"Speedoo" | ||||
---|---|---|---|---|
Single by The Cadillacs | ||||
from the album The Fabulous Cadillacs | ||||
B-side | "Let Me Explain" | |||
Released | October 1955 | |||
Genre | ||||
Length | 2:27 | |||
Label | Josie | |||
Songwriter(s) | Esther Navarro | |||
The Cadillacs singles chronology | ||||
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"Speedoo" is a song written by Esther Navarro and performed by The Cadillacs featuring the Jesse Powell Orchestra. It reached number 3 on the U.S. R&B chart and number 17 on the U.S. pop chart in 1955. [2] The song was featured on their 1957 album, The Fabulous Cadillacs. [3] The lead vocal was by Earl Carroll.
Lyrically, the song tells of Mister Earl who acquired the nickname "Speedoo" because, when it comes to his pursuit of pretty girls, "he don't believe in wastin' time" and "he don't never take it slow".
The song was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [4]
The Youngbloods were an American rock band consisting of Jesse Colin Young, Jerry Corbitt, Lowell "Banana" Levinger, and Joe Bauer (drums). Despite receiving critical acclaim, they never achieved widespread popularity. Their only U.S. Top 40 entry was Chet Powers' "Get Together".
Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Some Time in New York City is a part-studio, part-live double album by John Lennon and Yoko Ono as Plastic Ono Band that included backing by the American rock band Elephant's Memory. Released in June 1972 in the US and in September 1972 in the UK on Apple Records, it is Lennon's sixth album to be released under his own name, and his fourth with Ono. Like Lennon's previous solo albums, it was co-produced by Lennon, Ono and Phil Spector. The album's agitprop lyrics are politically charged compared to its predecessors, addressing political and social issues and topics such as sexism, incarceration, colonialism, and racism.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
Cruising with Ruben & the Jets is the fourth album by the Mothers of Invention, and fifth overall by Frank Zappa, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We're Only in It for the Money and Uncle Meat.
The Cadillacs were an American rock and roll and doo-wop group from Harlem, New York, active from 1953 to 1962. The group was noted for their 1955 hit "Speedoo", written by Esther Navarro, which was instrumental in attracting white audiences to black rock and roll performers.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
Ruben and the Jets was an American rock and roll band from Los Angeles, California. The band originated as an alias for The Mothers of Invention, Frank Zappa's band, to release Cruising with Ruben & the Jets (1968). Later, musician Rubén Guevara Jr. continued the band with his own lineup. Guevara's "Jets" recorded two albums, For Real! (1973) and Con Safos (1974).
Please Don't Ever Change is a pub rock album by Brinsley Schwarz, released in 1973, named after the featured Goffin/King song, also recorded by The Crickets and The Beatles.
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. The final track, "Ditty Wah Ditty," showcases a duet between Cooder and jazz pianist Earl "Fatha" Hines. It was produced by Russ Titelman and Lenny Waronker. The album reached #167 on the Billboard 200.
"In the Still of the Nite", also subsequently titled "In the Still of the Night", is a song written by Fred Parris and recorded by his band the Five Satins. Originally the song was titled "(I'll Remember) In the Still of the Nite" to distinguish itself from Cole Porter's "In the Still of the Night". Later the title was changed to "In the Still of the Night".
Crazy Horse is the debut album by Crazy Horse, released in 1971 by Reprise Records. It is the only album by the band to feature Danny Whitten recorded without Neil Young, and it peaked at #84 on the Billboard 200 album chart.
"Memo from Turner" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. "Memo from Turner" was ranked No. 92 in the 100 Greatest Guitar Songs list of Rolling Stone.
"I'd Rather Go Blind" is a blues song written by Ellington Jordan with co-writing credits to Billy Foster and Etta James. It was first recorded by Etta James in 1967, released the same year, and has subsequently become regarded as a blues and soul classic.
Sheldon David "Scott" English was an American songwriter, arranger and record producer. He is best known as the co-writer of "Brandy" which he wrote with Richard Kerr. The song became a No. 1 hit for Barry Manilow in 1974, with the title changed to "Mandy". English had also released a single of "Brandy" which reached No. 12 on the UK Singles Chart in November 1971, and entered the US charts in March 1972.
"Little Darlin'" is a popular Top 40 song, made famous by the Diamonds.
Jim "Motorhead" Sherwood was an American rock musician notable for playing soprano, tenor and baritone saxophone, tambourine, vocals and vocal sound effects in Frank Zappa's Mothers of Invention. He appeared on all the albums of the original Mothers line-up and the 'posthumous' releases Burnt Weeny Sandwich and Weasels Ripped My Flesh, as well as certain subsequent Zappa albums. He also appeared in the films 200 Motels, Video from Hell and Uncle Meat.
"I Don't Wanna Get Drafted" was a 1980 single by American musician Frank Zappa. The song peaked at #103 US Billboard Bubbling Under Hot 100 and #68 on the Cash Box charts, but more successfully reached #3 in Sweden. The original single version has never been reissued on LP or CD.
"The Stroll" is a song written by Nancy Lee and Clyde Otis and performed by The Diamonds. It reached No. 1 on the Cashbox chart, #4 on the U.S. pop chart, and #5 on the U.S. R&B chart in 1958.