Steven R. Swayne is a professor of music and currently music department chair at Dartmouth College. He has authored a study of the music of American musical theater composer Stephen Sondheim and a biography of American composer and educator William Schuman. Swayne is a native of Los Angeles, California and is a graduate of John Muir High School and Occidental College. He has graduate degrees from Fuller Theological Seminary (M.Div.) and the University of California, Berkeley (MA, Ph.D.). He has taught at UC Berkeley and at the San Francisco Conservatory of Music, and he has worked as a pianist at Nordstrom. He also plays the piano in concerts and has performed with the San Francisco Symphony under the direction of Michael Tilson Thomas. He has a Christmas CD called "Holiday Twists" and a CD of the preludes of Frédéric Chopin, Gabriel Fauré, and George Gershwin.
In 2019, he was elected president of the American Musicological Society. [1] In March 2022, he joined the John W. Kluge Center at the Library of Congress as Chair in Modern Culture. [2]
Jon Howard Appleton was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Roy Ellsworth Harris was an American composer. He wrote music on American subjects, and is best known for his Symphony No. 3.
William Howard Schuman was an American composer and arts administrator.
Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.
Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years.
Ernest Bloch was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952.
Robert Erickson was an American composer.
Joaquín María Nin-Culmell was a Cuban-Spanish composer, internationally known concert pianist, and emeritus professor of music at the University of California, Berkeley.
Charles Roland Berry is an American composer. He studied music history and music composition at the University of California with Peter Racine Fricker. Fricker taught him the intricate details of serialist music, and to discipline his musical imagination. He was not the best of students, due to his enthusiastic attitude and very short attention span. Later on, in 1982, he met Paul Creston in San Diego, California, and studied composition with him for one year.
David Dodge Boyden was an American musicologist and violinist specializing in organology and performance practice.
Edith Pauline Alderman was an American musicologist and composer. She was the founder and the first Chairwoman of the Department of Music History and Literature (musicology) at the University of Southern California, between 1952 and 1960.
Albert Israel Elkus was an American composer, pianist, and educator.
The BMI Film & TV Awards are accolades presented annually by Broadcast Music, Inc., honoring songwriters, composers, and music publishers in various genres. Based in the United States, the awards include the BMI Christian Awards, BMI Country Awards, BMI Film and TV Awards, BMI Latin Awards, BMI London Awards, BMI Pop Awards, BMI R&B/Hip-Hop Awards, and the BMI Trailblazers of Gospel Music Honors. The main pop music award was founded in 1952.
Norman Lloyd was an American pianist, composer, educator, author and supporter of the arts who scored works for modern dance, documentary film and classical chamber. Through his work as an educator, notably at Juilliard, he exerted a significant influence on the teaching of musical theory; and later as the author of books including the popular "Fundamentals of Sight Singing and Ear Training". He continued to influence and support the arts as creator of the Rockefeller Foundation's arts program and its first director. He was the son of David Lloyd, a steel mill worker and minor league baseball player, and grandson of William Lloyd, a coal miner who immigrated to the United States from Wales in 1845.
Secular Cantata No. 2: A Free Song is a cantata for chorus and orchestra by William Schuman, using text by Walt Whitman, that was awarded the first Pulitzer Prize for Music in 1943, after it was premiered by the Boston Symphony Orchestra under Serge Koussevitzky. Music Sales Classical describes it as containing, "granite-like blocks of dissonant harmony and sharp-edged counterpoint."
Rickey Vincent is an American author, historian, and radio host based in the San Francisco Bay Area. He is the author of Funk: The Music, the People and the Rhythm of The One, which encompasses the history of funk music, and won the ASCAP Foundation Deems Taylor Award for Music Writing in 1997.
Mark Everist is a British music historian, critic and musicologist.
Liaisons: Re-Imagining Sondheim from the Piano is a triple album performed by the pianist Anthony de Mare; ECM Records released the album in 2015. It consists of pieces inspired by the American musical theatre composer Stephen Sondheim's oeuvre and has works written by various classical, jazz, and other composers. The album consists of 37 tracks and is over three hours long. Composers who wrote pieces on the album include Jason Robert Brown, Michael Daugherty, Jake Heggie, Fred Hersch, Gabriel Kahane, Phil Kline, Wynton Marsalis, Nico Muhly, Thomas Newman, Steve Reich, and Duncan Sheik. The album received mostly positive reviews.
Robert Paul Commanday was an American music critic who specialized in classical music. Among the leading critics of the West Coast, Commanday was a major presence in the Bay Area music scene over a five-decade career. From 1964 to 1994 he was the chief classical music critic of the San Francisco Chronicle, following which he became the founding editor of San Francisco Classical Voice in 1998. As a critic he held high standards, though his writing was interspersed with humorous comments. His focus concerned American music in general, but particularly ensembles, performers and events in San Francisco. Also a music educator and choral conductor, Commanday held brief teaching posts at Ithaca College and the University of Illinois, before a decade of teaching music and conducting choirs at the University of California, Berkeley.