Epsilon is the fifth letter of the Greek alphabet, corresponding phonetically to a mid front unrounded vowel IPA:[e̞] or IPA:[ɛ̝]. In the system of Greek numerals it also has the value five. It was derived from the Phoenician letter He . Letters that arose from epsilon include the Roman E, Ë and Ɛ, and Cyrillic Е, È, Ё, Є and Э.
Blackboard bold is a style of writing bold symbols on a blackboard by doubling certain strokes, commonly used in mathematical lectures, and the derived style of typeface used in printed mathematical texts. The style is most commonly used to represent the number sets , (integers), , , and .
In typography, a bullet or bullet point, •, is a typographical symbol or glyph used to introduce items in a list. For example:
• Item 1
• Item 2
• Item 3
The pilcrow, ¶, is a handwritten or typographical character used to identify a paragraph. It is also called the paragraph mark, paraph, or blind P.
Koppa or qoppa is a letter that was used in early forms of the Greek alphabet, derived from Phoenician qoph (𐤒). It was originally used to denote the sound, but dropped out of use as an alphabetic character and replaced by Kappa (Κ). It has remained in use as a numeral symbol (90) in the system of Greek numerals, although with a modified shape. Koppa is the source of Latin Q, as well as the Cyrillic numeral sign of the same name (Koppa).
Fraktur is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that make up each letter will be clearly visible, and often emphasized; in this way it is often contrasted with the curves of the Antiqua (common) typefaces where the letters are designed to flow and strokes connect together in a continuous fashion. The word "Fraktur" derives from Latin frāctūra, built from frāctus, passive participle of frangere, which is also the root for the English word "fracture". In non-professional contexts, the term "Fraktur" is sometimes misused to refer to all blackletter typefaces – while Fraktur typefaces do fall under that category, not all blackletter typefaces exhibit the Fraktur characteristics described above.
In the polytonic orthography of Ancient Greek, the rough breathing character is a diacritical mark used to indicate the presence of an sound before a vowel, diphthong, or after rho. It remained in the polytonic orthography even after the Hellenistic period, when the sound disappeared from the Greek language. In the monotonic orthography of Modern Greek phonology, in use since 1982, it is not used at all.
In typography, a dingbat is an ornament, specifically, a glyph used in typesetting, often employed to create box frames, or as a dinkus. Some of the dingbat symbols have been used as signature marks or used in bookbinding to order sections.
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ ; the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ were combined.
A ring diacritic may appear above or below letters. It may be combined with some letters of the extended Latin alphabets in various contexts.
Kra is a glyph formerly used to write the Kalaallisut language of Greenland and is now only found in Nunatsiavummiutut, a distinct Inuktitut dialect. It is visually similar to a Latin small capital letter K, a Greek letter Kappa: κ, or a Cyrillic small letter Ka: к.
Unicode has a certain amount of duplication of characters. These are pairs of single Unicode code points that are canonically equivalent. The reason for this are compatibility issues with legacy systems.
The hyphen-minus symbol - is the form of hyphen most commonly used in digital documents. On most keyboards, it is the only character that resembles a minus sign or a dash so it is also used for these. The name hyphen-minus derives from the original ASCII standard, where it was called hyphen–(minus). The character is referred to as a hyphen, a minus sign, or a dash according to the context where it is being used.
ᵷ or turned g is a letter of the Latin alphabet, formed by rotating g 180°. It is used to transliterate the Georgian letter ჹ. ჹ itself is the Georgian letter გ "g" rotated. It represents a in some East Caucasian languages.
L, or l, is the twelfth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is el, plural els.
Unicode equivalence is the specification by the Unicode character encoding standard that some sequences of code points represent essentially the same character. This feature was introduced in the standard to allow compatibility with preexisting standard character sets, which often included similar or identical characters.
The tie is a symbol in the shape of an arc similar to a large breve, used in Greek, phonetic alphabets, and Z notation. It can be used between two characters with spacing as punctuation, non-spacing as a diacritic, or (underneath) as a proofreading mark. It can be above or below, and reversed. Its forms are called tie, double breve, enotikon or papyrological hyphen, ligature tie, and undertie.
A fleuron, also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). Robert Bringhurst in The Elements of Typographic Style calls the forms "horticultural dingbats". A commonly encountered fleuron is the ❦, the floral heart or hedera. It is also known as an aldus leaf.
In the days of printing with metal type sorts, it was common to rotate letters and digits 180° to create new symbols. This was a cheap way to extend the alphabet that didn't require purchasing or cutting custom sorts. The method was used for example with the Palaeotype alphabet, the International Phonetic Alphabet, the Fraser script, and for some mathematical symbols. Perhaps the earliest instance of this that is still in use is turned e for schwa.
