Split Second (1953 film)

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Split Second
Split second poster small.jpg
Theatrical release poster
Directed by Dick Powell
Screenplay by Irving Wallace
Story byIrving Wallace
Chester Erskine
Produced byEdmund Grainger
Starring Stephen McNally
Alexis Smith
Jan Sterling
Keith Andes
Cinematography Nicholas Musuraca
Edited byRobert Ford
Music by Roy Webb
Production
company
Distributed byRKO Pictures
Release date
  • May 2, 1953 (1953-05-02)(US) [1]
Running time
85 minutes
CountryUnited States
LanguageEnglish

Split Second is a 1953 American film noir thriller directed by Dick Powell about escaped convicts and their hostages holed up in a ghost town, unaware of the grave danger they are in. It features Stephen McNally, Alexis Smith, Jan Sterling, and Keith Andes. [2] It was the only film put into production by the consortium that took over RKO Pictures in late 1952 before previous owner Howard Hughes resumed control of the company. [3] Location shooting took place in the Mojave Desert.

Contents

Plot

Alexis Smith in the trailer Alexis Smith in Split Second trailer.jpg
Alexis Smith in the trailer

Armored car robbers Sam Hurley and Bart Moore escape from a Carson City prison, although Moore is shot in the stomach in the breakout. Sam drives to a gas station to steal a car, killing the attendant when he tries to disarm Hurley. They meet up with a confederate, a mute named "Dummy", and hide out in a ghost town on the Nevada Proving Ground. Along the way, they pick up several hostages, Kay Garven and her lover Arthur Ashton, newspaper reporter Larry Fleming, out-of-work dancer Dorothy "Dottie" Vail, and the town's sole resident, Asa Tremaine. Sam calls Kay's husband, Neal, a doctor, and threatens to kill Kay if he does not come and help Bart. Kay doubts he will come, as she is divorcing him.

Larry warns the gangsters that the government is going to conduct an atomic bomb test nearby the next morning, but Sam plans to leave before then, though he leaves it unclear what he plans to do with the hostages. When Arthur tries to be a hero, Sam kills him without a qualm. Despite this, Kay uses her feminine wiles to try to persuade Sam to take her with him. To Kay's surprise, Neal still loves her enough to show up. He successfully operates on Bart, but warns Sam that moving his friend too soon will kill him. Sam waits as long as possible to give Bart time to recuperate.

Unknown to everyone, the test has been moved ahead an hour due to favorable weather conditions. When the five-minute warning sounds earlier than expected, Sam and Bart hurry to Neal's car, and a desperate Kay barges in with them. Larry overpowers Dummy, but Sam drives away. Asa leads Dottie, Larry, and Neal to safety in a nearby mine. Sam, Bart and Kay are killed by the explosion, but the others emerge unharmed.

Cast

Victor Mature and Jane Russell were originally intended as the leads. [4]

Stephen McNally in a trailer Stephen McNally in Split Second trailer.jpg
Stephen McNally in a trailer
Keith Andes in a trailer Keith Andes in Split Second trailer.jpg
Keith Andes in a trailer
Arthur Hunnicutt in a trailer Arthur Hunnicutt in Split Second trailer.jpg
Arthur Hunnicutt in a trailer

Critical reception

When the film was released, The New York Times film critic A. H. Weiler, while praising the cast, gave the film a mixed review, and at the same time encouraged first-time director Dick Powell. He wrote, "In making his directorial debut with Split Second, Dick Powell fortunately acquired a small but enthusiastic and competent cast, a fairly sturdy script and a contemporary peg on which to hang his melodrama ... Unfortunately, however, the pace at which this thriller moves is erratic and while its dénouement is spectacular it is hardly surprising. Split Second is a fairly taut adventure closely tied to the atomic age but it is rarely explosive ... Mr. Powell's initial directorial effort is not likely to startle the cinema world but it is a long step in the right direction." [5]

More recently, film and DVD critic Jamie S. Rich also gave the film a lukewarm review, writing, "The film doesn't have much tension, despite the inherent drama of the scenario. The main reason for this is Hurley. He isn't written as being all that menacing. He's more the know-it-all pessimist who sees through everyone else's charade, rather than the scary murderer who plays mind games with his victims. He stirs up the pot some, but the juiciest stuff emerges all on its own ... the bulk of Split Second is essentially unremarkable. It's a serviceable lower-tier movie that moves at an efficient pace and provides mild entertainment." [6]

Another modern reviewer, Craig Butler from AllMovie, was more positive: "Not as well known as it should be but a favorite of many who know it, Split Second is an incredibly tense film noir-cum-atomic bomb flick that marked an auspicious directorial debut for singer-actor Dick Powell ... Powell is aided in his efforts by the first rate black and white cinematography of Nick Musuraca ... The cast does not disappoint either, with fine work by all ..." [7]

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References

  1. "Split Second: Detail View". American Film Institute. Retrieved July 29, 2024.
  2. Split Second at the TCM Movie Database.
  3. Jewell p.146
  4. "Drama: Jane Russell, Mature Team in 'Split Second'". Los Angeles Times. June 13, 1952.
  5. "The Screen in Review; Split Second, First Venture of Dick Powell as a Director, Is Shown at the Criterion". The New York Times . May 5, 1953. Retrieved July 18, 2013.
  6. "Split Second". DVD Talk . Retrieved July 18, 2013.
  7. Butler, Craig. "Split Second". AllMovie. Retrieved July 29, 2024.

Bibliography