| Silence | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1975 | |||
| Recorded | June 1969 Chicago, IL | |||
| Genre | Jazz | |||
| Length | 31:25 | |||
| Label | Freedom FLP 40123 | |||
| Producer | Alan Bates | |||
| Anthony Braxton chronology | ||||
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Silence is an album by saxophonist Anthony Braxton, trumpeter Leo Smith and violinist Leroy Jenkins recorded in 1969 and originally released on the Freedom label in 1975. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [4] |
The Allmusic review by Brian Olewnick stated, "They're wonderful works, exploring a terrain similar to that being investigated by the Art Ensemble of Chicago around the same time: barebones themes allowing for substantial free improvisation that dealt as much with sonic space and the generation of unusual textures as anything else. 'Silence,' as the title implies, is largely concerned with the disposition of sounds in space and shows the strong influence that the contemporary classical world, particularly John Cage, had on these musicians in their early years". [4] In JazzTimes Bill Shoemaker wrote, "Silence is the only album Braxton recorded featuring the ostensibly co-op trio with violinist Leroy Jenkins and trumpeter Leo Smith that did not feature Braxton's compositions. Jenkins' 'Off The Top Of My Head' is thematically well-grounded, allowing the trio to peel off layers of the lyrical materials in a loose counterpoint, and to propel the piece with the shifting timbres afforded by their arsenal of 'little instruments.' Smith's title piece juxtaposes short sound events and long periods of silence to create a remarkably coherent fabric". [5]
Anthony Braxton is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music.
Ishmael Wadada Leo Smith is an American trumpeter and composer, working primarily in the fields of avant-garde jazz and free improvisation. He was one of three finalists for the 2013 Pulitzer Prize for Music for Ten Freedom Summers, released on May 22, 2012.
Leroy Jenkins was an American composer and violinist/violist.
3 Compositions of New Jazz is the debut album by Anthony Braxton released in 1968 on the Delmark label. It features performances by Braxton, violinist Leroy Jenkins and trumpeter Wadada Leo Smith with pianist Muhal Richard Abrams appearing on two tracks.
Levels and Degrees of Light is the debut album by Muhal Richard Abrams which was released on the Delmark label in 1968 and features performances of three of Abrams' compositions by Abrams, Anthony Braxton, Leroy Jenkins, Charles Clark, Gordon Emmanuel, Maurice McIntyre, Thurman Barker and Leonard Jones with vocals by Penelope Taylor and a poetry recitation by David Moore.
Anthony Braxton is an album by Anthony Braxton, released in 1969 on the BYG Actuel label. It features performances by Braxton, violinist Leroy Jenkins, trumpeter Leo Smith and percussionist Steve McCall.
In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972 the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.
Afternoon of a Georgia Faun is an album by American jazz saxophonist Marion Brown recorded in 1970 and released on the ECM label. Along with Geechee Recollections and Sweet Earth Flying, it was one of Brown's albums dedicated to the US state of Georgia. The album features Brown, multi-instrumentalists Anthony Braxton and Bennie Maupin, vocalists Jeanne Lee and Gayle Palmore, pianist Chick Corea, and percussionists Andrew Cyrille and Jack Gregg, all of whom double on secondary instruments, along with three supplementary percussionists for the second track.
Four Compositions 1982/1988 is an album by American composer and saxophonist Anthony Braxton recorded in 1982 and 1988 and released on the hatART label in 1989.
This Time... is an album by the American jazz saxophonist and composer Anthony Braxton, recorded in 1970 and released on the BYG Actuel label. As on his previous album, Braxton performs with trumpeter Wadada Leo Smith, violinist Leroy Jenkins and drummer Steve McCall.
Geechee Recollections is an album by the American jazz saxophonist Marion Brown recorded in 1973 and released on the Impulse! label. Along with Afternoon of a Georgia Faun and Sweet Earth Flying, it was one of Brown's albums dedicated to the US state of Georgia. The Geechee of the title are a distinct African-American cultural group living in costal regions of Georgia and North Carolina.
For Trio is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1977 and released on the Arista label. The album features two recordings of the same composition by Braxton in two separate trios and was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
Trio and Duet is an album by American jazz saxophonist Anthony Braxton recorded in 1974 and released on the Canadian Sackville label. The album features a trio performance of one of Braxton's compositions and three duets on jazz standards. It was reissued in 2015 by Delmark Records, which purchased the catalog of the Sackville label, with two bonus tracks.
Creative Construction Company Vol. II is a 1976 album by the jazz collective Creative Construction Company, originally released on the Muse label.
Composition No. 96 is an album by composer Anthony Braxton featuring his title piece, dedicated to Karlheinz Stockhausen, performed by a 37-piece orchestra and recorded in 1981 and originally released on the Leo label in 1989.
Time Zones is an album by electronic musician Richard Teitelbaum and saxophonist Anthony Braxton recorded in 1976 and originally released on the Freedom label.
For Four Orchestras is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1978 and first released on the Arista label a triple LP. The album features a composition by Braxton written for four separate orchestras recorded in quadraphonic sound which was subsequently rereleased on CD on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
Composition No. 94 for Three Instrumentalists is a live album by composer and saxophonist Anthony Braxton featuring two variations of the title piece recorded in Italy in 1980 and first released on the Golden Years of New Jazz label in 1999.
Space Minds, New Worlds, Survival of America is an album by violinist and composer Leroy Jenkins. It was recorded in August and September 1978, and was released on LP by Tomato Records in 1979. On the album, Jenkins is joined by George Lewis on electronics and trombone, Richard Teitelbaum on synthesizer, Anthony Davis on electric piano and piano, and Andrew Cyrille on percussion.
For Players Only is a live album by violinist and composer Leroy Jenkins, his first as a leader. It was recorded in January 1975 at Wollman Auditorium, Columbia University in New York City, and was released by JCOA Records later that year. On the album, Jenkins is joined by members of the Jazz Composer's Orchestra.
