Belinda Kimberly "Lindy" Layton is an English singer. She was a founding member of and vocalist for dance music band Beats International. She has released a number of solo albums and singles and worked with other musicians, more recently including Hardknox and Dub Pistols.
A Day at the Races is the fifth studio album by the British rock band Queen, released on 10 December 1976 by EMI Records in the United Kingdom and by Elektra Records in the United States. Recorded at The Manor, Sarm East, and Wessex Sound Studios in England, it was the band's first completely self-produced album, and the first completed without the involvement of producer Roy Thomas Baker; engineering duties were handled by Mike Stone. It serves as a companion to Queen's previous album, A Night at the Opera, with both taking their names from Marx Brothers films and having similar packaging and eclectic musical themes.
The Go-Betweens were an Australian indie rock band formed in Brisbane, Queensland, in 1977. The band was co-founded and led by singer-songwriters and guitarists Robert Forster and Grant McLennan, who were its only constant members throughout its existence. Drummer Lindy Morrison joined the band in 1980, and its lineup would later expand to include bass guitarist Robert Vickers and multi-instrumentalist Amanda Brown. Vickers was replaced by John Willsteed in 1987, and the quintet lineup remained in place until the band split two years later. Forster and McLennan reformed the band in 2000 with a new lineup that did not include any previous personnel aside from them. McLennan died on 6 May 2006 of a heart attack and the Go-Betweens disbanded again. In 2010, a toll bridge in their native Brisbane was renamed the Go Between Bridge after them.
"Come Back to Me" is a song by American singer Janet Jackson from her fourth studio album Janet Jackson's Rhythm Nation 1814 (1989). It was written and produced by Jackson in collaboration with Jimmy Jam and Terry Lewis. The R&B ballad talks about a lover trying to rekindle a romance that faded away a long time ago. It was released as the fifth single from the album in the United States on June 18, 1990, while in the United Kingdom, it was issued as the album's third single on January 15, 1990. Jackson also recorded a Spanish version of the song titled "Vuelve a mí".
"If" is a song by American singer Janet Jackson from her fifth album, Janet (1993). Jackson co-wrote and co-produced "If" with Jimmy Jam and Terry Lewis, with Harvey Fuqua, John Bristol and Jackey Beavers receiving songwriting credits for the sampling of their composition "Someday We'll Be Together", performed by Diana Ross & the Supremes. "If" was released as the album's second single on July 13, 1993, by Virgin Records. It fuses various genres, including rock, trip hop and industrial music, with elements of new jack swing and hip hop.
"All for You" is a song by American singer Janet Jackson, released as the lead single from her seventh studio album, All for You, on March 6, 2001. Written and produced by Jackson, Jimmy Jam, and Terry Lewis, "All for You" is a dance-pop song that heavily samples "The Glow of Love" by Change, while lyrically is about flirting with someone on the dance floor. It received positive reviews from critics and was noted for its transition to a brighter and more optimistic sound from the darker tone of the singer's previous album, The Velvet Rope (1997).
"Someone to Call My Lover" is a song by American singer-songwriter Janet Jackson from her seventh studio album, All for You (2001). Written and produced by Jackson and Jimmy Jam and Terry Lewis, the song was released as the album's second single on June 12, 2001, by Virgin Records. Using a guitar riff from America's "Ventura Highway" and the melody from Erik Satie's "Gymnopédie No. 1", "Someone to Call My Lover" talks about being determined to find a perfect match.
Dennis Bovell is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard. He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson.
"All Nite (Don't Stop)" is a song recorded by American singer Janet Jackson for her eighth studio album, Damita Jo (2004). It was written and produced by Jackson and Swedish duo Bag & Arnthor (consisting of Anders Bagge and Arnthor Birgisson), with additional writing from Jimmy Jam and Terry Lewis. Virgin Records released the song on May 17, 2004, as the album's third and final single. "All Nite (Don't Stop)" is an electro-funk and house song that contains elements of samba, Latin, dance-pop, and dancehall. Jackson sings the song in a breathy falsetto, with lyrical metaphors comparing various actions to dancing.
"Dub Be Good to Me" is a song by British dub group Beats International featuring singer Lindy Layton, released on 24 January 1990 as the first single from their debut album, Let Them Eat Bingo (1990). It was written by frontman Norman Cook and interprets the SOS Band's 1983 hit "Just Be Good to Me", which it is named after. It also samples the songs "The Guns of Brixton" by the Clash, the Once Upon a Time in the West theme by Ennio Morricone, and "Jam Hot" by Johnny Dynell.
Janet Kay Bogle is an English actor and vocalist, best known for her 1979 lovers rock hit "Silly Games".
Hayley Carline, better known as Ava Leigh, is an English reggae singer from Chester, England.
Lovers' rock is a style of reggae music noted for its romantic sound and content. While love songs had been an important part of reggae since the late 1960s, the style was given a greater focus and a name in London in the mid-1970s.
"All the Lovers" is a song recorded by Australian recording artist Kylie Minogue for her eleventh studio album, Aphrodite (2010). It was released by Parlophone on 11 June 2010 as the lead single from the album. The song was written by Jim Eliot and Mima Stilwell and produced by the former; Stuart Price, provided additional production. "All the Lovers" started out as a midtempo song with influences of electropop music. The lyrics of the song serve as an invitation to the dance floor and an assertion that Minogue's past relationships do not "compare" to the one she shares with her present lover.
Carol Simms, better known as Kofi, is a British lovers rock singer who was a member of the group Brown Sugar prior to embarking on a solo career.
Brown Sugar was a London-based British female vocal group who formed in 1976. The members were Pauline Catlin, Caron Wheeler and Carol Simms. Although short lived, the trio were influential and topped the British Reggae charts on three occasions.
Let Them Eat Bingo is the debut album by British electronic project Beats International, released in spring 1990 on Go! Beat in the United Kingdom and Elektra in the United States. The project was founded and led by disc jockey and former Housemartins bassist Norman Cook, who produced the album alone and intended Beats International to be a collective of permanent and temporary members including singers and other performers. Cook is joined on the album by a host of contributors, including Lindy Layton, Billy Bragg, Double Trouble, and Captain Sensible.
Lovers Rock is a 2020 romance film directed by Steve McQueen and co-written by McQueen and Courttia Newland. It stars Micheal Ward and Amarah-Jae St. Aubyn as two lovers who meet at a reggae house party in 1980 in West London. The film was released as part of the anthology series Small Axe on BBC One on 22 November 2020 and Amazon Prime Video on 27 November 2020. It premiered as an opening film at the 58th New York Film Festival on 24 September 2020.
Brain Damage is the third studio album by Barbadian-British reggae musician Dennis Bovell, released in 1981 by Fontana Records. His first solo album under his own name, following two dub albums released as Blackbeard, it was Bovell's first recording at his South London-based Studio 80. Having begun to feel that reggae had not progressed as much as he would have liked, he conceived Brain Damage as an attempt to fuse the genre with numerous rhythmic styles from Europe, America, Africa and the Caribbean to highlight the genre's flexibility. The musician intended not to explore the international rhythms in a standard way but to take them to what he perceived as musical extremes. The direction was also inspired by the wide array of people in his audience.
