Spend Some Time with Me

Last updated
Spend Some Time with Me
Spend Some Time with Me.jpg
Studio album by
Released1999
Genre Blues, funk, soul
Label Shanachie
Producer Dennis Walker, Mem Shannon
Mem Shannon chronology
Mem Shannon's 2nd Blues Album
(1997)
Spend Some Time with Me
(1999)
Memphis in the Morning
(2001)

Spend Some Time with Me is an album by the American musician Mem Shannon, released in 1999. [1] [2] It was his first album for Shanachie Records. [3] Shannon supported the album with a North American tour. [4]

Contents

Production

The album was produced by Dennis Walker and Shannon; it was mixed by John Hampton. [5] Shannon was backed by his band, the Membership. [6] He decided to explore other styles of music, including funk, in an effort to avoid being labeled strictly a blues musician. [7] "The Last Time I Was Here (Millennium Blues)" is about slavery and Black reincarnation. [8] "Born in This Time" is a cover of the Muddy Waters song. [9] "Paying My Dues" is about the problems encountered by musicians on the lower rungs of the music business. [10] "Pray for the Children" addresses adolescent violence. [11] "Who Are They" casts a skeptical eye at media pundits. [12]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]
DownBeat Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [14]
Orlando Sentinel Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [5]
The Penguin Guide to Blues Recordings Star full.svgStar full.svgStar full.svgStar empty.svg [15]
USA Today Star full.svgStar full.svgStar full.svgStar empty.svg [16]

OffBeat wrote that Shannon's "solos are jazzy, stream-of-consciousness explorations that can quote a Latin figure one minute and head into lyrical George Benson territory the next... But most of all, Shannon is funky." [7] USA Today said that "Shannon further expands the definition of blues by carving funk grooves, jazzy flourishes and even country ... into 11 originals stamped by his usual sassy lead guitar and crack rhythm section." [16] The Daily Herald determined that, "more a rich soul album bedded with horns that lead the songs rather than react to them, Spend Some Time with Me is utterly unique for its humor and structure." [17]

The Orlando Sentinel concluded: "Shannon has a real knack for melody—something often wanting in both blues and R&B nowadays. Even more rare is his attention to lyrics. Shannon's songs always tell a story and are often humorous and pointed." [5] The Star Tribune stated that "his gruff baritone stylishly tackles tear-stained blues, snappy funk and countrified ballads; his pointed guitar work ranges from funky-chicken chording to terse, fiery solos and fluid jazz passages." [9] The Washington Post opined that Shannon fashions "a clever blend of Snooks Eaglin's Louisiana blues and Bill Withers's soul-music monologues." [18]

AllMusic wrote that "Shannon finds new ways to define and transcend the blues." [13]

Track listing

No.TitleLength
1."Who Are They" 
2."Paying My Dues" 
3."Not My Friend" 
4."Don't Talk About My Mama" 
5."The Last Time I Was Here (Millennium Blues)" 
6."Pray for the Children" 
7."Dirty Dishes" 
8."A Certain Shade of Blue" 
9."Spend Some Time with Me" 
10."Mother's Love" 
11."Born in This Time" 
12."No Such Thing (My Humble Opinion: 2nd Movement)" 

Related Research Articles

<span class="mw-page-title-main">Funk</span> 1960s music genre

Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.

<span class="mw-page-title-main">Rhythm and blues</span> Music genre originated in the 1940s

Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.

<span class="mw-page-title-main">Art Neville</span> American musician, singer, and songwriter (1937–2019)

Arthur Lanon Neville Jr. was an American singer, songwriter and keyboardist from New Orleans.

<span class="mw-page-title-main">Big Sam (musician)</span> American musician and band leader

Sammie 'Big Sam' Williams is a trombonist and band leader from New Orleans, Louisiana. He has been a member of the Dirty Dozen Brass Band and leads Big Sam's Funky Nation.

<span class="mw-page-title-main">Mem Shannon</span> American blues musician (born 1959)

Mem Shannon is an American blues musician. He is currently signed to Toronto's NorthernBlues Music. Shannon is a former taxi-cab driver turned bluesman.

<span class="mw-page-title-main">Walter "Wolfman" Washington</span> American singer and guitarist (1943–2022)

Walter "Wolfman" Washington was an American singer and guitarist, based in New Orleans, Louisiana, United States. While his roots were in blues music, he blended in the essence of funk and R&B to create his own unique sound.

<i>No Looking Back</i> (Clarence Gatemouth Brown album) 1992 studio album by Clarence "Gatemouth" Brown

No Looking Back is an album by the American musician Clarence "Gatemouth" Brown, released in 1992. Brown supported the album with a North American tour.

<i>That Woman Is Poison!</i> 1988 studio album by Rufus Thomas

That Woman Is Poison! is an album by the American R&B musician Rufus Thomas. Originally recorded for King Snake Records, it was released in 1988 via Alligator Records. Thomas was in his seventies when he made That Woman Is Poison!

<i>The Get-Go</i> 1997 studio album by Paul Cebar

The Get-Go is an album by the American musician Paul Cebar, released in 1997. Although not credited on the album cover, Cebar was backed by his band, the Milwaukeeans.

<i>Tore Up</i> 1984 studio album by Nappy Brown

Tore Up is an album by the American blues musician Nappy Brown, released in 1984. A comeback album, it was recorded with Tinsley Ellis and the Heartfixers. The album was reissued by Alligator Records in 1990.

