A major contributor to this article appears to have a close connection with its subject.(October 2024) |
Stephen Moorer | |
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Born | |
Awards | Best Ensemble, Best Musical for Buddy, The Buddy Holly Story |
Website | http://www.pacrep.org |
Stephen Moorer is an American stage actor, director, and producer based on the Central California Coast. [1] He founded the GroveMont Theatre in 1982, renaming the non-profit organization Pacific Repertory Theatre in 1994, when the group acquired the Golden Bough Playhouse in Carmel-by-the-Sea, California. [2]
Moorer was born in Santa Monica, California. When he was 11 years old, his family moved to the Monterey Peninsula. His mother, a community theatre actress acted in amateur performances in the San Fernando Valley, and Moorer got an early taste of performing in community theatre. His first principal role was Miles in The Innocents (based on The Turn of the Screw ), with The Rafters Theatre Guild. Moorer attended the Carmel, California middle and high schools, becoming involved in the drama program, acting in and producing shows. In his senior year, he played a criminal mastermind in Wait Until Dark . From the age of 11 to 17, Moorer also studied theatre at Carmel's Children's Experimental Theatre. [1]
After graduating from high school in 1979, Moorer appeared in a three-show repertory season at Hartnell Summer Theatre (which was later called the Western Stage). He returned to the Children's Experimental Theatre in 1980 for a paid internship. In 1982, he trained in an intensive 16-week summer season at the American Conservatory Theater in San Francisco. [1]
At the Forest Theater, for the Carmel Shake-speare Festival, he played Richmond in Richard III (1993), the title role in Coriolanus (1997), and Oberon in A Midsummer Night's Dream (2000). In 2002, he returned to PacRep, where he revisited the title role in The Elephant Man (2002, opposite Barbara Babcock). Of this performance, one reviewer wrote, "Moorer reprises his 1988 role ... with skill and dignity. Working with no makeup or prosthesis to simulate Merrick's appearance, Moorer twists his face into a grotesque mask from which a high-pitched, rasping, wheezing voice emerges. From a physical aspect alone, Moorer's performance is skilled and noteworthy. Moorer also delivers a well-executed emotional performance that highlights Merrick's artistic sensitivity and droll sense of humor." [3] He next played Jason in Medea (2003) [4] (directed by Joseph Chaikin). [5] Moorer performed as Ned in Elizabeth Rex and Edward de Vere in The Beard of Avon (2005). [6] [7]
In 2012, he appeared as Marc Antony in Shakespeare's Julius Caesar , in 2014, he portrayed Pontius Pilate in Jesus Christ Superstar , and in 2017 he played the title role in Cyrano at the Forest Theater. [8]
Moorer has directed over a hundred productions. [6] Of his Shakespeare "Royal Blood" series, Talkin' Broadway wrote, "Moorer ... has assembled a brilliant cast of actors from both San Francisco Bay and Los Angeles.... Moorer's direction is first class as he makes both productions exciting human dramas." [9] Another critic wrote, "director Stephen Moorer handles the time-shifting sequences with a keen immediacy that's become his trademark". [10] [11]
In 2003, Moorer produced and directed a Bay Area Critics' Awards-winning production of Buddy - The Buddy Holly Story . [12] [13] This production, starring Travis Poelle, opened at the Golden Bough Playhouse in Carmel and moved to San Jose, playing at the San Jose Stage. The success of the production led to a revival in 2004 at the Post St. Theatre in San Francisco, garnering positive reviews [13] and Bay Area Critics' awards for Best Musical, Best Ensemble, and Best Actor in a Musical (Travis Poelle). [14] Buddy Holly's widow, Maria Elena Holly, attended the show at each location, dancing onstage with the cast at curtain call. [15] This production later returned to Carmel for several runs, most recently in 2008. [16]
In 2009, Moorer directed Laughter on the 23rd Floor for Pacific Repertory Theatre. The Monterey County Herald wrote, "Moorer has staged a terrific version of this play with a fun and talented cast". [17]
In 2018 and 2019: Fun Home at the Golden Bough and Beauty and the Beast at the Forest. Following the suspension of live performances due to the COVID-19 pandemic, Moorer reopened the Forest Theater in August 2021 by producing and directing a revival of Shrek the Musical. [18]
By 2006, he had produced over 350 shows. [6] He founded GroveMont Theatre, now Pacific Repertory Theatre, in 1982, acting as Artistic Director, and based the company in the Monterey Playhouse. [19]
In 1990, Moorer founded the Carmel Shake-speare Festival. [20] [21] This annual summer festival uses all three of PacRep's stages, presenting a rotating repertory of Shakespeare, musicals, children's plays and other classic works of English-language drama. [22] Moorer also founded the Monterey Bay TheatreFest [23]
In 1993, Moorer spearheaded the campaign to save the Golden Bough Playhouse, and he has since directed its ongoing development and renovation. [24] [25]
In 2008, the Board of Directors of Pacific Repertory Theatre named Moorer as executive director. [26]
Between September 2021 and September 2022, 14 out of 20 board members of the Pacific Repertory Theatre resigned. Disagreements over construction resulted in a board motion to terminate Moorer as executive director of PacRep, but a vote was never taken. After this motion, board members told a reporter they had been threatened with lawsuits and that this had led to the mass resignation; Moorer denied making any threats. [27]
Moorer was the top topic editor advocating the alternative view known as the Oxfordian theory of Shakespeare authorship from 2006 to 2009 in the Wikipedia article "Shakespeare authorship question" (SAQ). In 2010, mediation and arbitration proceedings were filed against Moorer and another Oxfordian editor by a Stratfordian editor resulting in Moorer's suspension from editing the SAQ entry and related matters for a year. [28]
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