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Shreve, Lamb, and Harmon, founded as Shreve & Lamb, was an architectural firm best known for designing the Empire State Building, the tallest building in the world at the time of its completion in 1931. The firm was prominent in the proliferation of Art Deco architecture in New York City.
The firm was founded in 1920 as Shreve & Lamb, a partnership of Richmond Harold ("R.H.") Shreve, a Canadian from Nova Scotia, and William F. Lamb, from Brooklyn, New York. Shreve was the administrator, while Lamb was the architect. The two met while working at Carrère & Hastings, and Shreve & Lamb was initially a Carrère & Hastings firm. In 1924 the pair decided to leave Carrère & Hastings and became an autonomous architectural company. [1]
In 1929, Arthur Loomis Harmon, from Chicago, Illinois, joined Shreve & Lamb, and the firm became Shreve, Lamb & Harmon. [1] Prior to joining the firm, Harmon's works included battle monuments at Tours, Cantigny and Somme-Py in France, a YMCA in Jerusalem, and the Shelton Hotel in New York, U.S. [1]
For the construction of the Empire State Building, the firm's most notable work and a symbol of the American expression of the Art Deco style, Lamb was responsible for the design, while Shreve's planning skills facilitated the completion of the construction in a year. Shreve's planning skills were recognized in New York, and he was involved in projects beyond the firm, such as the Slum Clearance Committee of New York. [1]
Shreve, Lamb & Harmon's primary focus was commercial office buildings, and their work in this area was described as "spare and functional" in 2010 by the Landmarks Preservation Commission. However, the firm completed numerous residential projects, such as No. 130 East 57th Street, and this facet of the company's work was mainly conducted in neo-Tudor, as well as other popular historical styles of the 1920s. [1]
Shreve, Lamb and Harmon had also employed the future architect behind the original World Trade Center complex, Minoru Yamasaki, after he had completed a masters degree in architecture in 1936. Lasting until 1945, this professional relationship was cut short when Yamasaki took a job at Smith, Hinchman & Grylls. [2]
It is not entirely clear when the company went out of business, with 1989 being a likely date. [3]
The archives of Shreve, Lamb & Harmon are kept at the Avery Architectural and Fine Arts Library of Columbia University. [3]
All buildings are located in New York City unless otherwise indicated:
Minoru Yamasaki was a Japanese-American architect, best known for designing the original World Trade Center in New York City and several other large-scale projects. Yamasaki was one of the most prominent architects of the 20th century. He and fellow architect Edward Durell Stone are generally considered to be the two master practitioners of "New Formalism".
Carrère and Hastings, the firm of John Merven Carrère and Thomas Hastings, was an American architecture firm specializing in Beaux-Arts architecture. Located in New York City, the firm practiced from 1885 until 1929, although Hastings practiced alone after Carrère died in an automobile accident in 1911.
1 Wall Street is a primarily residential skyscraper at the intersection of Broadway and Wall Street in the Financial District of Lower Manhattan in New York City, New York, U.S. Designed in the Art Deco style, the building is 654 feet (199 m) tall and consists of two sections. The original 50-story building was designed by Ralph Thomas Walker of the firm Voorhees, Gmelin and Walker and constructed between 1929 and 1931 for Irving Trust, an early-20th-century American bank. A 36-story annex to the south was designed by successor firm Voorhees, Walker, Smith, Smith & Haines and built between 1963 and 1965.
14 Wall Street, originally the Bankers Trust Company Building, is a skyscraper at the intersection of Wall Street and Nassau Street in the Financial District of Manhattan in New York City. The building is 540 feet (160 m) tall, with 32 usable floors. The original 540-foot tower is at the southeastern corner of the site, and a shorter annex wraps around the original tower.
Emery Roth was a Hungarian-American architect of Hungarian-Jewish descent who designed many New York City hotels and apartment buildings of the 1920s and 1930s, incorporating Beaux-Arts and Art Deco details. His sons continued in the family enterprise, largely expanding the firm under the name Emery Roth & Sons.
