Sparrows Can't Sing | |
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![]() UK quad poster | |
Directed by | Joan Littlewood |
Written by | Stephen Lewis |
Produced by | Donald Taylor |
Starring | |
Cinematography | Desmond Dickinson Mutz Greenbaum |
Edited by | Oswald Hafenrichter |
Music by | James Stevens Stanley Black |
Production company | Carthage Productions |
Distributed by | Elstree Distributors Warner-Pathé |
Release date | 26 February 1963 [1] |
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
Sparrows Can't Sing [2] is a 1963 British kitchen sink comedy film. [3] Based on a 1960 play, Sparrers Can't Sing, it was directed by Joan Littlewood and was from a story by Stephen Lewis. The producer was Donald Taylor and the original music by James Stevens, incidental music was composed by Stanley Black. The play, also by Stephen Lewis, was first performed at Joan Littlewood's Theatre Workshop in the Theatre Royal Stratford East.
The film is loosely based on the stage musical Fings Ain't Wot They Used To Be, written by Frank Norman with music by Lionel Bart, at Theatre Royal Stratford East in 1960, using members of the Theatre Workshop company, many of whom later appeared in the film. While the screenplay for the film was by Stephen Lewis, the stage version was partially developed using improvisational theatre techniques during performance. In common with much of Joan Littlewood's direction, it was an ensemble piece.
The production made a successful transfer to the West End at Wyndham's Theatre in 1961.
The film was made on location during the summer of 1962 in Limehouse, Isle of Dogs, Stepney, around the theatre in Stratford, and at Elstree Studios. Sets were occasionally visited by nearby Vallance Road residents the Kray twins. Some sources claim the Krays made a cameo appearance towards the end of the film, [4] but film historian Richard Dacre states this is not the case. [5]
Sparrows Can't Sing is a comedy attempting to provide a representation of Cockney life in the East End of London in the early 1960s. A collection of typical characters such as people at the local pub, local tarts, Jewish tradesmen, spivs and others are portrayed (and possibly larger than life).
The dialogue is a mixture of Cockney rhyming slang, London Yiddish, and thieves' cant. The New York Times said in its review: "this isn't a picture for anyone with a logical mind or an ear for language. The gabble of cockney spoken here is as incomprehensible as the reasoning of those who speak it." [6] It was also the first English language film to be released in the United States with subtitles. [7]
Cockney sailor Charlie comes home from a long voyage to find his house razed and his wife Maggie missing. She is in fact now living with bus driver Bert and has a new baby – whose parentage is in doubt. Charlie's friends won't tell him where Maggie is because he is known to have a foul temper. But he finally finds her and, after a fierce row with Bert, they are reconciled.
The world premiere was held on 26 February 1963 at the ABC cinema on the Mile End Road, and was attended by the Earl of Snowdon. Post-film drinks were had across the road at the Kentucky Club, owned by the Kray twins, before the party moved on to another Kray establishment, Esmeralda's Barn in the West End.
The film opened at the Rialto Cinema in the West End on 27 February 1963. [1]
Barbara Windsor was nominated for the award for Best Actress in a Leading Role by the British Academy Film Awards in 1963, for her performance as Maggie.
A region B Blu-ray was released on 12 October 2015. [8]
Dame Barbara Windsor was an English actress, known for her roles in the Carry On films and for playing Peggy Mitchell in the BBC One soap opera EastEnders. She joined the cast of EastEnders in 1994 and won the 1999 British Soap Award for Best Actress, before ultimately leaving the show in 2016 when her character was killed off.
Joan Maud Littlewood was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of Modern Theatre". Her production of Oh, What a Lovely War! in 1963 was one of her more influential pieces.
Lionel Bart was a British writer and composer of pop music and musicals. He wrote Tommy Steele's "Rock with the Caveman" and was the sole creator of the musical Oliver! (1960). With Oliver! and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End.
Theatre Workshop is a theatre group whose long-serving director was Joan Littlewood. Many actors of the 1950s and 1960s received their training and first exposure with the company, many of its productions were transferred to theatres in the West End, and some, such as Oh, What a Lovely War! and A Taste of Honey, were made into films.
Yootha Joyce Needham, known as Yootha Joyce, was an English actress best known for playing Mildred Roper opposite Brian Murphy in the sitcom Man About the House (1973–1976) and its spin-off George and Mildred (1976–1979).
Billie Honor Whitelaw was an English actress. She worked in close collaboration with Irish playwright Samuel Beckett for 25 years and was regarded as one of the foremost interpreters of his works. She was also known for her portrayal of Mrs. Baylock, the demonic nanny in the 1976 horror film The Omen.
The Theatre Royal Stratford East is a 460 seat Victorian producing theatre in Stratford in the London Borough of Newham. Since 1953, it has been the home of the Theatre Workshop company, famously associated with director Joan Littlewood, whose statue is outside the theatre.
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Stephen Lewis, credited early in his career as Stephen Cato, was an English actor, comedian, director, screenwriter and playwright. He is best known for his roles as Inspector Cyril "Blakey" Blake in On the Buses, Clem "Smiler" Hemmingway in Last of the Summer Wine and Harry Lambert in Oh, Doctor Beeching!, although he also appeared in numerous stage and film roles.
The Hostage is a 1958 English-language play, with songs, by Irish playwright Brendan Behan. It consists on a much longer text, with songs, expanded from a one-act Irish language play An Giall also by Behan.
James Booth was an English film, stage and television actor and screenwriter. Though considered handsome enough to play leading roles, and versatile enough to play a wide variety of character parts, Booth naturally projected a shifty, wolfish, or unpredictable quality that led inevitably to villainous roles and comedy, usually with a cockney flavour. He is best known for his role as Private Henry Hook in Zulu.
Fings Ain't Wot They Used T'be is a 1960 West End musical comedy about Cockney low-life characters in the 1950s, including spivs, prostitutes, teddy-boys and corrupt policemen. The work is more of a play with music than a conventional musical. The original play, by Frank Norman, who though born in Bristol lived his adult life in London, was intended to be a straight theatrical piece, but was supplemented with music and lyrics by Lionel Bart, who also grew up in London's East End.
Brian Trevor John Murphy is an English actor and comedian. He is best known as the henpecked husband George Roper in the popular sitcom Man About the House and its spin-off series George and Mildred, and as Alvin Smedley in Last of the Summer Wine. Other notable roles include Stan the shopkeeper in the 1990s children's series Wizadora and in The Booze Cruise comedy drama series.
Robert St Clair Grant was an English actor, comedian and writer, best known for playing bus conductor Jack Harper in the television sitcom On the Buses, as well as its film spin-offs and stage version.
Alfred Cornelius Lynch was an English actor on stage, film and television.
Queenie Watts was an English actress of film and television, as well as an occasional singer. She was noted for her broad cockney accent.
John Glynn Edwards was a British television and cinema character actor, who came to national prominence for his portrayal of the barman Dave Harris in the 1970s–1990s British television comedy-drama Minder.
Murray Melvin is an English actor. He is best known for his acting work with Joan Littlewood, Ken Russell and Stanley Kubrick. He is the author of two books: The Art of Theatre Workshop (2006) and The Theatre Royal, A History of the Building (2009).
Amelia Bayntun was an English stage and television actress.
Fanny Carby was a British character actress. She had two different roles on Coronation Street: she played Mary Hornigold in 1965, then in 1987 she took the role of Vera Duckworth's domineering mother, Amy Burton, a role she played into the following year. Fanny's other credits include Street spin-off Pardon the Expression, On The Buses, Sykes, The Bill, In Sickness and in Health and Goodnight Sweetheart.