| "Stimpy's Big Day!" | |
|---|---|
| The Ren & Stimpy Show episode | |
 Title card | |
| Episode no. | Season 1 Episode 1a |
| Directed by | John Kricfalusi |
| Story by | John Kricfalusi Vincent Waller |
| Production code | RS-01B |
| Original air date | August 11, 1991 |
"Stimpy's Big Day!" is the first episode of the first season of The Ren & Stimpy Show . It originally aired on Nickelodeon in the United States on August 11, 1991.
Ren and Stimpy live together in a caravan. Ren berates Stimpy for spending too much time watching cartoons on television and, in particular, The Muddy Mudskipper Show. (Ironically, the show is depicted as a live action show in-universe.) The show holds a contest organized by the Gritty Kitty Litter company, with contestants having to write a poem praising the product in just under 40 million words; the winner is promised $47 million, a lifetime supply of goat cheese, records of 1970s hit pop songs and a visit to Hollywood, where the winner appears as a special guest on the show.
Believing the contest to be a scam due to its nonsensical nature, Ren attempts to convince Stimpy to quit and breaks off their friendship. To Ren's astonishment, Stimpy wins the contest and the show's presenters actually showed up the deliver their promise. Consumed by greed, Ren attempts to pass off as Stimpy to claim the money, only for Stimpy to leave for Hollywood. Ren angrily watches him leaving, only to realize the errors of his ways and break down in tears.
At Hollywood, Stimpy is ecstatic to have finally met Muddy Mudskipper, revealed to be an actual mudskipper and not a cartoon character. Stimpy interviews Muddy five minutes before airtime, which quickly devolves into a series of non sequiturs . Stimpy gets pulled into an arduous make-up routine and finally appears on television. Stimpy attempts to speak into the microphone, only for it to get stuck in his nose. Muddy comments on Stimpy's stupidity.
A fictional advertisement depicting a log as a toy airs midway between the episode. The story continues with the next episode, "The Big Shot!".
Production started in October 1990 in order to meet the scheduled premiere in August 1991. After The Ren & Stimpy Show was approved by the network in September 1990, Spümcø hired new animators in order to kick off the series' production. [1] Most of the people whom John Kricfalusi hired were artists who had previously worked with Kricfalusi on The New Adventures of Beany and Cecil in 1988. [2] The painter Teale Wang recalled in 2009 that Kricfalusi had an unorthodox way of recruiting artists, as she stated that, in early 1991, "John offered me a full-time job, but I told him I was going back to The Simpsons . He looked at me and said, 'oh, I get it. You like it safe. You don't like to take chances. I understand'. I got so pissed off, I told him to fuck off and that I'd take his job! I was actually shaking. He knew exactly what he was doing. I only knew him two weeks, but he had figured me out in two minutes". [1] In its early days, Spümcø was described as more as a "mom-and-pop shop", and not until the first months of 1991 did the studio operate more like a conventional animation studio. [1]
Much of the episode was drawn by Kricfalusi and Lynne Naylor, co-founders of Spümcø. [1] Naylor simplified the design of Ren and Stimpy from their look in their debut in the 1990 pilot episode "Big House Blues" under the grounds that it took too much time and was too expensive to draw the characters in frame by frame as was done in style of the "Big House Blues". [3] In "Big House Blues", Ren and Stimpy had an "underground" look that was gone by "Stimpy's Big Day!". [4] Naylor argued that a simpler design was needed to save money and time. [3] This was especially the case with Ren as he was notoriously difficult to draw properly, and many cartoonists have failed at drawing Ren. [3] Naylor's redesign of Ren and Stimpy became the norm for the rest of the show, though Kricfalusi has expressed preference for the original look of the duo in "Big House Blues". [3]
Production was greatly hindered when Naylor broke up with Kricfalusi in March 1991, after which she left Spümcø and would not involved with The Ren & Stimpy Show until after Kricfalusi's firing. [1] Working on "Stimpy's Big Day!" imposed serious strains on their relationships as Naylor was far more committed to reaching the deadlines imposed by the studio than Kricfalusi (a factor that contributed to his later firing by Nickelodeon). [5] David Koenigsberg of Spümcø recalled: "She was building up with all this tension because she felt the deadlines much more oppressively than John did". [5] Koenigsberg recalled that the other animators would laugh and joke while working, but Naylor "was like the uptight librarian reminding everyone 'we have to go back to work now'. She was serious, it was not a joke. I remember talking to her one day about how we should laugh at this, and she really couldn't". [5] Naylor had completed the layouts for "Stimpy's Big Day!" when she broke up with Kricfalusi. [5] However, despite the break-up, Naylor played a major role in "Stimpy's Big Day!" as she drew the opening scene where Ren criticizes Stimpy for watching cartoons too much, which established a dynamic that continued for the rest of the show. [6] Both Kricfalusi and Naylor had been born in the 1950s, and as result the couple set "Stimpy's Big Day!" sometime in the 1950s as a tribute to the world of their youth. [6]
The work of inking and painting both "Stimpy's Big Day!" and "The Big Shot!" was done at Lacewood Productions in Ottawa. [7] The studio had a hostile working environment, paid its employees poorly, and its output was subpar. Despite Kricfalusi approving of their work, the studio backed out after 6 episodes. [8]
American journalist Thad Komorowski gave the episode four out of five stars. [9] Karen Schomer, television critic of The New York Times, noted in 1992 that the episode showcased how the show was different from other animated series at the time, with its gross-out humor, the characters' distinct lack of good will, and self-awareness contributing to its popularity amongst older audiences. [10] The American critic Matt Langer wrote that, in "Stimpy's Big Day!", "Kricfalusi constantly made reference to the detritus of American culture, and deliberately violated norms of good taste." [11]
The Ren & Stimpy Show, commonly referred to as simply Ren & Stimpy, is an American comedy animated television series created by John Kricfalusi and developed by Kricfalusi, Bob Camp, Jim Smith and Lynne Naylor for Nickelodeon. Originally produced by Spümcø, the series aired on Nickelodeon from August 11, 1991, to December 16, 1995, with its last episode airing on MTV on October 20, 1996, spanning for a total of five seasons and 52 episodes. The series follows the misadventures of Ren Höek, an emotionally unstable and psychotic chihuahua dog; and Stimpy, a good-natured and dimwitted Manx cat. It is the third to be aired of the original three Nickelodeon animated series known as "Nicktoons", alongside Doug and Rugrats, and is considered to be one of the progenitor series of the brand.
