State Faults | |
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Also known as | Brother Bear (2010–2011) |
Origin | Santa Rosa, California, U.S. |
Genres | |
Years active | 2010–2015, 2019–present |
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Members |
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Past members |
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Website | www |
State Faults (formerly known as Brother Bear) are an American post-hardcore band formed in Santa Rosa, California in 2010. [1] Noisey included their album "Resonate/Desperate" as one of the records that best captures the last decade of hardcore punk. [2] In 2019, they were listed at number 16 on Kerrang's 50 Best American Hardcore Bands Right Now list. [3]
The band formed in 2010, under the name Brother Bear, releasing their debut EP, Head In the Clouds the next year. [4] However changed their name soon after due to the large number of bands who were also operating under that name. [5] On 8 May 2012, they released their debut album Desolate Peaks through Tiny Engine Records. [6] On 12 November 2013, they released their sophomore album Resonate/Desperate through No Sleep Records. [7] In 2015, Kelley departed from the band, while Chris Hansen from No Sleep Records was pushing the band to put out a new record. This led to the three remaining members deciding to officially break-up and work on a separate musical project, which would turn out to be noise rock band Slow Bloom. [8]
In 2019, Andrew, Weldon and Wallace reformed State Faults due to increased interest by fans and began recording material. [8] Their first performance after reforming was at Santa Rosa's Chop Shop on 18 February, with support from Outlier, Sloth & Turtle and Pushing It. [9] Their third album Clairvoyant was released on 21 June 2019. [10] In December 2019, Brooklyn Vegan placed Resonate/Desperate at number 95 on their top 100 punk rock and emo albums of the 2010s. [11] In addition to this, Chris Luedtke of Metal Injection included the album as an "Honourable Mention" in his list of the greatest albums of 2019. [12]
State Faults have primarily been categorised as screamo [13] [14] and post-hardcore [13] [10] possessing elements of black metal, [15] [16] post-rock, [17] [18] shoegazing, [19] heavy metal, [20] noise rock, mathcore and heavy psych. [1] Their music often makes heavy usage of dynamics, [21] [22] by incorporating both ambient and cacophonous passages. [23] Their softer sections are often utilized through the usage of reverb effects, ambient synths and occasionally spoken word. [4] Dan Ozzi, a writer at Noisey, described their music as "what a panic attack sounds like". [24] Some tracks, such as "Wildfires", incorporate melody and hooks into unclean vocals. [25]
Lyrically, their music generally focuses on spirituality, [1] makes use of references to the occult [26] and is heavily emotional. [21] A number of the tracks on their debut album were based on anxiety and its repercussions. [27] In an article for No Echo, Adam Yoe described their lyrics as "meditation on trauma and healing". [23]
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
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