka vyakthi yakshagana (single-person Yakshagana), of which several performances have been given by Mantapa Prabhakara Upadhyaya. [12] He has played the role of Horatio (dubbed Harshananda) in a Sanskrit production of Hamlet . [26] He has given multiple lectures on various topics in Gokhale Institute of Public affairs, most of which is published on YouTube.

Literary works

Works in Sanskrit

Ganesh is considered one of the Sanskrit authors to have "carved a niche for themselves in twentieth century", and is credited with introducing new genres into Sanskrit literature. [1] His works include:

Awards

Related Research Articles

Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.

<span class="mw-page-title-main">Kannada literature</span> Written forms of the Kannada language

Kannada literature is the corpus of written forms of the Kannada language, spoken mainly in the Indian state of Karnataka and written in the Kannada script.

<span class="mw-page-title-main">Yakshagana</span> Theatre form in India

Yakshagana is a traditional theatre, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement. It is sometimes simply called "Aata" or āṭa. This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina Kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called Thenku thittu and towards the north from Udupi up to Uttara Kannada it is called Badaga thittu. Both of these forms are equally played all over the region. Yakshagana is traditionally presented from dusk to dawn. Its stories are drawn from Ramayana, Mahabharata, Bhagavata and other epics from both Hindu and Jain and other ancient Indic traditions.

Avadhānaṃ is a literary performance popular from the medieval era in India. Avadhānaṃ was originated and primarily cultivated among Telugu poets. It involves the partial improvisation of poems using specific themes, metres, forms, or words. The true purpose of an Avadhanam event thus is the showcasing, through entertainment, of superior mastery of cognitive capabilities - of observation, memory, multitasking, task switching, retrieval, reasoning and creativity in multiple modes of intelligence - literature, poetry, music, mathematical calculations, puzzle solving etc.

<span class="mw-page-title-main">Hoysala literature</span> Literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343)

Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

<span class="mw-page-title-main">Mysore literature in Kannada</span> Body of literature in India

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<span class="mw-page-title-main">G. Venkatasubbiah</span> Kannada writer, grammarian, editor, lexicographer, and critic (1913–2021)

Ganjam Venkatasubbiah, also known as G. V., was a Kannada writer, grammarian, editor, lexicographer, and critic who compiled over eight dictionaries, authored four seminal works on dictionary science in Kannada, edited over sixty books, and published several papers. Recipient of the Kannada Sahitya Akademi Award and the Pampa Award, Venkatasubbiah's contribution to the world of Kannada Lexicography is vast. His work Igo Kannada is a socio-linguistic dictionary which encompasses an eclectic mix of Kannada phrases, usages, idioms, and serves as a reference for linguists and sociologists alike.

<span class="mw-page-title-main">H. S. Shivaprakash</span> Poet and playwright

Hulkuntemath Shivamurthy Sastri Shivaprakash is a leading poet and playwright writing in Kannada. He is professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. He heads the Cultural Centre at Berlin, known as the Tagore Centre, as Director run by Indian Council for Cultural Relations (ICCR). He has seven anthologies of poems, twelve plays, and several other books to his credit. His works have been widely translated into English, French, Italian, Spanish, German, Polish, Hindi, Malayalam, Marathi, Tamil and Telugu. His plays have been performed in Kannada, Hindi, Meitei, Rabha, Assamese, Bodo, Tamil and Malayalam. Shivaprakash is also a well-known authority on vachana literature, Bhakti movements of India, and Sufi and other mystic traditions.

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References

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