The Century Theatre, originally the New Theatre, was a theatre at 62nd Street and Central Park West on the Upper West Side of Manhattan in New York City. Opened on November 6, 1909, it was noted for its fine architecture but due to poor acoustics and an inconvenient location it was financially unsuccessful. It was briefly renamed the Century Opera House in 1913, until reverting back to the Century Theatre in 1915. The theatre was demolished in 1930 and replaced by The Century apartment building.
Delano & Aldrich was an American Beaux-Arts architectural firm based in New York City. Many of its clients were among the wealthiest and most powerful families in the state. Founded in 1903, the firm operated as a partnership until 1935, when Aldrich left for an appointment in Rome. Delano continued in his practice nearly until his death in 1960.
McKim, Mead & White was an American architectural firm based in New York City. The firm came to define architectural practice, urbanism, and the ideals of the American Renaissance in fin de siècle New York.
Cross & Cross (1907–1942) was a New York City-based architectural firm founded by brothers John Walter Cross and Eliot Cross.
William Frederick Lamb, was an American architect, chiefly known as one of the principal designers of the Empire State Building.
500 Fifth Avenue is a 60-story, 697-foot-tall (212 m) office building on the northwest corner of Fifth Avenue and 42nd Street in Midtown Manhattan, New York City. The building was designed by Shreve, Lamb & Harmon in the Art Deco style and constructed from 1929 to 1931.
1740 Broadway is a 26-story building on the east side of Broadway, between 55th and 56th Streets, in the Midtown Manhattan neighborhood of New York City. The building is owned by EQ Office and shares a city block with the Park Central Hotel.
Walker & Gillette was an architectural firm based in New York City, the partnership of Alexander Stewart Walker (1876–1952) and Leon Narcisse Gillette (1878–1945), active from 1906 through 1945.
26 Broadway, also known as the Standard Oil Building or Socony–Vacuum Building, is an office building adjacent to Bowling Green in the Financial District of Lower Manhattan in New York City. The 31-story, 520-foot-tall (160 m) structure was designed in the Renaissance Revival style by Thomas Hastings of Carrère and Hastings, in conjunction with Shreve, Lamb & Blake. It was built in 1884–1885 as the headquarters of Standard Oil, at the time one of the largest oil companies in the United States, and expanded to its current size in 1921–1928.
The Architecture of Buffalo, New York, particularly the buildings constructed between the American Civil War and the Great Depression, is said to have created a new, distinctly American form of architecture and to have influenced design throughout the world.
Central Presbyterian Church is a historic church located at 46 Park Street in Montclair, New Jersey, United States.
The Great Fire of 1911 Historic District is located in downtown Bangor, Maine, and has been listed on the National Register of Historic Places since 1984. It preserves Maine's most significant collection of early 20th century public and commercial buildings, and commemorates an urban re-building campaign matched only by Portland's following its own destruction by fire in 1866. The Great Fire of 1911 was Maine's last large-scale urban conflagrations, but resulted in the creation of an early 20th-century urban space relatively unique in Maine or northern New England.
Mowbray & Uffinger comprised an architectural partnership in New York City formed in 1895. Known for bank buildings and as vault engineers they designed over 400 banks in the pre-World War II era throughout the country. The principals were Louis Montayne Mowbray (1867-1921) and Justin Maximo Uffinger Sr. (1871-1948).
Arthur Loomis Harmon was an American architect. He is most famous as the design partner of the firm Shreve, Lamb and Harmon.
Ermelindo Eduardo Ardolino, known as Edward Ardolino was an Italian-born American stone carver and architectural sculptor of the early twentieth century. He was the most prominent member of the Ardolino family of stone carvers. He worked with leading architects and sculptors, including architect Bertram Grosvenor Goodhue and sculptor Lee Lawrie. Ardolino participated in at least nine Goodhue-Lawrie collaborations including the Los Angeles Public Library and the Nebraska State Capitol. His carvings adorn a significant number of important public and private buildings and monuments, including four buildings in the Federal Triangle of Washington, D.C.
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