Joan Crawford was an American actress. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s she was labeled "box office poison".
Suspicion is a 1941 romantic psychological thriller film noir directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine as a married couple. It also features Sir Cedric Hardwicke, Nigel Bruce, Dame May Whitty, Isabel Jeans, Heather Angel, and Leo G. Carroll. Suspicion is based on Francis Iles's novel Before the Fact (1932).
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly, sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and many World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar-winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame.
Constance Campbell Bennett was an American stage, film, radio and television actress and producer. She was a major Hollywood star during the 1920s and 1930s and for a time during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
Mommie Dearest is a 1981 American biographical psychological drama film directed by Frank Perry. The film depicts Christina Crawford's adoptive mother, actress Joan Crawford, as an abusive and manipulative mother.
The Mothers-in-Law is an American situation comedy featuring Eve Arden and Kaye Ballard as two women who were friends and next-door neighbors until their children's elopement made them in-laws. The show aired on NBC television from September 1967 to April 1969. Executive produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges. The picture was directed by Robert Z. Leonard, produced by John W. Considine Jr. and David O. Selznick, and was based on the novel of the same name by James Warner Bellah, published the previous year. The movie had a hit song in "Everything I Have Is Yours" by Burton Lane and Harold Adamson.
Sadie McKee is a 1934 American pre-Code romantic drama film directed by Clarence Brown, starring Joan Crawford, and featuring Gene Raymond, Franchot Tone, Edward Arnold, and Esther Ralston. The film is based on the 1933 short story "Pretty Sadie McKee", by Viña Delmar. Crawford plays the title character, from young working girl through poverty, a marriage into enormous wealth and finally a (seemingly) settled life on her own terms.
Love on the Run is a 1936 American romantic comedy film, directed by W.S. Van Dyke, produced by Joseph L. Mankiewicz, and starring Joan Crawford, Clark Gable, Franchot Tone and Reginald Owen in a story about rival newspaper correspondents assigned to cover the marriage of a socialite. The screenplay by John Lee Mahin, Manuel Seff and Gladys Hurlbut was based on a story by Alan Green and Julian Brodie. Love on the Run is the seventh of eight cinematic collaborations between Crawford and Gable. At the time of its release, Love on the Run was called "a lot of happy nonsense" by critics, but a huge financial success, nonetheless.
Quality Street is a 1937 period film made by RKO Radio Pictures. It was directed by George Stevens and produced by Pandro S. Berman. Set in 19th-century England, the film stars Katharine Hepburn and Franchot Tone. Joan Fontaine makes one of her early (uncredited) film appearances. The screenplay was by Allan Scott, Mortimer Offner, and Jack Townley, based on the 1901 play Quality Street by J. M. Barrie.
Today We Live is a 1933 American pre-Code romance drama film produced and directed by Howard Hawks and starring Joan Crawford, Gary Cooper, Robert Young and Franchot Tone.
The Bride Wore Red is a 1937 American comedy film directed by Dorothy Arzner, and starring Joan Crawford, Franchot Tone, Robert Young and Billie Burke. It was based on the unproduced play The Bride from Trieste by Ferenc Molnár. In this "rags to riches" tale, Crawford plays a cabaret singer who poses as an aristocrat. This film is the last of the seven films that Crawford and co-star Franchot Tone, then her husband, made together.
The Merry Widow is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable.
Service for Ladies is a 1932 British comedy film, the second based on the novel The Head Waiter by Ernest Vajda. The film was directed by Alexander Korda and starred Leslie Howard.
These are the films directed by the pioneering American filmmaker D. W. Griffith (1875–1948). According to IMDb, he directed 518 films between 1908 and 1931.
The Wife Takes a Flyer is a 1942 romantic comedy film made by Columbia Pictures, directed by Richard Wallace. The film stars Joan Bennett and Franchot Tone. The screenplay of The Wife Takes a Flyer was written by Jay Dratler, Gina Kaus and Harry Segall. The film's music score is by Werner R. Heymann.
Moulin Rouge is an American pre-Code musical film released on January 19, 1934, by United Artists, starring Constance Bennett and Franchot Tone. It contained the songs "Coffee in the Morning and Kisses in the Night", and "Boulevard of Broken Dreams" with music by Harry Warren and lyrics by Al Dubin. Lucille Ball appears in an uncredited role as a show girl in the film. It has no relation to any other films of/with the same name. The cast also includes Tullio Carminati, Helen Westley, Russ Brown, Hobart Cavanaugh and Georges Renavent.
The Man on the Eiffel Tower is a 1950 American Ansco Color film noir mystery film directed by Burgess Meredith and starring Charles Laughton, Franchot Tone, Meredith, and Robert Hutton. It is based on the 1931 novel La Tête d'un homme by Belgian writer Georges Simenon featuring his detective Jules Maigret. The film was co-produced by Tone and Irving Allen as A&T Film Productions and released by RKO Radio Pictures. Much of the outdoor action occurs in various familiar Paris locales.
Nice Girl? is a 1941 American musical film directed by William A. Seiter, and starring Deanna Durbin, Franchot Tone, Walter Brennan, Robert Stack, and Robert Benchley. Based on the play Nice Girl? by Phyllis Duganne, the film is about a young girl who finds herself attracted to one of her father's business partners who comes to town to give her father a scholarship for his dietary studies.
