George FridericHandel was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.
Jacobitism was a political ideology advocating the restoration of the Catholic House of Stuart to the British throne. When James II of England chose exile after the November 1688 Glorious Revolution, the Parliament of England ruled he had "abandoned" the English throne, which was given to his Protestant daughter Mary II of England, and her husband William III. On the same basis, in April the Scottish Convention awarded Mary and William the throne of Scotland.
The Battle of Culloden took place on 16 April 1746, near Inverness in the Scottish Highlands. A Jacobite army under Charles Edward Stuart was decisively defeated by a British government force commanded by the Duke of Cumberland, thereby ending the Jacobite rising of 1745.
James Harris, FRS was an English politician and grammarian. He was the author of Hermes, a philosophical inquiry concerning universal grammar (1751).
William Boyd, 4th Earl of Kilmarnock, was a Scottish peer who joined the 1745 Jacobite Rising, was captured at Culloden and subsequently executed for treason on Tower Hill.
Athalia is an English-language oratorio composed by George Frideric Handel to a libretto by Samuel Humphreys based on the play Athalie by Jean Racine. The work was commissioned in 1733 for the Publick Act in Oxford – a commencement ceremony of the University of Oxford, which had offered Handel an honorary doctorate. The story is based on that of the Biblical queen Athaliah. Athalia, Handel's third oratorio in English, was completed on 7 June 1733, and first performed on 10 July 1733 at the Sheldonian Theatre in Oxford. The Bee reported that the performance was "performed with the utmost Applause, and is esteemed equal to the most celebrated of that Gentleman's Performances: there were 3700 Persons present".
An Occasional Oratorio is an oratorio by George Frideric Handel, based upon a libretto by Newburgh Hamilton after the poetry of John Milton and Edmund Spenser. The work was written in the midst of the Jacobite rising of 1745–1746, the attempt to overthrow Handel's patrons – the Hanoverian monarchy under George II – and replace them with a Stuart restoration under Charles Edward Stuart, "Bonnie Prince Charlie". The Occasional Oratorio is unique among Handel's works which he labelled "oratorio" in that it does not tell a story or contain elements of a drama, but was intended as a defiant and patriotic rallying piece.
John Beard was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel.
The Hon. Frederic ("Fritz") Robinson was an English MP.
James Johnstone, also known as Chevalier de Johnstone or Johnstone de Moffatt, was the son of an Edinburgh merchant. He escaped to France after participating in the 1745 Rising; in 1750, he was commissioned in the colonial army and served in French North America.
Ero e Leandro, also known after its first line as Qual ti reveggio, oh Dio, is a 1707 Italian-language cantata by George Frideric Handel, composed during his stay in Rome to a libretto believed to be written by Cardinal Pietro Ottoboni. It is a reworking of the Greek myth of Hero and Leander, with the soprano soloist taking the role of Hero. In it, Hero finds her love, Leander, drowned, tears out her hair, thus symbolically rejecting the beauty which had led to Leander's fascination with her, then drowns herself. It is composed for a soprano solo, and a small orchestra consisting of two oboes, and two string sections: a concertino of solo violin and violoncello, and a concerto grosso made up of two violins, a viola, and continuo. In Ero e Leandro, Recitatives alternate with arias, as was normal at the period for not only cantatas, but oratorios and operas as well; however, unusually, Ero e Leandro ends with a recitative, instead of an aria.
The Handel organ concertos, Op. 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original material, including some of his most popular and inspired movements.
A fine and delicate touch, a volant finger, and a ready delivery of passages the most difficult, are the praise of inferior artists: they were not noticed in Handel, whose excellencies were of a far superior kind; and his amazing command of the instrument, the fullness of his harmony, the grandeur and dignity of his style, the copiousness of his imagination, and the fertility of his invention were qualities that absorbed every inferior attainment. When he gave a concerto, his method in general was to introduce it with a voluntary movement on the diapasons, which stole on the ear in a slow and solemn progression; the harmony close wrought, and as full as could possibly be expressed; the passages concatenated with stupendous art, the whole at the same time being perfectly intelligible, and carrying the appearance of great simplicity. This kind of prelude was succeeded by the concerto itself, which he executed with a degree of spirit and firmness that no one ever pretended to equal.
