Stopping by Woods on a Snowy Evening | |
---|---|
by Robert Lee Frost | |
Written | June 1922 |
First published in | New Hampshire |
Meter | iambic tetrameter |
Rhyme scheme | AABA BBCB CCDC DDDD |
Publication date | 1923 |
Full text | |
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Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep. [1]Contents
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]
Frost wrote the poem in June 1922 at his house in Shaftsbury, Vermont. He had been up the entire night writing the long poem "New Hampshire" from the poetry collection of the same name, and had finally finished when he realized morning had come. He went out to view the sunrise and suddenly got the idea for "Stopping by Woods on a Snowy Evening". [2] He wrote the new poem "about the snowy evening and the little horse as if I'd had a hallucination" in just "a few minutes without strain." [3]
The text of the poem reflects the thoughts of a lone wagon driver (the narrator), on the night of the winter solstice, "the darkest evening of the year", pausing at dusk in his travel to watch snow falling in the woods. It ends with him reminding himself that, despite the loveliness of the view, "I have promises to keep, / And miles to go before I sleep."
The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme, with the following verse's A line rhyming with that verse's B line, which is a chain rhyme (another example is the terza rima used in Dante's Inferno ). Overall, the rhyme scheme is AABA BBCB CCDC DDDD. [4]
The poem begins with a moment of quiet introspection, which is reflected in the soft sounds of w's and th's, as well as double ll's. In the second stanza, harder sounds — like k and qu — begin to break the whisper. As the narrator's thought is disrupted by the horse in the third stanza, a hard g is used. [5]
In the early morning of November 23, 1963, Sid Davis of Westinghouse Broadcasting reported the arrival of President John F. Kennedy's casket at the White House. Since Frost was one of the President's favorite poets, Davis concluded his report with a passage from this poem but was overcome with emotion as he signed off. [6] [7]
At the funeral of former Canadian prime minister Pierre Trudeau, on October 3, 2000, his eldest son, Justin, rephrased the last stanza of this poem in his eulogy: "The woods are lovely, dark and deep. He has kept his promises and earned his sleep." [8]
Frost's poem, and specifically its last stanza, was featured prominently in US President Joe Biden's 2008 autobiography Promises to Keep , the name of which is derived from the poem's antepenultimate line. [9]
The poem was set to music by Randall Thompson as part of Frostiana .[ citation needed ][ clarification needed ]
Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
A quatrain is a type of stanza, or a complete poem, consisting of four lines.
Robert Lee Frost was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
A rubāʿī or chahārgāna(e) is a poem or a verse of a poem in Persian poetry in the form of a quatrain, consisting of four lines.
Chain rhyme is a rhyme scheme that links together stanzas by carrying a rhyme over from one stanza to the next.
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Timothy Steele is an American poet, who generally writes in meter and rhyme. His early poems, which began appearing in the 1970s in such magazines as Poetry, The Southern Review, and X. J. Kennedy's Counter/Measures, are said to have anticipated and contributed to the revival of traditional verse associated with the New Formalism. He, however, has objected to being called a New Formalist, saying that he doesn't claim to be doing anything technically novel and that Formalism "suggests, among other things, an interest in style rather than substance, whereas I believe that the two are mutually vital in any successful poem." Notwithstanding his reservations about the term, Steele's poetry is more strictly "formal" than the work of most New Formalists in that he rarely uses inexact rhymes or metrical substitutions, and is sparing in his use of enjambment.
This is a glossary of poetry terms.
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry.
"A Prayer for My Daughter" is a poem by William Butler Yeats written in 1919 and published in 1921 as part of Yeats' collection Michael Robartes and the Dancer. It is written to Anne, his daughter with Georgie Hyde-Lees, whom Yeats married after his last marriage proposal to Maud Gonne was rejected in 1916. Yeats composed the poem while staying in a tower at Thoor Ballylee during the Anglo-Irish War, two days after Anne's birth on 26 February 1919. The poem reflects Yeats's complicated views on Irish Nationalism, sexuality, and is considered an important work of Modernist poetry.
Mexico City Blues is a long poem by Jack Kerouac, composed of 242 "choruses" or stanzas, which was first published in 1959. Written between 1954 and 1957, the poem is the product of Kerouac's spontaneous prose technique, his Buddhist faith, emotional states, and disappointment with his own creativity—including his failure to publish a novel between 1950's The Town and the City and the more widely acclaimed On the Road (1957).
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Sleep is a composition for a cappella choir by Eric Whitacre, with lyrics by Charles Anthony Silvestri. He composed it in 2000, setting a poem, "Stopping by Woods on a Snowy Evening" by Robert Frost. When the lyrics were found still under copyright, Whitacre enlisted Silvestri to write new lyrics to the existing music.
"After Apple-Picking" is a poem by American poet Robert Frost. It was published in 1914 in North of Boston, Frost's second poetry collection. The poem, 42 lines in length, does not strictly follow a particular form, nor does it follow a standard rhyme scheme.
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
"Desert Places" is a poem by Robert Frost. It was originally written in 1933 and appeared in The American Mercury in April 1934, before being collected in Frost's 1936 book A Further Range. The book was awarded the Pulitzer Prize in 1937.
In fact, the woods are not, as the Lathem edition would have it (with its obtuse emendation of a comma after the second adjective in line 13), merely 'lovely, dark, and deep.' Rather, as Frost in all the editions he supervised intended, they are 'lovely, [i.e.] dark and deep'; the loveliness thereby partakes of the depth and darkness which make the woods so ominous.