Sophisticated Soul | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | 1966–1968 | |||
Genre | Pop, soul | |||
Label | Tamla (Motown) | |||
Producer | Smokey Robinson, Nickolas Ashford & Valerie Simpson | |||
The Marvelettes chronology | ||||
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Singles from Sophisticated Soul | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Sophisticated Soul is the eighth album issued by Motown girl-group the Marvelettes. It is the first album to feature Ann Bogan who replaced Gladys Horton in 1967 (although Horton's voice is featured on a few of the tracks), and most of the lead vocals are by Wanda Young. Like many Motown albums produced in the late 1960s, Sophisticated Soul featured backing from the Andantes, Motown's premier backing group, on certain tracks, others feature Bogan and Katherine Anderson.
Since Holland-Dozier-Holland had left the Motown label in 1967, the studio artists had turned to in-house producers such as the team of Ashford & Simpson as well as Frank Wilson. This album was considered to promote a new style for the Marvelettes with Wanda Young fronting the group, and moving them to a style closer to that of fellow Motown girl-group the Supremes. [2] The material consists of singles "My Baby Must Be a Magician" featuring Melvin Franklin of the Temptations, Ashford & Simpson's "Destination: Anywhere", "You're the One", and "Here I Am Baby". Also on the record is "I'm Gonna Hold On as Long as I Can", which was a modest hit featuring Bogan on lead vocals, and "What's Easy for Two Is So Hard for One", the B-side to "Destination: Anywhere", which charted but proved to be unsuccessful. [1]
All songs written and produced by William "Smokey" Robinson unless noted otherwise.
The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
Ashford & Simpson were an American husband-and-wife songwriting, production, recording duo composed of Nickolas Ashford and Valerie Simpson.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
The Complete Duets is a two-disc compilation album of duet recordings by Motown Records artists Marvin Gaye and Tammi Terrell, recorded between 1965 and 1969. The set compiles all of the tracks from the duo's three albums - United,You're All I Need and Easy - as well as several of Tammi Terrell's solo recordings and other previously unissued material.
Wanda LaFaye Young, also known as Wanda Rogers, was an American singer, known for being a member of the Motown all-female singing group the Marvelettes, and after 1965, the lead singer.
All The Great Hits is a compilation album by American singer Diana Ross, released in October 1981 by Motown Records. It was the second Motown compilation set to capitalize on the success of 1980's diana produced by Chic. Her duet "Endless Love" with Lionel Richie was from the film of the same name, Endless Love and, just like 1980's "It's My Turn", had already been released as a single and on a soundtrack album.
"You Ain't Livin' till You're Lovin'" is a 1968 single released on the Tamla-Motown label by Motown vocal duo Marvin Gaye and Tammi Terrell.
"When You're Young and in Love" is a song composed by Van McCoy which first became a Top 40 hit single for the Marvelettes in 1967: a remake by the Flying Pickets reached the UK Top Ten in 1984.
"My Baby Must Be a Magician" is a 1967 song written and produced by Smokey Robinson and recorded by the Marvelettes.
The Return of The Marvelettes was marketed as the last album by the group, although in reality their last had been 1969's In Full Bloom. It was originally recorded to launch the solo career of former Marvelette Wanda Young, and was produced by Smokey Robinson.
Love Starved Heart: Rare and Unreleased is a compilation album by Marvin Gaye. Released in 1994 on Motown Records, the collection features some rarities from the soul singer's catalog during his formative years in the label between his breakthrough year as an R&B star in 1963 to around the time of his late-1960s hits including "I Heard It through the Grapevine". Covering material he worked on with figures such as Holland-Dozier-Holland, Smokey Robinson and William "Mickey" Stevenson, the disc showcases Gaye's growth as a vocalist. In 1999, an expanded version was released under the title Lost and Found: Love Starved Heart, including bonus tracks and a rare interview.
The Spinners: Their Early Years is a compilation album featuring The Spinners and other various artist that were signed to the Tri-Phi Records/Harvey Records label(s) from 1961 to 1963. It contains the five singles that the group made while signed at Tri-Phi, and a few tracks where they sang backing vocals for other acts on both labels. The album also contains songs performed by various other acts that didn't make the transition to Motown.
The Marvelettes a.k.a. The Pink Album is a 1967 album by American vocal group The Marvelettes, also their seventh LP.
Ann Bogan is an American singer, notable as member of the Motown girl-group The Marvelettes.
"(Like A) Nightmare" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second and last official single by the session group from the company.
The Marvelous Marvelettes is the fourth studio album released by the Marvelettes for the Tamla label. It is the first album to not feature original Marvelette, Juanita Cowart, who left the group in early 1963. The group would remain a quartet for the next two years. Also featured on the album is Rosalind Ashford of Martha and the Vandellas, who filled in for Marvelette Wanda Young in the studio while the latter was on maternity leave, while Florence Ballard of The Supremes replaced her in live performances. The album features three singles: 'Strange I Know', 'Locking Up My Heart', and 'My Daddy Knows Best'.
In Full Bloom is the ninth studio album by Motown girl-group the Marvelettes released on the Tamla record label in 1969. It was the last record to feature any Marvelettes besides Wanda Young on the cover or on vinyl. Their next album The Return of the Marvelettes was initially intended as a solo project for Young; fearing Young didn't have enough name recognition, it was changed to a Marvelettes release.