Shirish Korde (born June 18, 1945), is a Ugandan composer of Indian ancestry. He is the Chair of the Music Department at the College of the Holy Cross (Worcester, MA) and has previously been on the faculty of the Berklee College of Music, the New England Conservatory, and Brown University. Korde studied jazz and composition at the Berklee College of Music, analysis and composition at the New England Conservatory, and ethnomusicology at Brown University.
His works include:
Korde has composed five large-scale music-theatre works:
These works exhibit influences of Asian dramatic and musical forms, especially Balinese gamelan and shadow puppetry, Vedic chant, Tuva music from Central Asia, North Indian Tala, and shakuhachi music. Jazz elements and computer voice synthesis techniques are also incorporated into his music-theater works. Korde also composed KA, for the Boston Musica Viva, a work for cello and voice (cellist Jan Müller-Szerwas and Deepti Navaratna, soprano) – Anusvara, Fifith Prism. He also composed a guitar concerto, Nada Ananda, released on CD featuring Simon Thacker and his ensemble. In 2021, Korde is working on a symphonic piece inspired by climate change, " Oceans Rising for the South Asian Symphony Orchestra." [7] He was also a resident composer at the 2021 Seal Bay Festival.
He was described by Computer Music Journal as one of the few "contemporary composers who have been deeply touched by music of non-Western cultures, jazz, and computer technology and who has created a powerful and communicative compositional language."
Korde is the founder of Neuma Records.
Phoolan Devi (1963–2001), popularly known as the Bandit Queen, was a Mallah woman who grew up in poverty in a village in the Indian state of Uttar Pradesh. Her family was in a land dispute which caused many problems in her youth and after being repeatedly sexually abused and married off at the age of 11, she joined a dacoit group, later becoming a bandit leader. Her gang robbed higher caste villages and held up trains and vehicles. She became a hero of the lower castes for being a Robin Hood figure who punished her rapists and evaded capture by the authorities for several years. She surrendered in 1983 in a carefully negotiated settlement and served 11 years in Gwalior prison.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
Bandit Queen is a 1994 Indian Hindi-language biographical action-adventure film based on the life of Phoolan Devi as covered in the book India's Bandit Queen: The True Story of Phoolan Devi by the Indian author Mala Sen. It was written, produced, and directed by Shekhar Kapur and starred Seema Biswas as the title character. The music was composed by Ustad Nusrat Fateh Ali Khan. The film won the National Film Award for Best Feature Film in Hindi, Filmfare Critics Award for Best Movie and Best Direction for that year. The film was premiered in the Directors' Fortnight section of the 1994 Cannes Film Festival, and was screened at the Edinburgh Film Festival. The film was selected as the Indian entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.
John Harris Harbison is an American composer, known for his symphonies, operas, and large choral works.
Bernard Rands is a British-American contemporary classical music composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.
Carl Edward Vine, is an Australian composer of contemporary classical music.
Claude Ledoux is a Belgian composer, born in 1960.
Hilda Paredes is one of Mexico's leading contemporary composers, and has received many prestigious awards for her work. She currently resides in London, and is married to the noted English violinist, Irvine Arditti.
Martin Boykan was an American composer known for his chamber music as well as music for larger ensembles.
Svitlana Azarova is a Ukrainian-Dutch composer of contemporary classical music, originally from the Ukrainian SSR.
Ken Field is a saxophonist, flautist, percussionist, and composer. Since 1988 he has been a member of the electrified modern music ensemble Birdsongs of the Mesozoic, with whom he has recorded eight CDs.
Symphony in B-flat for Band was written by the German composer Paul Hindemith in 1951. It was premiered on April 5 of that year by the U.S. Army Band "Pershing's Own" with the composer conducting.
Boston Musica Viva is a Boston, Massachusetts-based music ensemble founded by its Music Director, Richard Pittman, in 1969 and dedicated to contemporary music.
Marti Epstein is an American composer. She is Professor of Composition at Berklee College of Music and the Boston Conservatory at Berklee.
Patrick Greene is an American composer and performer of contemporary classical music. A lifelong resident of New England, he has been based in Boston, Massachusetts, since 2008.
Jorge Villavicencio Grossmann (1973) is a Peruvian composer, naturalized Brazilian, who currently resides in the United States.
Sandeep Das is an Indian tabla player and composer currently based in Boston, Massachusetts, United States.
Julian James Wachner is an American composer, conductor, and keyboardist. From 2011 to 2022, he served as the Director of Music and the Arts at Trinity Wall Street, conducting the Choir of Trinity Wall Street, the Trinity Baroque Orchestra, and NOVUS NY. Wachner recorded five albums with these ensembles, primarily for the Musica Omnia label. From 2008 to 2017, he served as the Director of The Washington Chorus. In March 2018, Wachner was named Artistic Director of the Grand Rapids Bach Festival, an affiliate of the Grand Rapids Symphony, in Grand Rapids, Michigan.
Elizabeth Brown is an American contemporary composer and performer, known for music described as otherworldly, which employs microtonal expression, unique instrumentation and a morphing, freewheeling language. Her work is frequently commissioned for specific ensembles and has been performed internationally in solo, chamber and orchestral contexts at venues including Carnegie Hall, Boston's Symphony Hall, the Smithsonian Institution, and the Hanoi National Conservatory of Music. She has written extensively for flute, unconventional instruments such as the Partch complement and theremin, and the traditional Asian shakuhachi and đàn bầu; she combines them in original ways that mix Western and Eastern, ancient and modern, and experimental and conventionally melodic sensibilities. Composer and critic Robert Carl calls Brown a "gentle maverick" whose avant-gardism bends and subverts traditional tropes with an unironic, unpretentious manner "that is fresh and imaginative, but never afraid of beauty, nor of humane warmth."