Spümcø, Inc. was an American animation studio that was active from 1989 to 2005 and based in Los Angeles, California. The studio was best known for working on the first two seasons of The Ren & Stimpy Show for Nickelodeon and for various commercials. The studio won several awards, including an Annie Award for Best Animated Short Subject for the music video of the song "I Miss You" by Björk.
Ren & Stimpy "Adult Party Cartoon" is an animated television series created and directed by John Kricfalusi and produced by Spümcø for TNN / Spike TV. The series was developed as a more "extreme" revamp and spin-off of Nickelodeon's The Ren & Stimpy Show, which Spümcø produced the first two seasons. The series premiered on June 26, 2003, and was removed from the network on July 24, after airing only three episodes; the remaining episodes were released on DVD. During its run, Adult Party Cartoon was heavily panned by critics, audiences and fans of the original series. It has been referred to as one of the worst animated series of all time.
"Stimpy's Cartoon Show" is the seventh episode of the third season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on January 8, 1994.
"Man's Best Friend" is an episode from the second season of the American animated television series The Ren & Stimpy Show. It was originally intended to air on Nickelodeon on August 22, 1992, as the second half of the second episode of Season 2, but was pulled before airing and replaced by a censored version of "Big House Blues". It eventually aired on the soft launch of Spike TV on June 23, 2003. In the episode, Ren and Stimpy learn about obedience after George Liquor takes them home with him and swears to make them "champions".
"Hard Times for Haggis" is the thirteenth episode of the third season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on April 30, 1994.
"The Royal Canadian Kilted Yaksmen" is the nineteenth episode and season finale of the second season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on May 23, 1993, and is the final episode to be aired with input from Spümcø.
"Fire Dogs" is the eighth episode of the first season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on September 29, 1991.
Lynne Rae Naylor is a Canadian animator, artist, designer, director, and producer for television. She is best known for co-creating DreamWorks' The Mighty Ones, co-founding the animation studio Spümcø with John Kricfalusi, Bob Camp, and Jim Smith, and co-developing The Ren & Stimpy Show for Nickelodeon. She also worked on Batman: The Animated Series, The Powerpuff Girls, Samurai Jack, Super Robot Monkey Team Hyperforce Go!, Hi Hi Puffy AmiYumi, My Life as a Teenage Robot, and Wander Over Yonder.
"Stimpy's Invention" is the twelfth episode and series finale of the first season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on February 23, 1992.
"Sven Höek" is the sixth episode of the second season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on November 7, 1992.
"Big House Blues" is a 1990 American animated comedy film produced by Spümcø. Originally screened at a film festival, with a censored version later airing on Nickelodeon, it was succeeded by The Ren & Stimpy Show on the network, to which it serves as a pilot episode.
"Space Madness" is the fifth episode of the first season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on September 8, 1991. Along with "Marooned" and "Black Hole", the episode is part of a loose trilogy in the first season known as the "space episodes", centering around the show-within-the-show, a parody of Star Trek-like science fiction shows titled The Adventures of Commander Höek and Cadet Stimpy.
"Rubber Nipple Salesmen" is the fifth episode of the second season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on August 29, 1992.
"Powdered Toast Man" is the second episode of the second season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on August 15, 1992.
"Jerry the Bellybutton Elf" is the twelfth episode of the third season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on April 9, 1994.
"The Big Shot!" is the second episode of the first season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on August 11, 1991.
"To Salve and Salve Not!" is the first episode of the third season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on November 20, 1993.
"Bass Masters" is the eighth episode of the third season of The Ren & Stimpy Show. It originally aired on Nickelodeon in the United States on February 19, 1994.
