| Soda Pop * Rip Off | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1994 | |||
| Genre | Punk rock | |||
| Length | 34:04 | |||
| Label | Dischord [1] | |||
| Producer | Ian MacKaye, Don Zientara [2] | |||
| Slant 6 chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Robert Christgau |  [4] |
| The Encyclopedia of Popular Music | [5] |
Soda Pop * Rip Off is the first full-length album by American punk rock band Slant 6. [2] It was released in 1994 by Dischord. [6]
AllMusic rated the album favorably, although it noted that it "works almost like a retrospective of a period in the band's career." [3] Trouser Press wrote that "the combo delivers succinct but clunky punk rock highlighted by unexpectedly strong pop hooks and occasionally odd instrumental angularities." [7] The Encyclopedia of Popular Music praised Slant 6's ability to "tackle topical subjects from unexpected angles." [5] The Chicago Reader wrote that "as with early Wire, Slant 6 avoid any sort of excess, saying their bit and moving on." [8]
Reviewing the 2014 reissue, the Washington City Paper wrote: "Though her voice was occasionally hidden behind distorted guitars and nasal delivery, [Christina] Billotte was still a better singer than many of her ‘90s contemporaries, a fact that’s perhaps more evident on the remaster." [9] Including Soda Pop * Rip Off on its list of essential riot grrrl albums, Rolling Stone wrote that the band "held up the capital city’s end with grooves like 'Time Expired,' goofing on Nuggets-style Sixties garage rock but with a sense of menace." [10] Pitchfork called it "an enduring model of punk rock poise." [11] Evelyn McDonnell and Elisabeth Vincentelli, writing for the New York Times in 2019, considered Soda Pop-Rip Off "arguably the best album of the riot grrrl era." [12]
Bratmobile was an American punk band from Olympia, Washington, active from 1991 to 2003, and known for being one of the first-generation "riot grrrl" bands. The band was influenced by several eclectic musical styles, including elements of pop, surf, and garage rock.
Huggy Bear were an English riot grrrl band, formed in 1991 and based in Brighton.
Kathleen Hanna is an American singer, musician, artist, feminist activist, pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s she was the lead singer of feminist punk band Bikini Kill, before fronting Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as the Julie Ruin.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Excuse 17 was a punk rock band from Olympia, Washington, US, that performed and recorded from 1993 to 1995. The band consisted of Becca Albee, Carrie Brownstein, and Curtis James (drums). The band recorded two full-length albums and a single, and contributed to several compilation albums.
Autoclave was an American indie rock band, based in Washington, D.C. Their releases were on local label Dischord Records. Formed in the summer of 1990, the group consisted of vocalist and bassist Christina Billotte, lead guitarist Mary Timony, guitarist Nikki Chapman, and drummer Melissa Berkoff.
Slant 6 was an American punk rock trio based in Washington, D.C. affiliated with early riot grrrl.
Cold Cold Hearts was a punk rock band formed in Washington, D.C. in 1995. Comprising singer and songwriter Allison Wolfe, guitarist and back-up vocalist Erin Smith, bass player Nattles, and drummer Katherine Brown, the band released one 7" single in 1996, and a full-length self-titled record the following year, both through Olympia, Washington-based label Kill Rock Stars. Wolfe and Smith were members of the band Bratmobile prior to forming Cold Cold Hearts; they revived Bratmobile after Cold Cold Hearts disbanded.
Cold Cold Hearts is the 1997 debut solo album by the American riot grrrl band Cold Cold Hearts. It is a follow-up to their 7" single, "Yer So Sweet " and the band's only full-length studio album.
Christina Billotte is an American singer, songwriter, and guitarist, known for her involvement in the punk music scene in Washington DC, as a performer and organizer. She is included in Venus Zine's list The Greatest Female Guitarists of All Time.
Emily's Sassy Lime was an all-Asian American teenage riot grrrl trio from Southern California, formed in 1993 by sisters Wendy Yao and Amy Yao, and their friend Emily Ryan.
The Frumpies were an American lo-fi punk rock band formed in 1992 in Olympia, Washington, United States. The original line-up consisted of singers/guitarists Tobi Vail, Kathi Wilcox, and Billy Karren, and Bratmobile drummer Molly Neuman. Their debut was the 7-inch single Alien Summer Nights on the Chainsaw Records label. Babies and Bunnies was recorded in 1993, with future Make-Up and Weird War bassist Michelle Mae signing on long enough to record "Tommy Slich."
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
Jen Smith is an artist, musician, zine editor, and activist from the United States. Smith is credited with being the inspiration behind the term riot grrrl and being one of the architects of the movement.
Skinned Teen was a riot grrrl band from London, England, active in the early 1990s. They have been cited as an inspiration by Beth Ditto, Kathleen Hanna, Gina Birch and Josephine Olausson of Love Is All.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express themselves the same way men have been doing all along.
Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.
Suture was an American punk rock and indie rock trio based in Washington, D.C. affiliated with early riot grrrl. Suture consisted of Kathleen Hanna, Sharon Cheslow, and Dug E. Bird aka Doug Birdzell.
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