"Single Girl" | ||||
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Single by Sandy Posey | ||||
from the album Single Girl | ||||
B-side | "Blue Is My Best Color" | |||
Released | 1966 | |||
Recorded | August 19, 1966 | |||
Studio | Fred Foster Sound Studio, Nashville, Tennessee | |||
Genre | Pop | |||
Length | 2:27 | |||
Label | MGM Records | |||
Songwriter(s) | Martha Sharp | |||
Producer(s) | Chips Moman | |||
Sandy Posey singles chronology | ||||
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"Single Girl" is a song written by Martha Sharp. [1] It was an international hit for American singer Sandy Posey from late 1966 to early 1967.
Like Born a Woman, which was also written by Martha Sharp, Single Girl contained some sentiments that were ostensibly skeptical of men (for example, "I know all about men and their lies"). But whereas Born a Woman was seen by some as having feminist overtones, Single Girl was essentially more traditional in outlook—a young, isolated woman anticipating that "some day", despite not knowing anybody, people being "phoney" and the nights getting "so lonely", she would find waiting for her a man to "lean on". As one later commentator put it, drawing a contrast with Julie Rogers' The Wedding (1964), "Single Girl... touched a nerve with every 'wallflower' who possessed a record player". [2]
The score of Single Girl was notable for its gradual crescendo towards the end and a piano backing that, between the closing lines,
contained two distinctive high notes that were apt to linger in the mind of the listener. Billboard described Single Girl as "a strong piece of ballad material with driving rhythm background". [3] The production overall conveyed very well the sense that "to make it in pop music in the 1960s, a girl needed a really strong song and a strong production, as well as a lot of tenacity and dogged determination". [4]
Sandy Posey recorded "Single Girl" [5] at the Fred Foster Sound Studio in Nashville, Tennessee on August 19, 1966. [6] [7] Although not strictly a country song, her rendition gave it a country feel – a style that some years later was often referred to as "countrypolitan".
"Single Girl" was produced by "Chips" Moman and released by MGM, reaching number 12 in the US sales charts in January 1967 [8] and number 15 in Britain. [9] It was re-released in 1975, and it entered the British top 50 again. [10] and, as Posey's signature song, appeared on a number of compilations, [11] including a Posey retrospective, A Single Girl: The Very Best of the MGM Recordings, in 2002. The sleeve notes for the latter drew on an interview with Posey about her time at MGM.
Chart (1966–67) | Peak position |
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Australia (Go-Set) [12] | 5 |
Canada Top Singles ( RPM ) [13] | 5 |
New Zealand ( Listener Chart) [14] | 5 |
UK Singles (OCC) [15] | 15 |
US Billboard Hot 100 [16] | 12 |
"Come Undone" is a song by English rock band Duran Duran, released in March 1993 by Parlophone and Capitol as the second single from their seventh studio album, Duran Duran (1993). With their commercial and critical success reestablished by the previous single "Ordinary World", "Come Undone" continued to showcase more of the band's entry into the adult contemporary radio format.
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Martha Elaine Wash is an American singer-songwriter, actress, and producer. Known for her distinctive and powerful voice, Wash first achieved fame as half of the Two Tons O' Fun, along with Izora Armstead, as they sang backing vocals for the disco singer Sylvester including on his signature hit "You Make Me Feel ". After gaining their own record deal, they released three consecutive commercially successful songs which all peaked at number two in the dance charts. The duo was renamed The Weather Girls in 1982 after they released the top-selling single "It's Raining Men", which brought them to mainstream pop attention. The Weather Girls released five albums and were heavily featured on Sylvester's albums.
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"My Heart Has a Mind of Its Own" is a song written by Howard Greenfield and Jack Keller which was a No. 1 hit for Connie Francis in 1960.
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Sandy Posey is an American popular singer who enjoyed success in the 1960s with singles such as her 1966 recording of Martha Sharp's compositions "Born a Woman" and "Single Girl". She is often described as a country singer, although, like Skeeter Davis, her output has varied. Later in her career, the term "countrypolitan", associated with the "Nashville sound", was sometimes applied. Posey had four hit singles in the United States, three of which peaked at number 12 on the Hot 100.
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