Steven Watson (author)

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Steven Watson (born 1947) is an author, art and cultural historian, curator, and documentary filmmaker.

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His 1991 book Strange Bedfellows: The First American Avant-Garde was called "a chapter in our national biography" by Stefan Kanfer for the Los Angeles Times [1] and "a marvelous group portrait of a band of cultural renegades" by Publishers Weekly . [2] Watson has written five books about 20th century American avant-garde and counterculture movements, curated two exhibitions at the National Portrait Gallery ("Group Portrait, The First American Avant-Garde" and "Rebels: Painters and Poets of the 1950s"), [3] [4] and served as consultant curator for the Whitney Museum exhibition "Beat Culture and the New America". [5]

Biography

Watson was born in 1947. He grew up in the suburbs of Minneapolis, Minnesota and graduated from Mound High School. He majored in English at Stanford University and participated in anti-Vietnam War protests, including a guerrilla theater piece called Alice in ROTC-Land, co-starring with Sigourney Weaver. After graduation, he founded an alternative elementary school called KNOW School in Auburn, California. He studied psychology at the University of California, Santa Barbara, where he received his Ph.D. in 1976, and he worked for nineteen years as the staff psychologist of the Putnam County Community Mental Health Clinic. In 1976, Watson also began writing articles for the Village Voice, New York Newsday, Soho Weekly News, and Gaysweek. His work on gay culture included the first major article about Marsha P. Johnson, [6] an early extended interview with Sylvia Rivera, and a book about the transgender figure, Minette. [7] At the same time, he began writing books about key circles of the twentieth century. He currently lives in New York City.

Published works

Books:

Films:

Collaborations

Artifacts at the End of a Decade

Artifacts at the End of a Decade, organized by Steven Watson and Carol Huebner Venezia, is a boxed multiple that contains the work of 44 artists. [14]  Conceived in 1979 and published in 1981, it includes works by Sol Lewitt, Laurie Anderson, Robert Wilson, R. Crumb, Lucinda Childs, Futura 2000 and other graffiti artists, John Ashbery, Betsey Johnson, Robert Kushner, Martha Rosler, and others. Upon its publication, art critic John Perreault wrote that "the work is an anthology of sorts, but it is also an object in its own right. It can be compared to artists books, print portfolios, multimedia multiples, etc. In truth, however, there is little to compare Artifacts within the realm of art." [15]

Artifacts is currently in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Centre Pompidou, the Tate Modern, the Victoria and Albert Museum, the Hamburger Bahnhof, and the Whitney Museum of American Art, among others.

Artifacts was exhibited at the Centre Pompidou in the summer of 2022, following its acquisition by the Bibliothèque Kandinsky. [16]

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Artifacts at the End of a Decade (1981) is a boxed multiple containing works from 44 artists who were active in New York City in the 1970's. Assembled by Steven Watson and Carol Huebner Venezia, Artifacts is a collection of pieces designed uniquely for this project. The portfolio is 15 in × 18 in × 6 in and weighs 17 pounds. Its "pages" are made from everything from glass, copper, clay, rope, felt, and film to lycra, neoprene, polyester, mylar, vinyl, stucco, and glitter. Artifacts was described by Jessica Scott of UMass Amherst as a "multidisciplinary American survey of the 1970's in the form of an artists' archive." Artifacts is a limited edition of 100.

References

  1. ↑ "The Young and the Restless : STRANGE BEDFELLOWS: The First American Avant-Garde, By Steven Watson". Los Angeles Times. 1991-06-02. Retrieved 2022-02-14.
  2. ↑ "Nonfiction Book Review: Strange Bedfellows: The First American Avant-Garde by Steven Watson, Author Abbeville Press $19.98 (439p) ISBN 978-0-89659-934-5". PublishersWeekly.com. Retrieved 2022-02-14.
  3. ↑ "GROUP PORTRAIT". Chicago Tribune. 2 June 1991. Retrieved 2022-02-14.
  4. ↑ "Show of rebels fascinating, as far as it goes Art review: Portrait Gallery focus on Beat Generation writers and abstract expressionists is stimulating and marked by an admirable clarity of presentation". Baltimore Sun. 3 March 1996. Retrieved 2022-02-14.
  5. ↑ "On the Road Again : Beat Culture Is Revisited in an Exhibit at the Whitney Museum". Los Angeles Times. 1995-11-09. Retrieved 2022-02-14.
  6. ↑ Watson, Steven (2019-06-04). "Stonewall 1979: The Drag of Politics". The Village Voice. Retrieved 2022-08-11.
  7. ↑ "Minette - Recollections of a Part-Time Lady". www.queermusicheritage.com. Retrieved 2022-08-11.
  8. ↑ "Stonewall Romances A Tenth Anniversary Celebration". catalogue.swanngalleries.com. Retrieved 2022-07-10.
  9. ↑ Watson, Steven (1991). Strange bedfellows: the first American avant-garde. New York: Abbeville Press. ISBN   978-0-89659-934-5.
  10. ↑ Watson, Steven. "The Harlem renaissance : hub of African-American culture, 1920-1930 - University of Missouri Libraries". link.library.missouri.edu. Retrieved 2022-07-10.
  11. ↑ Weinreich, Regina; Tribune, International Herald (1996-01-11). "BOOKS: THE BIRTH OF THE BEAT GENERATION". The New York Times. ISSN   0362-4331 . Retrieved 2022-07-10.
  12. ↑ Watson, Steven (2000). Prepare for Saints: Gertrude Stein, Virgil Thomson, and the Mainstreaming of American Modernism. ISBN   978-0-520-22353-0.
  13. ↑ "An Eye on the Modern Century". Yale University Press. Retrieved 2022-07-10.
  14. ↑ "Artifacts at the End of a Decade". fac.umass.edu. Retrieved 2022-06-13.
  15. ↑ "Revisiting Artifacts at the End of a Decade - In Conversation With Steven Watson". Widewalls. Retrieved 2022-06-13.
  16. ↑ "« Artifacts at the End of a Decade », une plongée dans les avant-gardes new-yorkaises des années 1970". Centre Pompidou. Retrieved 2022-08-11.


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