"The Hunter Gets Captured by the Game" | ||||
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Single by The Marvelettes | ||||
from the album The Marvelettes [1] | ||||
B-side | "I Think I Can Change You" | |||
Released | December 27, 1966 | |||
Recorded | 1966 | |||
Studio | Hitsville U.S.A. | |||
Genre | Soul, pop | |||
Length | 2:45 (single version) 3:13 (album version) | |||
Label | Tamla | |||
Songwriter(s) | Smokey Robinson | |||
Producer(s) | Smokey Robinson | |||
The Marvelettes singles chronology | ||||
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"The Hunter Gets Captured by the Game" is a 1966 song written by Smokey Robinson. It was a hit single in 1967 for the American girl group The Marvelettes for the Motown label, from their self-titled album released that same year.
The Marvelettes single peaked in the United States in spring 1967 at number 13 on the Billboard Hot 100 pop singles chart and at number two on the Billboard soul chart. [2] The group's version of the song was produced by Smokey Robinson. The song is written in the first person, from the point of view of someone who has "laid such a tender trap" to catch a lover. Lead singer Wanda Young-Rogers (wife of Miracles member Bobby Rogers) talks about how she had been stalking her lover, having to learn his "ways and habits" so she could plan how to catch him. But "certain things rearrange" and she finds herself caught, presumably, in love with her 'game.'
There seems to be 3 variations issued. The original mono single ended cold, yet some (not all) of the stereo remixes fade at the end. There is also a different last verse on some of the reissues, leading to the assumption that Smokey recorded the song much longer than any of the issued versions. Additionally, the single version and at least one of the stereo mixes exclude the first part of the second verse.
Billboard named the song #71 on their list of 100 Greatest Girl Group Songs of All Time. [3]
Chart (1967) | Peak position |
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Billboard Hot 100 [4] | 13 |
R&B Singles [4] | 2 |
"The Hunter Gets Captured by the Game" | ||||
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Single by Grace Jones | ||||
from the album Warm Leatherette [5] | ||||
B-side | "Sinning", "Warm Leatherette" | |||
Released | September 1980 | |||
Genre | ||||
Length | 3:50 | |||
Label | Island | |||
Songwriter(s) | Smokey Robinson | |||
Producer(s) | ||||
Grace Jones singles chronology | ||||
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In 1980, Jamaican singer Grace Jones remade the song and had minor success with her version in the US. It was included on Warm Leatherette in 1980, her first post-disco album. It was also released as the lead single in the USA and the fourth in the UK. The B-side on the European single is an alternate version of the song, known as the "Special Single Version". This version was not released on CD until 2016 when Warm Leatherette was reissued.
Chart (1980) | Peak position |
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US Hot R&B/Hip-Hop Songs ( Billboard ) [10] | 87 |
The song has had several cover versions over the years:
Grace Beverly Jones is a Jamaican-American singer, songwriter, model and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
"Warm Leatherette" is a song by Daniel Miller's project the Normal, released in 1978.
Gettin' Ready is the fourth studio album by The Temptations for the Gordy (Motown) label released in 1966. It marks the transition of the group from having Smokey Robinson as its main producer, with new producer Norman Whitfield taking over Robinson's position. Two #1 R&B hit singles, one from each producer, are included: "Get Ready" from Robinson with Eddie Kendricks on lead, and "Ain't Too Proud to Beg" from Whitfield with David Ruffin on lead. Also included is the original version of "Too Busy Thinking About My Baby," which would be rerecorded as a hit for Marvin Gaye in 1969. The album was also one of the last albums to contain tracks co-authored by members of the group until the release of The Temptations Do The Temptations (1976). As with previous Temptations albums, several songs are written by members of The Miracles: Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White, and Marv Tarplin.
Nightclubbing is the fifth studio album by Jamaican singer and songwriter Grace Jones, released on 11 May 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly and Robbie, the album marked her second foray into a new wave style that blends a variety of genres, including reggae, R&B, dub and funk. The album has cover versions of songs by Bill Withers, Iggy Pop, Astor Piazzolla, and others, and original songs, three of which were co-written by Jones.