The Jacobite rising of 1745 was an attempt by Charles Edward Stuart to regain the British throne for his father, James Francis Edward Stuart. It took place during the War of the Austrian Succession, when the bulk of the British Army was fighting in mainland Europe, and proved to be the last in a series of revolts that began in March 1689, with major outbreaks in 1715 and 1719.
Aure soavi e liete is a Baroque dramatic secular cantata in the key of E-flat major composed by George Frideric Handel in 1707 while he was serving as Kapellmeister to the Ruspoli family in Rome. The author of the text is unknown. Other catalogues of Handel's music have referred to the work as HG l,12. The cantata is scored for solo soprano voice and basso continuo. It is divided into four separate movements with a typical performance lasting approximately seven and a half minutes.
William Murray, Marquess of Tullibardine was a Scottish nobleman and Jacobite who took part in the rebellions of 1715, 1719, and 1745.
Scottish literature in the eighteenth century is literature written in Scotland or by Scottish writers in the eighteenth century. It includes literature written in English, Scottish Gaelic and Scots, in forms including poetry, drama and novels. After the Union in 1707 Scottish literature developed a distinct national identity. Allan Ramsay led a "vernacular revival", the trend for pastoral poetry and developed the Habbie stanza. He was part of a community of poets working in Scots and English who included William Hamilton of Gilbertfield, Robert Crawford, Alexander Ross, William Hamilton of Bangour, Alison Rutherford Cockburn, and James Thomson. The eighteenth century was also a period of innovation in Gaelic vernacular poetry. Major figures included Rob Donn Mackay, Donnchadh Bàn Mac an t-Saoir, Uillean Ross and Alasdair mac Mhaighstir Alasdair, who helped inspire a new form of nature poetry. James Macpherson was the first Scottish poet to gain an international reputation, claiming to have found poetry written by Ossian. Robert Burns is widely regarded as the national poet.
The Wedding anthem for Princess Anne, HWV 262, This is the day which the Lord hath made, is an anthem for vocal soloists, chorus and orchestra by George Frideric Handel. It was written for the wedding of Anne, Princess Royal and Prince William of Orange and was first performed during their marriage at the French Chapel in St James's Palace, London, on 14 March 1734. The music is set to English texts chosen from the biblical books of Psalms, Proverbs and Ecclesiasticus.
In 1703, the 18-year-old composer George Frideric Handel took up residence in Hamburg, Germany, where he remained until 1706. During this period he composed four operas, only the first of which, Almira, has survived more or less intact. Of the other three, the music for Nero is lost, while only short orchestral excerpts from Florindo and Daphne survive.
The Seven Men of Moidart, in Jacobite folklore, were seven followers of Charles Edward Stuart who accompanied him at the start of his 1745 attempt to reclaim the thrones of Great Britain and Ireland for the House of Stuart. The group included English, Scots and Irish subjects of varying backgrounds linked mostly by their involvement in pro-Stuart intrigues. Although some had military experience, most of the men were relatively elderly by the standards of the time; some were already infirm and little suited to the rigours of campaigning.
From Scourging Rebellion is a 1746 song composed by the German-born British George Frideric Handel. It was composed in the wake of the Jacobite Rebellion of 1745 to celebrate Prince William, Duke of Cumberland, the younger son of the Hanoverian king George II of Great Britain. Cumberland, recalled from command of the Pragmatic Army in the Low Countries, oversaw the decisive victory over the Jacobites at the Battle of Culloden on 16 April 1746. It was sung at Vauxhall Gardens on 15 May 1746.
