Sounds of Africa | ||||
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Studio album by | ||||
Released | 1962 | |||
Recorded | May 23, 1961 and August 22, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 35:17 | |||
Label | New Jazz NJLP 8282 | |||
Producer | Esmond Edwards | |||
Ahmed Abdul-Malik chronology | ||||
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Sounds of Africa is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Rob Ferrier of Allmusic says, "Soaked with sounds that wouldn't become fashionable in jazz for nearly another decade, this is a very interesting statement by an overlooked musician... For those looking for something new, or perhaps in search of a missing musical link, this disc will reward repeated listens". [2]
All compositions by Ahmed Abdul-Malik except as indicated
James Hawthorne
Know What I Mean? is a 1962 album by jazz musician Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
Ahmed Abdul-Malik was an American jazz double bassist and oud player.
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records, catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961. Five selections had been issued during Coltrane's lifetime on the albums Live! at the Village Vanguard and Impressions. Additional tracks had been issued posthumously on the albums The Other Village Vanguard Tapes, Trane's Modes and From the Original Master Tapes.
The African Beat is a jazz album by Art Blakey and the Afro-Drum Ensemble recorded for Blue Note on January 24, 1962 and released later that year.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Inta Somethin' is a live album by American jazz trumpeter Kenny Dorham featuring performances recorded at The Jazz Workshop in San Francisco in 1961 and released on the Pacific Jazz label.
A Sure Thing is an album by American trumpeter Blue Mitchell with orchestra recorded in 1962 and released on the Riverside label.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
The Modern Art of Jazz by Randy Weston is a jazz album by American pianist Randy Weston recorded in 1956 and released on the Dawn label.
Jazz à la Bohemia is a live album by American jazz pianist Randy Weston's trio with saxophonist Cecil Payne which was recorded in 1956 at the Café Bohemia in Greenwich Village and released on the Riverside label.
Tanjah is an album by American jazz pianist Randy Weston recorded in May 1973 in New York City and originally released on the Polydor label.
Jazz Sahara is the debut album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in late 1958 and originally released on the Riverside label.
Late Hour Special is an album by saxophonist Gene Ammons compiling sessions recorded in 1961 and 1962 and released on the Prestige label in 1964.
The Music of Ahmed Abdul-Malik is the third album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1961 and originally released on the New Jazz label.
Relativity is an album led by vibraphonist and composer Walt Dickerson which was recorded in 1962 and released on the New Jazz label.
Limbo Carnival is an album by American jazz vibraphonist Dave Pike which was recorded in 1962 for the New Jazz label.
Year of the Iron Sheep is an album by American jazz musician Ken McIntyre.
Spellbound is the sixth and final album by double bassist Ahmed Abdul-Malik featuring performances recorded in 1964 and originally released on the Status label.
East Meets West is the second album by American double bassist Ahmed Abdul-Malik featuring performances recorded in 1959 and originally released on the RCA Victor label the following year.