"I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and the Temptations, also on the Motown label.
Island Life is the first greatest hits album by Jamaican singer and songwriter Grace Jones, released in December 1985, summing up the first nine years of her musical career. The album sits among Jones' best-selling works.
Warm Leatherette is the fourth studio album by Jamaican singer and songwriter Grace Jones, released on 9 May 1980 by Island Records. The album features contributions from the reggae production duo Sly and Robbie and is a departure from Jones's earlier disco sound, moving towards a new wave-reggae direction.
"Love Is the Drug" is a song by the English rock band Roxy Music, from their fifth studio album, Siren (1975), released as a single in September 1975. Co-written by Bryan Ferry and Andy Mackay, the song originated as a slower, dreamier track until the band transformed its arrangement to become more dance-friendly and uptempo. Ferry's lyrics recount a man going out looking for action.
The Grace Jones Story is a greatest hits album by Jamaican singer and songwriter Grace Jones. Released on April 4, 2006 by Universal Music Group. It constists of Jones' hit singles spanning from 1977 to 1993.
The Ultimate Collection is a 3-CD anthology of recordings recorded by Jamaican singer and songwriter Grace Jones, released on October 6, 2006 by Universal.
"Breakdown" is the first single from Tom Petty and the Heartbreakers' self-titled debut album. It became a Top 40 hit in the United States and Canada.
Wanda LaFaye Young, also known as Wanda Rogers, was an American singer, known for being a member of the Motown all-female singing group the Marvelettes, and after 1965, the lead singer.
"Don't Mess with Bill" is a million-selling Gold-certified 1966 single recorded by The Marvelettes for Motown Records' Tamla label. Written and produced by Smokey Robinson, "Don't Mess with Bill" features a lead vocal by Wanda Young. The single peaked at number seven on the Billboard Hot 100 in February 1966, and at number three on Billboard's R&B singles chart. "Don't Mess with Bill" was the Marvelettes' final Top 10 single.
One Dozen Roses is a 1971 album by Smokey Robinson & The Miracles, issued on Motown Records' Tamla label. The penultimate album before lead singer Smokey Robinson departed the group for a solo career, One Dozen Roses features the Top 20 Billboard Hot 100 hit single "I Don't Blame You at All". Also included is the group's number-one smash hit "The Tears of a Clown", which was also made available through the reissue of the 1967 Miracles LP Make It Happen as The Tears of a Clown. Both of these songs were also huge hits in the UK, reaching #11 and #1 respectively.
"Private Life" is a 1980 song written by Chrissie Hynde, and released by both English band The Pretenders, and Jamaican singer Grace Jones in 1980.
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label. It was first recorded as an unreleased single by The Supremes for Tamla; it was supposed to be their first single but it was canceled in favor of "I Want a Guy", and their cover wasn't released until it appeared on the 2000 box set, The Supremes. The song is noted for both groups' unusual choices for leads. For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson. In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals. Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge. "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead. Their version appears on the album The Return of the Marvelettes, and later became the group's belated final single.
Please Mr. Postman is the 1961 studio debut album from Motown girl group The Marvelettes and the sixth album ever released by the company. The focal track is the number-one hit single, "Please Mr. Postman". The album notably features cover versions of label mates The Miracles' "Way Over There" and "I Want a Guy", which was the debut single for fellow Motown girl group The Supremes the same year, and their cover had served as the b-side to "Twistin' Postman" the less successful follow-up to "Please Mr. Postman." Although the original version by The Supremes flopped, The Marvelettes' cover became a regional hit.
The Return of The Marvelettes was marketed as the last album by the group, although in reality their last had been 1969's In Full Bloom. It was originally recorded to launch the solo career of former Marvelette Wanda Young, and was produced by Smokey Robinson.
The Marvelettes a.k.a. The Pink Album is a 1967 album by American vocal group The Marvelettes, also their seventh LP.