Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Suspicion is a 1941 romantic psychological thriller film noir directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine as a married couple. It also features Sir Cedric Hardwicke, Nigel Bruce, Dame May Whitty, Isabel Jeans, Heather Angel, and Leo G. Carroll. Suspicion is based on Francis Iles's novel Before the Fact (1932).
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar-winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame.
The Mothers-in-Law is an American situation comedy featuring Eve Arden and Kaye Ballard as two women who were friends and next-door neighbors until their children's elopement made them in-laws. The show aired on NBC television from September 1967 to April 1969. Executive produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges. The picture was directed by Robert Z. Leonard, produced by John W. Considine Jr., and was based on the novel of the same name by James Warner Bellah, published the previous year. The movie had a hit song in "Everything I Have Is Yours" by Burton Lane and Harold Adamson.
Sadie McKee is a 1934 American pre-Code, romantic-drama film directed by Clarence Brown, starring Joan Crawford, and featuring Gene Raymond, Franchot Tone, Edward Arnold, and Esther Ralston. The film is based on the 1933 short story "Pretty Sadie McKee", by Viña Delmar. Crawford plays the title character, from young working girl through poverty, a marriage into enormous wealth and finally a (seemingly) settled life on her own terms.
Quality Street is a 1937 American historical comedy film made by RKO Radio Pictures. It was directed by George Stevens and produced by Pandro S. Berman. Set in 19th-century England, the film stars Katharine Hepburn and Franchot Tone. Joan Fontaine makes one of her early (uncredited) film appearances. The screenplay was by Allan Scott, Mortimer Offner, and Jack Townley, based on the 1901 play Quality Street by J. M. Barrie.
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Today We Live is a 1933 American pre-Code romance drama film produced and directed by Howard Hawks and starring Joan Crawford, Gary Cooper, Robert Young and Franchot Tone.
The Bride Wore Red is a 1937 American romantic comedy drama film directed by Dorothy Arzner, and starring Joan Crawford, Franchot Tone, Robert Young and Billie Burke. It was based on the unproduced play The Bride from Trieste by Ferenc Molnár. In this "rags to riches" tale, Crawford plays a cabaret singer who poses as an aristocrat. This film is the last of the seven films that Crawford and co-star Franchot Tone, then her husband, made together.
The Girl from Missouri is a 1934 American romantic comedy-drama film starring Jean Harlow and Franchot Tone. The movie was written by Anita Loos and directed by Jack Conway.
Service for Ladies is a 1932 British comedy film, the second based on the novel The Head Waiter by Ernest Vajda. The film was directed by Alexander Korda and starred Leslie Howard.
These are the films directed by the pioneering American filmmaker D. W. Griffith (1875–1948). According to IMDb, he directed 518 films between 1908 and 1931.
Every Girl Should Be Married is a 1948 American romantic comedy film directed by Don Hartman and starring Cary Grant, Betsy Drake and Franchot Tone. Grant and Drake married a year after the film's release.
The Wife Takes a Flyer is a 1942 romantic comedy film made by Columbia Pictures, directed by Richard Wallace. The film stars Joan Bennett and Franchot Tone. The screenplay of The Wife Takes a Flyer was written by Jay Dratler, Gina Kaus and Harry Segall. The film's music score is by Werner R. Heymann.
Moulin Rouge is an American pre-Code musical film released on January 19, 1934, by United Artists, starring Constance Bennett and Franchot Tone. It contained the songs "Coffee in the Morning and Kisses in the Night", and "Boulevard of Broken Dreams" with music by Harry Warren and lyrics by Al Dubin. Lucille Ball appears in an uncredited role as a show girl in the film. It has no relation to any other films of/with the same name. The cast also includes Tullio Carminati, Helen Westley, Russ Brown, Hobart Cavanaugh and Georges Renavent.
The Man on the Eiffel Tower is a 1950 American Ansco Color film noir mystery film directed by Burgess Meredith and starring Charles Laughton, Franchot Tone, Meredith, and Robert Hutton. It is based on the 1931 novel La Tête d'un homme by Belgian writer Georges Simenon featuring his detective Jules Maigret. The film was co-produced by Tone and Irving Allen as A&T Film Productions and released by RKO Radio Pictures. Much of the outdoor action occurs in various familiar Paris locales.
Nice Girl? is a 1941 American musical film directed by William A. Seiter, and starring Deanna Durbin, Franchot Tone, Walter Brennan, Robert Stack, and Robert Benchley. Based on the play Nice Girl? by Phyllis Duganne, the film is about a young girl who finds herself attracted to one of her father's business partners who comes to town to give her father a scholarship for his dietary studies.
