Sheila McLaughlin (born 1950) [1] is an American director, producer, screenwriter, actor, and photographer. She wrote and directed the controversial film, She Must Be Seeing Things (1987). [2] Her debut feature film, Committed (1984), which she co-directed with writer Lynne Tillman, [3] is an experimental narrative of the life of Frances Farmer, shot on a low budget of $45,000. [1] McLaughlin's films have been described as presenting "a grasp of a developing new feminist language of cinema." [1]
Year | Title | Role | Director | Writer | Producer | Notes |
---|---|---|---|---|---|---|
1978 | Artificial Memory | Yes | Yes | Yes | Short film [6] | |
1982 | Ordinary Sentence (Normalsatz) | (n/a) | [7] [8] (directed by Heinz Emigholz) | |||
1983 | Born in Flames | Other Leader | also: camera operator | |||
1984 | Committed | Frances Farmer | Yes | Yes | Yes | also: editor |
1985 | Die Basis des Make-Up (The Base of Make-Up) | (n/a) | [9] (directed by Heinz Emigholz) | |||
1985 | Seduction: The Cruel Woman (Verführung: Die grausame Frau) | Justine | ||||
1987 | She Must Be Seeing Things | Yes | Yes | |||
1988 | The Big Blue | Myrna | (directed by Andrew Horn) | |||
1988 | Die Wiese der Sachen (The Meadow of Things) | (n/a) | [10] (directed by Heinz Emigholz) |
Radical feminism is a perspective within feminism that calls for a radical re-ordering of society in which male supremacy is eliminated in all social and economic contexts, while recognizing that women's experiences are also affected by other social divisions such as in race, class, and sexual orientation. The ideology and movement emerged in the 1960s.
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Frances Elena Farmer was an American actress. She appeared in over a dozen feature films over the course of her career, though she garnered notoriety for sensationalized accounts of her life, especially her involuntary commitment to psychiatric hospitals and subsequent mental health struggles.
Better Than Chocolate is a 1999 Canadian romantic comedy film shot in Vancouver and directed by Anne Wheeler.
Dame Marilyn Joy Waring is a New Zealand public policy scholar, international development consultant, former politician, environmentalist, feminist and a principal founder of feminist economics.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Seduction: The Cruel Woman is a 1985 West German film, directed by Elfi Mikesch and Monika Treut, who both also wrote the screenplay. Wanda is played by Mechthild Großmann. The film was inspired by Leopold von Sacher-Masoch's Venus in Furs.
I've Heard the Mermaids Singing is a 1987 Canadian comedy-drama film written and directed by Patricia Rozema and starring Sheila McCarthy, Paule Baillargeon, and Ann-Marie MacDonald. It was the first English-language Canadian feature film to win an award at the Cannes Film Festival.
Sheila Jeffreys is a former professor of political science at the University of Melbourne, born in England. A lesbian feminist scholar, she analyses the history and politics of human sexuality.
The feminist sex wars, also known as the lesbian sex wars, sex wars or porn wars, are collective debates amongst feminists regarding a number of issues broadly relating to sexuality and sexual activity. Differences of opinion on matters of sexuality deeply polarized the feminist movement, particularly leading feminist thinkers, in the late 1970s and early 1980s and continue to influence debate amongst feminists to this day.
Pratibha Parmar is a British writer and filmmaker. She has made feminist documentaries such as Alice Walker: Beauty in Truth and My Name is Andrea about Andrea Dworkin.
Dyke is a slang term, used as a noun meaning lesbian. It originated as a homophobic slur for masculine, butch, or androgynous girls or women. Pejorative use of the word still exists, but the term dyke has been reappropriated by many lesbians to imply assertiveness and toughness.
Feminist views on sexuality widely vary. Many feminists, particularly radical feminists, are highly critical of what they see as sexual objectification and sexual exploitation in the media and society. Radical feminists are often opposed to the sex industry, including opposition to prostitution and pornography. Other feminists define themselves as sex-positive feminists and believe that a wide variety of expressions of female sexuality can be empowering to women when they are freely chosen. Some feminists support efforts to reform the sex industry to become less sexist, such as the feminist pornography movement.
Persimmon Blackbridge is a Canadian writer and artist whose work focuses on feminist, lesbian, disability and mental health issues. She identifies herself as a lesbian, a person with a disability and a feminist. Her work explores these intersections through her sculptures, writing, curation and performance. Her novels follow characters that are very similar to Blackbridge's own life experiences, allowing her to write honestly about her perspective. Blackbridge's struggle with her mental health has become a large part of her practice, and she uses her experience with mental health institutions to address her perspective on them. Blackbridge is involved in the film, SHAMELESS: The Art of Disability exploring the complexity of living with a disability. Her contributions to projects like this help destigmatize the attitudes towards people with disabilities. Blackbridge has won many awards for her work exploring her identity and the complexities that come with it.
She Must Be Seeing Things is a 1987 lesbian feminist film directed by Sheila McLaughlin and starring Lois Weaver and Sheila Dabney. It was the film debut of both Lois Weaver and Peggy Shaw. It was controversial when first released.
Sheila Dabney is an American actress, best known for her co-starring role in the 1987 lesbian feminist film She Must Be Seeing Things alongside Lois Weaver and directed by Sheila McLaughlin.
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: that of the man behind the camera, that of the male characters within the film's cinematic representations; and that of the spectator gazing at the image.
Jan Oxenberg is an American film producer, director, editor, and screenwriter. She is known for her work in lesbian feminist films and in television.
Quim: for dykes of all sexual persuasions was a British sex positive lesbian softcore magazine published between 1989 and 1994 with a further issue published in 2001. The magazine was edited by Sophie Moorcock and Lulu Belliveau, who had previously worked as a photo editor at On Our Backs, the first US magazine of women's erotica. Influences included Shocking Pink a young women's zine produced in London between 1979–1992, Chain Reaction a lesbian S/M club that opened in Vauxhall in 1987, and Sheila McLaughlin's 1987 film She Must Be Seeing Things. The magazine had an irregular publication cycle that depended on when funding and content were available.
sheila mclaughlin.
She Must Be Seeing Things.