So Doggone Good | ||||
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Studio album by Sonny Stitt | ||||
Released | 1973 | |||
Recorded | September 13 & 14, 1972 Fantasy Studios, Berkeley, California | |||
Genre | Jazz | |||
Length | 31:43 | |||
Label | Prestige PR-10074 | |||
Producer | Ray Shanklin | |||
Sonny Stitt chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
So Doggone Good is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Prestige label. [2]
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
In his review for Allmusic, Scott Yanow stated "the jam session-style music is reasonably enjoyable although recommended primarily for his greatest fans". [1]
All compositions by Sonny Stitt except as indicated
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Hampton Barnett Hawes, Jr. was an American jazz pianist. He was the author of the memoir Raise Up Off Me, which won the Deems-Taylor Award for music writing in 1975.
Together Again for the Last Time is an album by saxophonists Sonny Stitt and Gene Ammons recorded in 1973 and released on the Prestige label in 1976. The album was the final recording by the pair, who had a long history of collaboration, prior to the death of Ammons in 1974.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949-50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
Stitt Meets Brother Jack is an album by saxophonist Sonny Stitt with organist Jack McDuff recorded in 1962 and released on the Prestige label.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt and Eddie Davis recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
Pow! is an album by saxophonist Sonny Stitt featuring trombonist Benny Green recorded in 1965 and released on the Prestige label in 1967.
Inter-Action is an album by saxophonists Sonny Stitt and Zoot Sims recorded in Chicago in 1965 and released on the Cadet label.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Turn It On! is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Broadway Soul is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Colpix label.
Black Vibrations is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label.
Night Crawler is an album by saxophonist Sonny Stitt with organist Don Patterson recorded in 1965 and released on the Prestige label.
Tune-Up! is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
Constellation is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Cobblestone label.
12! is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Muse label.
Goin' Down Slow is an album by saxophonist Sonny Stitt recorded in 1972 and released on the Prestige label.
Mellow is an album by saxophonist Sonny Stitt recorded in 1975 and released on the Muse label.
Patterson's People is an album by organist Don Patterson recorded in 1964 and released on the Prestige label.
The Boss Men is an album by organist Don Patterson with saxophonist Sonny Stitt and drummer Billy James recorded in late 1965 and released on the Prestige label.
Funk You! is an album by organist Don Patterson recorded in 1968 and released on the Prestige label.
I Remember Bird is an album by American jazz saxophonist Sonny Stitt featuring performances recorded in 1976 for the Catalyst label.