<i>Turn the Page</i> (Chris Ardoin album) 1998 studio album by Chris Ardoin

Turn the Page is an album by the American zydeco musician Chris Ardoin, released in 1998. His band, Double Clutchin'—which included his brother, Sean—is also credited. Ardoin was still a teenager when the album was recorded.

<i>Primitive Streak</i> (album) 1996 studio album by the Subdudes

Primitive Streak is an album by the American band the Subdudes, released in 1996. It was a success on Americana album charts. The band supported the album with a North American tour, which included shows with Anders Osborne.

<i>La Chanson Perdue</i> 1998 studio album by Geno Delafose

La Chanson Perdue is an album by the American musician Geno Delafose, released in 1998. He is credited with his band, French Rockin' Boogie. Delafose considered the album to be a combination of Creole zydeco and Cajun music; however, the title of the album in part refers to the popularity of zydeco overtaking traditional Creole music. Delafose supported the album with a North American tour.

<i>Afterglow</i> (Dr. John album) 1995 studio album by Dr. John

Afterglow is an album by the American musician Dr. John, released in 1995. The majority of the tracks are covers of jazz and blues songs from the 1940s and 1950s; many of the songs were introduced to Dr. John by his parents.

<i>Follow Me Chicken</i> 1993 studio album by Nathan Williams

Follow Me Chicken is an album by the American musician Nathan Williams, released in 1993. He is credited with his band, the Zydeco Cha Chas.

<i>Gonna Take You Downtown</i> 1996 studio album by Beau Jocque

Gonna Take You Downtown is an album by the American musician Beau Jocque, released in 1996. He is credited with his band, the Zydeco Hi-Rollers. Issued as a vinyl dance track, "Make It Stank " was a regional radio hit. Jocque supported the album with a North American tour.

<i>Sexual Telepathy</i> 1990 studio album by Earl King

Sexual Telepathy is an album by the American musician Earl King, released in 1990. King supported the album with a North American tour.

<i>Fish Aint Bitin</i> 1997 studio album by Corey Harris

Fish Ain't Bitin' is the second album by the American musician Corey Harris, released in 1997 through Alligator Records. Harris supported the album with a North American tour that included shows opening for B.B. King. Fish Ain't Bitin' won a W. C. Handy Award for the best acoustic blues album of 1997.

<i>Funk Is in the House</i> 1998 studio album by Walter "Wolfman" Washington

Funk Is in the House is an album by the American musician Walter "Wolfman" Washington, released in 1998. Washington is credited with his band, the Roadmasters. Washington supported the album with a North American tour.

<i>Annunciation</i> (album) 1994 studio album by the Subdudes

Annunciation is an album by the American band the Subdudes, released in 1994. The album title refers to Annunciation Street, in New Orleans; the album was originally intended to be released on Annunciation Day. Annunciation was the band's first album for High Street Records. The Subdudes supported the album with a North American tour. Annunciation sold more than 120,000 copies in its first eight months of release.

References

  1. Catlin, Roger (14 Feb 1999). "Cab-driver-turned-bluesman...". Hartford Courant. p. G10.
  2. Komara, Edward M. (2006). Encyclopedia of the Blues: K-Z. Routledge. p. 875.
  3. McLennan, Scott (29 July 2004). "Driving for success". Telegram & Gazette. p. C1.
  4. "Club Hopping". Weekend Plus. Chicago Sun-Times. 19 Mar 1999. p. 4.
  5. 1 2 3 Gettelman, Parry (12 Mar 1999). "'Time' Mixes Funk, Fun". Calendar. Orlando Sentinel. p. 10.
  6. "From New Orleans, the cabby blues". Weekend. The Philadelphia Inquirer. 2 Apr 1999. p. 2.
  7. 1 2 Jordan, Scott (February 9, 1999). "Mem Shannon Spends Some Time with Me & Andy J. Forest". Bluesworthy. OffBeat.
  8. Fontenot, Robert (April 1, 1999). "Mem Shannon, Spend Some Time with Me". Reviews. OffBeat.
  9. 1 2 Mason, Rick (21 Mar 1999). "This fine third album by the former New Orleans cabbie...". Star Tribune. p. 2F.
  10. Terrell, Steve (28 May 1999). "Spend Some Time with a Cabdriver-Turned-Singer". The Santa Fe New Mexican. p. P42.
  11. Robison, Mark (21 May 1999). "Cab driver blues". Calendar. Reno Gazette-Journal. p. 3. "
  12. Fine, Eric (19 Nov 1999). "CD Review". At the Shore. The Press of Atlantic City. p. 3.
  13. 1 2 "Spend Some Time with Me Review by Heather Phares". AllMusic. Retrieved 27 February 2024.
  14. Point, Michael (Jun 1999). "Mem Shannon: Spend Some Time with Me". DownBeat. Vol. 66, no. 6. p. 65.
  15. The Penguin Guide to Blues Recordings. Penguin. 2006. p. 571.
  16. 1 2 Gundersen, Edna (2 Mar 1999). "Mem Shannon drives home the blues". USA Today. p. 4D.
  17. Guarino, Mark (12 Mar 1999). "Mem Shannon, Spend Some Time with Me". Time Out. Daily Herald. Arlington Heights. p. 10.
  18. Himes, Geoffrey (16 July 1999). "Mem Shannon, 'Spend Some Time with Me'". The Washington Post. p. N10.